Highly Recommended by Powerpopaholic Archives - Page 302 of 358

Roger Klug "More Help For Your Nerves"

June 15, 2009July 6, 2024 powerpopaholic

The new, and greatest release from Roger Klug— ten years in the making, is everything power pop fans have been waiting for. Fans of Roger Manning, Steve Eggers, Bleu, Mike Viola, will find everything to love about this album. Full of variety and complex melodies, it will take many listens to really appreciate everything here. Opening with the ringing guitars of “Tinnitus” it establishes Klug’s early volley of guitar heavy brilliance. It’s followed by the aggressive “Dump Me Hard” which end in a screaming eenie-meeny-miney-moe! The Partridge-styled “An Artist in the Field” is followed by the jangling highlight “Girl After My Own Heart.” Other songs have incredible guitar breaks (“About Time”) or turn out a perfect musical bridge (“A Girl Like That”) similar to The Wondermints. Other gems include “The Day I Had My Brain Removed” and the stunning “Hi-Hat” and “Bi-Curious” are full of dense riffs that give Greg Pope a run for his money. Even “Man’s Man” will recall Joe Jackson’s early spirit and energy. The eight minute ending song “Your Diary” didn’t drag at all and reprises a few of the album’s earlier melodies, like a grand finale should. A few don’t float my boat, like the show piano ditties “Witch From Hell” and “Bogeyman,” but that’s me being picky. There are more highlights here that I can mention, and Klug really mixes his tuneful melodies with a deft touch I’ve not heard since Andy Partridge himself. Like manna from heaven, it should be savored again and again.

My Space | CD Baby | Not Lame | Kool Kat Musik

Michael Carpenter "Redemption #39"

June 11, 2009April 4, 2018 powerpopaholic

In his first solo album of new material since 2004’s “Rolling Ball,” it’s refreshing to hear from Michael again in vintage form. As one of the top power pop talents on the globe, Carpenter here gives a clinic on how to write, perform and record a great album. Starting with the highly catchy “Can’t Go Back,” the song showcases his Beatlesque percussion and strong melody. Written between 2006 and 2008 at his studio in Sydney, Australia, the lyrics reflects the dark mood and somber themes of creative despair, lost love and failure that contrast with the familiar upbeat rhythms. For example on the title track, he intones “Heaven help the fool who falls a victim to desire…” Being a one man band, the guitar work on each track is strummed to perfection. The honky tonk flavor on “Workin’ For A Livin” makes for perfect toe tapping theme to the drudgery of employment. Michael then combines elements of Jellyfish and Queen to create the creative “The King Of The Scene.” After such a stellar first half, we slow down with a ballad (“Don’t Let Me Down Again”) before he boils down his life to the “Middle of Nowhere” where his soul just pours out. This track is the pinnacle of the album and a personal highlight for me. The remaining tracks are almost as strong lyrically as well as melodically. “Falling Down” is an uplifting confessional gem with a clean multitrack vocal chorus. Clearly, this is the strongest Carpenter album since his debut “Baby.” For a limited time, a bonus disc version of the album will be available. Entitled “The Stripped Redemption #39”, it presents the whole album with minimal accompaniment, highlighting the vocal arrangements of the material. If you aren’t that familiar with Carpenter’s work (what rock have you been hiding under?) this is a fine place to start, as well as last year’s compilation “Up Close.”

My Space | Not Lame | Kool Kat Musik | Rhapsody | Big Radio

Skidmore Fountain "Cloudless Blue"

June 9, 2009July 6, 2024 powerpopaholic

Brooklyn’s Skidmore Fountain is a collection of eclectic musicians, Randy Bergida (vocals/guitar), Topu Lyo (cello/vocals), and Steven Cohen (guitar/vocals) who produce alternative pop that has plenty of soundscapes with orchestral touches. If The Flaming Lips and Coldplay teamed up with Jeff Lynne adding a rare flourish, you’d get close to this band’s sound. Opening with a combination of violins and guitars, “Asylum” boasts an impressive array of instrumentation and driving beat to Bergida’s vocal. The highlight early on for me was “Drive By Reflection” where the simple guitar rhythms merge from a Cure-like narrative to a rich orchestral tapestry. The ghostly harmonies, handclaps and guitar breaks of “When The Sun Comes” is a loose series of sketches, rather than a structured song. It’s almost like a pop version of free form jazz. Too often, despite the musicianship, we are missing the hooks here on long winding tracks. Sometimes this doesn’t hurt a song like “Cloudless” or “Whole World” where the melodies and musical textures hold everything together fine. The gorgeous harmonies are upfront on “Sun In The Sky” with a vivid image of beach heat making this my favorite track. Other tracks like “Anyone Around” get too loose, and it almost becomes an extended reggae jam – some listeners will appreciate all the sonic details, but if you’re looking for quick pop songs under three minutes look elsewhere. I have to admit the songs have a soothing quality I don’t find in most pop music.

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First IN Space "This is Not Here"

June 9, 2009April 4, 2018 powerpopaholic

First in Space was formed in 2006 by Johnny Stanec and Dolus McCormick. After touring the Midwest, they honed their sound and recorded this album in 2007. As a debut the music is polished and professional and makes an excellent impression. These guys play straight up rock and roll here, “Jenny” opening the album with strong guitar chords and drumming, but it gets even better as the album plays on. I took notice of the melodic “Taken For Granted” which remind me of both Tom Petty and Joe Jackson. The awesome “What You Need” has a Posies flavor to it that was just catchy and irresistible. The band brings classic rock harmonies to these tracks that help make them true pop gems. With the longer cuts “Anything At All” and “I Let You Down” it tends to get more standardized in sound. But the power pop comes through in the richly detailed “Lock It Away” and those great builds to a chorus in “Wasted Time” will definitely be appreciated by music connoisseurs. Other songs have varied influences, “In The Water” and “Last One” have a slight REM vibe, but the group has a sound that merely touches these influences without sacrificing any originality. Worth the effort here, and a new album is already in the works!

MySpace | Itunes

J.P. Cregan "Man Overboard"

June 5, 2009July 6, 2024 powerpopaholic 1 Comment

ESPN basketball writer John Cregan’s alter ego, J.P. Cregan has put together a stellar collection of pop songs. And he’s no rookie either, having been guitarist for alt. country band Parklane Twin. With the help of Highland Park-based wunderkind-ace producer Nik Freitas, J.P. opens with “Carolyn (The Pledge Drive)” a very Nick Lowe-ish styled pub rock with a hint of country. The smooth “Count to Three” is like Glen Tilbrook at his catchiest, with a jaunty piano and guitar melody. The Elvis Costello/Marshall Crenshaw influence is all over the album (and J.P.’s vocals are very similar) but it works best on “Barbara is Strange” and I wonder out loud why those rock “legends” don’t write like this anymore. The jangle guitar and chorus makes “Atmosphere” a real pop delight. More gems here are the chiming “Jeni” and “Miss Highland Park” with hand claps and minor chords that will have you playing air guitar in no time. A few ballads here don’t spoil the party either, as “Searched For Me” and the title track aren’t as memorable, but still highly listenable without a filler in sight. This is high quality pop that really rocks and deserves a top ten for 2009 nod. What else can I say but “Man Overboard” is a Slam Dunk (pun intended – ouch).

My Space | CD Baby | Not Lame | Kool Kat Musik

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