Hey Now, Morris Fader "Ride The Fader"

Hey Now, Morris Fader is the combined talents of a Boston duo, Alex Sacco and Brooks Milgate. Much has already been written about comparisons to classic Ben Folds, and the pounding piano and drums that dominate the sound will reinforce that perception. But rather than be derivative, Sacco and Milgate draw from other influences that makes the sound their own. Opening with “Vanishing” brings to mind the piano melodies of Michael Brown (Left Banke, The Stories). Then the wonderful “Airport Song” is vintage “Yellow Brick Road”-era Elton John with a modern nod to Frank Ciampi as well. The cascading piano chords of “Etc., Etc.” and “Running In Place” recall those early Billy Joel finger acrobatics. The best combining of all these influences is the single “Down In Front” and it stands out as a more modern pop approach. The most Folds-like song is “Hypochondriac” with the constant crash of cymbal and even the lyrics self conscious, angst ridden delivery will fool those not paying attention. Another standout ballad with Pet Sounds aspirations is “Talking To Myself” and the highlight for me is the unexpected time signature changes and a yet another great Milgate piano solo. If you enjoy any type of piano pop, this is a must. Every song here is very good and most have those dynamic, upbeat sing-along choruses and smooth harmonies. Get it while it’s hot.

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Class Three Overbite "Horses For Courses"

Mike Elgert and Brad Jendza have added a big dose of funk to the power pop genre, that I haven’t heard since Roger Manning Jr.’s Imperial Drag.  This is pure power pop, no doubt with all the right touch points (Beatles, Beach Boys, Big Star, etc.). Everywhere I look on the internet, “Horses for Courses” is getting raves and kudos, and for good reason. Big thick guitar hooks on “Storm’s Comin'” kicks out the jams, with glam organ and Hendrix-styled rhythm. “Chasing The Rabbit” takes the McCartney melodic chorus and adds a 10cc/Queen styled guitar attack that is pure bliss. “Sunshine” is mostly a smooth Queen-like ballad with sweet harmonies on top of orchestral strings and guitar solo breaks. Every single song here cranks up the goosebumps meter, even the ballad “Show The World” with it’s “Mother Nature’s Son” strum, shines with brilliance. The theatrical “Reptiles” with it’s snarling guitar and elegant piano, drumbeat rhythm is on par with Bryan Scary and the Sheddding Tears. More 70’s funk is found on “Porn Addict” and “Lex Luther” with a wah-wah sound that requires bellbottoms to dance to. The more muscular “She Can’t Make A Decision” is a rocker along the lines of Kiss meets Stone Temple Pilots with the lead guitar swaggering along. With all this abundance of great music on one disc, Class Three Overbite easily makes my top ten of 2008 list this year. It should be on your list as well.

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Justin Kline "Six Songs" FREE SONG Download

Justin Kline has that sweet pop vocal that sounds a bit like Cliff Hillis or Marc Bacino with some very strong melodies, and well structured songwriting that recalls modern pop of The Honeydogs with the musical sensibilities of ELO and Jellyfish. The opening track “All I Need” is pure power pop ear candy. Then “Heart Attack” continues with a sharp chorus and those pointed guitar riffs. “How I Became the Wind” shares a sunny disposition with Tim Myers and the good life.  Using sleigh bells, organ, echoing guitar and “whoa, whoa” backing vocals that are so full of sugar, I got cavities just listening to it. “Kaleidoscope” is a little fuzzier, but no less wonderful, creating swirling aural imagery worthy of Roger Manning Jr. Then it takes a little alt. country ballad step forward, with “Singing In The Air.” The song features the twang of steel pedal and a galloping rhythm as it moseys along, to the twee finale in “Sunshine” which like the title implies, is a strumming affirmation of optimism. The songs lyrics here get a bit too preachy for me, and some will liken it to a Christian pop version of a Bright Eyes  ballad, but overall this EP is perfect pick-me-up for those rainy days. I can’t wait for a full length album here, as Justin Kline is without a doubt, a talented musician ready to spread his wings. Just to start you off, Justin asked me to make the single “Heart Attack” available as a FREE download. Enjoy.

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DOWNLOAD THE TRACK “HEART ATTACK” HERE

Adam Marsland "Daylight Kissing Night"

Earlier this year Adam Marsland’s “Daylight Kissing Night” aka “Adam Marsland’s Greatest Hits” came out for mere pennies ($6), and I pre-ordered it. This review is long overdue, and for the record, you cannot call yourself a power pop fan if you don’t own this CD. Marslands songs are both smart and literate, as well as insightful and raw along the lines of Ben Folds or Joe Jackson. However, the musical influences are much more than that. Adam channels a number of diverse rock/pop elements into his songs; Brian Wilson, Elton John, Pete Townshend, Matthew Sweet and even Green Day. Most of his best work is autobiographical, and chronicles the life of a kid who wants to be a successful rock musician (“My Kickass Life”) and all the pain and pleasure along the way. A lot of his lyrics also point to being a music geek in every way, like on “Other Than Me” where he’s “glad he never dated Aimee Mann.” Much piss and vinegar goes into his experiences with this band Cockeyed Ghost and his roller coaster ride with the “music industry” that gives us great tracks like, “Big, Big Yeah,” “Burning Me Out (of the Record Store),” “I Can’t Do This Anymore” and my personal favorite “The Fates Cry Foul.” Marsland really revels in the “glorious futility of playing in a band” and the listener will too. This compilation has something for everyone and a lot of his revelations resonate with me personally. I can easily declare this the best “Greatest Hits” package of songs this year and you can get it almost anywhere.

My Space | Adam’s Site

International Pop Overthrow "Vol.11"

At International Pop Overthrow every year, event founder David Bash releases a generous three-disc collection featuring many of the artists who perform at the power pop fest. This massive collection has 66 bands spread out on 3 discs. Like other previous collections, it’s a mixed bag of familiar artists and some new artists, but the high quality of songs compared to other compilations is what makes it special.

Disc 1: The ELO shine of Daisy’s “Go!” starts off nicely and moves across to the jangle and harmonies of The Ken Kase Group’s “Shiner” to The Private Jets “Extraordinary Sensations.” Another standout Roger Joseph Manning Jr. track (“American Affluenza”), as well is Laurie Biagini’s dreamy “That Feeling Inside.” Assorted Beatlesque qualities find there way on excellent tracks by Leave, 302 and The Shamus Twins.

Disc 2: More Fab stuff from old stalwarts Twenty Cent Crush and even Peter & The Penguins’ laments in “There goes Pete Best.. the unluckiest bastard in the world.” It gets a power pick-up with The Dirty Royals “Josephine” and the Rolling Stones-like “Charged by The Minute” by The Respectables. More standout tracks here include, Preoccupied Pipers, The Romeros and Steve Caraway.

Disc 3: You would expect fatigue to set in, but it doesn’t as The Afternoons give us the Kinks-ian “Don’t Turn Back” with flowing guitars and harmonies. All Right Tokyo’s “Jessica, Jessica” and The Issue’s “All Or Nothing” have a bit of punk mixed into the lead guitar riff and it stands out here (The Ramones’ spirit lives on!). Garfield’s Birthday’s recent albums best track “Molly” is here too. Fan favorite Chris Brown adds his “Ordinary Day” to this collection, and a retro sounding gem comes from Black Jones & The Trike Shop. Not to be forgotten, Fireking does a great job with the heavy guitars on “A Sentimental Education.”

There are a few mediocre tracks on the third disc, but for the most part you are getting an “instant” power pop collection that would normally cost a pile of money, all here for a small pittance. Always well worth the investment, I reap the dividends of following a few groups here to great full length albums in the near future.

My Space | Not Lame