Category: Highly Recommended by Powerpopaholic
TV Pins, The Restless Age, and Mt. Misery
TV Pins “Aircutter”
TV Pins is a band from Midlands, UK combining 1970s Americana, Britpop, and a touch of New Wave. The album opener “Oh Yeah” is perfect intro with the thump of drums into a heavy bass lead melody like a Britpop version of Big Star.
“Bye Bye Reseda” is a slightly different vibe with horns, but there are plenty of gems here like the breezy strum of “Magpie Eyes” and the unique “Roundabout” which goes in many melodic directions. “Everysingletime” recalls Crowded House at times, and the bouncy genius of “Last Rites” is my favorite here. This band does not do “cookie cutter” pop, hence the styles differ considerably. Definitely highly recommended.
The Restless Age “Losers Party”
The Restless Age (Will Bryant, Lee Falco, and Brandon Morrison) are from Athens, Georgia, and the album ‘Loser Party’ may not be power pop in sound, but definitely in spirit. The melancholy piano title track is a ballad that recognizes “my kind will never rule the earth,” but it has some great chord changes.
These guys really shine on the ballads with their crisp three-part harmonies and pensive emotional delivery. Check out “Time Can’t Go Back Now,” “Save Me,” and “Murky Water” for some gorgeous songwriting. The mid-tempo tracks aren’t as memorable, but “Freak Show” is another keeper. This is a band to keep your eye on and definitely deserves to be heard. Check them out!
Mt. Misery “Love In Mind”
Hartlepool, UK’s Mt. Misery is a jangle pop band that fans of Dropkick or Teenage Fanclub will really enjoy. The opener “Hey” has those subtle jangling chords, soothing background harmonies, and the earnest lovelorn belief that “everything will work out fine.” The next several songs also hit that sweet spot, as “Movies,” “On My Mind,” and “Sunday Song” all feel like a cozy vacation from the winter blues.
We can all sense the haze of naïve love and the uncertainty of youth as the laid-back tempo lingers a bit longer across the album on tracks like “You Call My Name” and “Love To Give.” While it feels a bit repetitive in parts, there are enough goodies here to make this a highly recommended album.
Ed Ryan and DB Edmunds
Ed Ryan “Along for The Ride”
The new album ‘Along For The Ride’ by Ed Ryan is a veritable gold mine of well written songs that highlight his musical abilities. Heartfelt lyrics and hooks that transports listeners into Ryan’s imaginative universe. Standout tracks like “Better Than That” and “Make It Happen” demonstrate Ryan’s knack for blending catchy melodies with easy-to-hum arrangements.
Ryan’s vocals, however, slightly limit the album’s full potential even if the songwriting and production are clearly excellent. Although his voice exudes emotion and authenticity, it sometimes lacks the youthful clarity required to raise these great songs to their best. “Heart On My Sleeve” is a raucous rocker that would really benefit from a growling-styled delivery. His vocal delivery works best on the mid-tempo ballads like “Solitary Man” and “Imperfect Life.” Clear influences are Tom Petty and other mid 70s styled rockers.
From reflective ballads (“Poppe’s Garden”) to energizing rockers (“Find Me A Girl”), the album covers a broad emotional spectrum to appeal to any power pop fan. All things considered, ‘Along For The Ride’ is evidence of Ed’s unquestionable skill and commitment to his trade. Highly recommended!
DB Edmunds “Everybody Knows By Now”
Originally a founding member of late ’90s power pop faves The Gladhands and main singer/songwriter/guitarist for Chapel Hill-based The Stars Explode, DB Edmunds began his solo trip in 2022 with EP ‘Life’s Wild Ride’. This new full length album was written in the wake of COVID lockdown, and its starts out promising, produced by the legendary Mitch Easter. The opener “Give It All You Got” is a bittersweet rocker about perseverance in the face of difficulties. “Chasing Yesterday” captures the melancholy tone as it explores the process of people losing their bearings, but a standout here is “(Don’t You Go) Wishing On A Falling Star” which has late 80’s sound, a great vibe is here, and would’ve been a hit if released in that era.
Another great song is “All The Possibilities,” starting with a Rickenbacker riff that blends into a layered melody about UFOs. The style changes on “Blind Faith,” which mines the late era Who for musical inspiration. A good song, but it shifts in style again on “The Weight of The World,” a slow jazzy song akin to a James Bond movie theme. The album is performed and played to perfection in the end, however the abrupt changes in style are distracting. DB seems to explore more than compose, and you will want to pick out some favorites here, as this is music that deserves to be heard.
Late Nov singles and EPs: Mt. Misery, Kurt Baker, The Aerovons, Lùlù, Sudden Cuts, Ryan Hendry
Joy Buzzer and Willie Dowling
Joy Buzzer “Pleased to Meet You”
The band was founded in 2021 and features Kevin Lydon on lead vocals, with Jed Becker on guitar and writing the tunes; KG Noble on guitar and vocals; Nick DeMatteo on bass and vocals, and Mark Brotter on drums. The opener is the band’s first single “Judy Judy Judy,” with its catchy chorus and Jed Becker’s layered guitars recall 80s classic hooks, and the solo break even touched on prog/psyche rock. Kevin Lydon’s vocal perfectly fits and help give the band its signature sound.
It amps the energy up even more on “You’d Be Surprised,” a Beatlesque gem akin to The Weeklings. “Jeanette” brings us back down to earth, as a mid tempo tune with unexpected key shifts and stellar harmonies. There is something here for every power pop fan, from heavier rockers like “The Secret Word” and “You Don’t Even Know My Name” (which was voted coolest song by Stevie Van Zandt’s Underground Garage) to lighter pop gems like “Mamaroneck” and “All These Yesterdays.” The quirky and catchy come together on “Try Not To Be An Asshole,” a personal favorite of mine. While a few songs seemed formulaic, I couldn’t find a bad song here. When its all killer and no filler, it’s definitely on my top ten list for 2024. Super highly recommended!
Willie Dowling “The Simpleton”
Willie Dowling (Dowling Poole, Jackdaw4) goes solo here and displays his formidable melodic talents. The songs are almost prog-pop with dramatic builds on “Let Us Begin” including an operatic piano solo loaded with violins, about a slowly unfolding armageddon. The story continues “Long Drop Down” a compelling tale of a poisonous world “where the liars and the cheats prevail.” Dowling’s influences remain Roy Wood, XTC, 10cc, and a sprinkling of Sparks theatricality. Unlike his other works, most of these songs are piano led, and it sounds similar to a stage show soundtrack.
The concept album follows modern political nihilism, the title track “the Simpleton” is a bio of a TV pundit with a solid cascading melody followed by the dramatic chorus of “Sadie Goldman,” a lost soul that follows a road to illusion. “Down the Slide” continues the story of the evil corporate media; “don’t you let the truth get in your way.” It ends with the beautiful ballad “In The Ocean,” and while Willie’s musicianship is stellar, the distinctly bleak worldview might put off some. But if you are a fan of the band Skeleton Staff, you will definitely love this. Highly Reccomended.