Category: Highly Recommended by Powerpopaholic

Sloan and Richard X. Heyman

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Sloan

Sloan “Steady”

On their 13th album, Sloan retains its title as the best indie power pop band left standing. The Canadian quartet has a career that spans over 40 years, and “steady” not only describes the band’s lineup but also its consistent stylistic approach. The chugging guitar on “Magical Thinking” starts us off, with hooks a plenty and a “ba-ba-ba” chorus. Then we launch into the catchy rocker “Spend The Day” a song that’s defined Sloan’s sound for years with a wicked guitar break, and it leads right into the gentle harmonies and handclaps of Jay Ferguson’s “She Put Up With What She Put Down.” Each song leaves an impression, and the album gets even better the further along we go.

Chris Murphy’s “Human Nature” is a brilliant piano-based song about our love of gossip. But what’s amazing is how the band can take Beatlesque elements and make it totally their own, my favorite track here is “Nice Work If You Can Get It,” a dreamy Rickenbacker riff based on “Day Tripper” – it’s an instant classic. Not a weak track to be found, and without a doubt (like their 2018 opus 12) this easily gets added to my top ten list for 2022.

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Richard X. heyman

Richard X. Heyman “67,000 Miles An Album”

For many years Richard X. Heyman was the original power pop DIY, one man band, and even though he branched off playing with The Doughboys several years ago, he remains a singularly unique songwriting talent. 67,000 miles an hour refers to the speed of the earth as it moves in orbit around the sun. RXH goes through a variety of styles here, but he starts off with an absolute gem “You Can Tell Me,” full of harmonies and sweet chord progressions. The rich horns of “Misspent Youth” goes through visions of his life in New York, and “Traveling Salesman” is a garage rocker with a distinct riff.

With 18 tracks you’ll find plenty of great songs here like “Crave,” a bouncy rocker with synth keys and pounding drums, and the mature hooks on “When The New Dawn Comes.” The soulful vocals of the mid-tempo ballad “Plans” are another highlight. Sometimes RXH finds a musical idea, like “Ready For A Fall” with its stylized harmonies, but it doesn’t quite work. However, enough tracks do work and that makes it highly recommended in my book.

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Future Teens and Disq

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Future Teens

Future Teens “Self Help”

This Boston quartet may call themselves a “bummer pop band,” but Self Help really packs an emo-punch. The album was created over ten days with producer Andy Park (Death Can For Cutie).  The concept is wrapped around the emotional journeys one takes through therapy. The lyrics are strong, the melodies are loaded with power, and Amy Hoffman’s strong vocals on the opener “Doorknob Confessional” recalls Alanis Morissette. Daniel Radin’s vocals in “Good Reason” are equally impressive, noting that “everything that happens is for some goddamn good reason.”

“Smile With Your Teeth” is another tune that deserves attention, and “BYOB” muses on the emotional spiral of alcoholism. The stories are neatly matched instrumentally, but the approach loses some stream in the second half. On “Team Sports” Amy confesses “Lately I could use a hand, but I’m not sure how to ask for it.” This album is a definite helping hand to anyone dealing with intense feelings. Highly Recommended.

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qDisq

Disq “Desperately Imagining Someplace Quiet”

The young Madison, Wisconsin band is desperately trying to grow after their brilliant debut, Collector in 2020. They throw in a lot of ideas here, some work and others don’t. The massive variety of styles and shifting instrumental changes make for unpredictable and exciting listening.

The light harmonies of “Prize Contest Life” in the song’s middle are contrasted with its screaming noise-pop bookends. Next, “Cujo Kiddies” shuffles along its catchy verses with just enough synth & beat to make it very danceable. They still can play loud and fuzzy with “This Time” and “The Hardest Part,” as it brings to mind the band’s debut. Then “If Only” adds a friendly little Wilco-styled alt. Americana to the mix, while “Tightrope” is like a long-lost Weezer song. The most impressive tune here “(With Respect To) Loyal Serfs” is a slowly building gem that settles in with its heavy riffs and hooks. Overall, a good album that has plenty of fun music. Definitely, music that deserves to be heard.

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October EPs and Freebies: The Persian Leaps, The Bishop’s Daredevil Stunt Club, Rum Bar Records, Canadian Invasion, Friends of Cesar Romero, The Chords UK, Gavin Guss

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New music that deserves to be heard. The Persian Leaps return with a fresh new EP, and they still impress with their solid songwriting on “Maybe Time Will Let Me Forget” and “Beautiful Inside.” It’s an early Halloween treat from The Bishop’s Daredevil Stunt Club on the Vanishing Point EP, with creepy synths on “Every Night I’m Dying” and heavy riffs on “Why You Ghosting Me Girl?” Both are recommended. Rum Bar Records’ newest sampler is another great FREEBIE, check out the strong female rockers Cindy Lawson and Abbie Barrett. Canadian Invasion is a bit more subtle in approach, check out the mid-tempo “Swim Club,” it’s one of the better singles this month. Friends of Cesar Romero adds some garage swagger and fuzz to their new EP. Each song rocks and it’s also a FREEBIE (no excuses)! The party continues with The Chords UK, check out the anthemic opener “All For Nothing At All” with its handclaps and high-energy riffs. Finally, a single cover from Gavin Guss, was initially done by The Police, but it sounds like a perfect Nick Lowe version.

Ken Sharp and The Boys With Perpetual Nervousness

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Ken Sharp

Ken Sharp “I’ll Remember The Laughter”

The Pandemic forced artists back into the studio, and many embraced the newfound “time” to create. But no one I know did as much as artist Ken Sharp, who created a veritable box set of 50 songs for his 7th album, I’ll Remember the Laughter. Assisted by his amazing co-producer Fernando Perdomo, he creates a series of love letters to 1970s-era bubble gum, power pop, glam, baroque, soul, and folk styles. Lots of standouts allow you to pick and choose a “best of” from the bunch.

Sharp has been an excellent writer, and curator of these musical styles and creates many memorable songs here. Even with the copious selection, his batting average is high when it comes to potential “hits.” Opening with the Todd Rundgren-like “Maybe Next Summer” it plays with key shifts, harmonies, and a satisfying guitar coda. His falsetto is so high on “Cracking This Heart of Stone” I thought it was a Diana Ross imitation, and it is such a lovely tune. I’ve mentioned in the past that his vocals are not everyone’s cup of tea, but it definitely grows on you. “Dennis” is baroque bubblegum with a theatrical flair, “It Pays To Be A Rock and Roll Star” has cool glam guitar riffs, and “Maybe You’re Right” has that pure power pop hook. You get the idea. Sharp also includes a bunch of previously released singles and some covers. Like an everlasting gobstopper of music, this is highly recommended, despite Sharp’s contention that “Nothing’s Everlasting.”

Volume 1 | Volume 2 |

The Boys With The Perpetual Nervousness

The Boys With The Perpetual Nervousness “The Third Wave Of​.​.​.”

The duo of Andrew Taylor (Dropkick) and Gonzalo Marcos (El Palacio de Linares) are back as The Boys With The Perpetual Nervousness. The sophomore album “The Third Wave Of…” Is more of the same feel-good jangle that made their debut so engaging. “As The Day Begins” greets us with a sticky hook, a fast tempo, and glorious harmonies. Fans of The Byrds, Teenage Fanclub, and CSNY will find this as comfortable as a favorite sweater.

Another Pandemic album, there are lots of highlights here, one of my favorites is the ballad “Isolation” with the ethereal Mary Lou Lord on backing vocals.  The band hits its stride with the excellent combo of “In The Right” and “The Stars Go Round.” Both have superior melodies that are perfectly suited to Andrew’s smooth vocals. The remaining songs are also very good but don’t hook you as quickly. Still, no filler here, and very highly recommended.

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John Larson & The Silver Fields and Push Puppets

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John Larson And The Silver FieldsDowling Poole

John Larson And The Silver Fields “Mile A Minute”

John Larson and The Silver Fields lean into the power pop genre more here than any previous album. The opener “Jeannie” hits all the right notes with a strong hook for his “go-to girl” and it’s a catchy delight. “Too Stupid To Stop” sounds like the mantra for every musician with a passion for music, and it’s another winner. Larson’s influences are both traditional from the late ’70s pop through the ’90s alternative, “Because of a Girl” and “Can’t Miss Kid” have a timeless quality, with memorable choruses particularly the latter, with its keyboard-guitar combo akin to early Todd Rundgren.

Yet Larson makes efforts not to stick to a specific style or emulate the past too closely. It’s that quality that makes this collection so special. The authentic rock and roll spirit lives on in “Dig It Out” and the daydreaming quality of the slower tempo “Smartest Guy In The Room” is like the lyrical opposite of the Beatle’s “Fool On The Hill” with just as much sonic depth. Not a wasted note here and no filler. Mile a Minute is immediately accessible and it begs for repeat listens. Highly recommended and makes my top 10 album list for 2022. Don’t miss it.

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Push Puppets

Push Puppets “Allegory Grey”

Push Puppets are a fresh new band from Palatine, Illinois. The band is the brainchild of singer/songwriter/guitarist Erich Specht and he definitely knows how to hook you with his great opener “There’s No One Else Like Lynette,” reminding me of The English Beat’s “Save It For Later” and just as catchy. Fans of The Finn Brothers and Crowded House will find a lot to love about Push Puppets; “Sometimes The Buds Never Flower,” and “The Bane of My Existence,” adds a similar bouncing tempo, jazzy touches, and smooth lyrical approach.

“Obvious” uses the soft verse-dramatic chorus to great effect, and then the band veers off into folk territory with “Perfect Picture.” While the first half of the album has the best material, the songwriting is never predictable and it often shows flashes of brilliance, like the chorus of “October Suprise.” This is a band you should keep your eye on… Highly Reccomended.

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