Category: Highly Recommended by Powerpopaholic

Andy Bopp and Styx

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andy bopp

Andy Bopp “AB”

Andy Bopp is a power-pop legend and guitarist from Baltimore Maryland. From Bastards of Melody to Myracle Brah, for over 25 years Bopp has carried the melodic rock flag and never waivered. On AB, he delivers a great variety of rock and power pop styles, as he falls neatly into a musical space somewhere between Robert Pollard (Guided By Voices) and Chris Stamey (the Db’s.)

Starting with “Ashes” it’s a definitive cry for immortality and “not letting go” unless he knows he’s been heard, with layered percussive rhythms over his guitar riffs. The echoing jangle of “I Am A Jetfighter” is another anthemic tune that rings true. Most of these tunes are accessible, short, and immediate; boiled down to a pure hook that begs to be repeated, like the 2-minute “Arlo and Joan.” It’s tough to keep calling out favorites because everything here works, like the fantastic “Abbie Karey,” which sounds like a lost Pete Ham (Badfinger) mid-tempo ballad. The second half rocks harder, “Bending All The Jets,” “EM543” and “Blood 66” are quick garage jams that soften you up for more methodical GBV-styled rockers like “Bicycle Parts” and “Think About You.” Overall not a weak track in the bunch and makes my top ten LP list for 2021. Highly Recommended!

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Styx

Styx “Crash of The Crown”

Let’s get this out of the way first, I know Styx is not power-pop, but they are a band that has earnestly been moving to update their prog art-rock sound for the past five years without losing their uniqueness. The Tommy Shaw/JY-fronted Styx is still dedicated to that sound but has managed to change things since 2017’s The Mission. Very few legacy rock bands have managed to do this successfully — but Styx has cracked that code. While old-time fans of Styx may balk at this effort, it adds several new musical influences to keep things fresh.

Starting with “The Fight of Our Lives” it establishes the classic Styx prog sound, with soaring guitar and harmonies all in under 2 minutes. “A Monster” continues the momentum, and “Reveries” has Lawrence Gowan’s vocal carry things, along with a wicked guitar break. The title track is where we shift into a new sound, as all three vocalists contribute here, and I hear echoes of Queen(!) mixed in. “Long Live The King” is another gem with this new sound. “Our Wonderful Lives” moves us slowly back into Styx land reminding me of “Sing For The Day” mixed with “Penny Lane.” Tommy Shaw and company do enough to establish their virtuosity, but the hooks are missing on some of these songs (“Sound The Alarm” and “Coming Out The Otherside.”) That said, this is a good direction for the band to go in, and fans will find plenty to enjoy here. Check it out.

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October EPs: Bryan Estepa, Four By Four, The Small Breed, Kurt Baker, Drew Beskin and more

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Great new music – Bryan Estepa teased us with the single “Back To The Middle” and now the entire EP is here, and it’s all killer, no filler – tasty bittersweet pop. The Pre-Amps of Madrid, Spain bring the bright pop with harmonies and horns on “Four By Four,” its classic Byrds/Beatles influences played to perfection. But if you really want to go retro, check out The Small Breed in the tradition of New Colony Six. Meanwhile, Kurt Baker is back from Spain and has been releasing a group of singles (which together make a great EP) that proves he hasn’t lost his power-pop chops. Drew Beskin released a terrific LP this past summer, and now he’s got some excellent Halloween singles too. Speaking of October, it leads to a great freebie – Rum Bar Records newest sampler. Like Halloween candy, it’s sweet, crunchy, and maybe has a razor blade hidden in it 😜 .








Oscar Lang and The Orange Peels

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Oscar Lang

Oscar Lang “Chew The Scenery”

Young UK musical phenom Oscar Lang proved his long-awaited indie-rock debut was worth the anticipation. Heavily indebted to Brit-pop’s past, Lang excels at fuzzy hook-filled melodies with buzzing electronic flourishes. After an extended fanfare, it leads into the first single “21st Century Hobby,” focusing on the dark side of social media, and the catchy chorus is layered with guitar lines. Without missing a beat “I Could Swear” bounces along and it’s all very infectious.

“Stuck” then gets even denser and louder with a self-loathing akin to The Dandy Warhols, before it goes full-on dance Madchester funk like The Happy Mondays on “Yeah.” So far we’ve got track after track of energy and excellence until it pauses with the piano ballad “Write Me A Letter.” This demonstrates Oscar’s subtle talent and emotive pull, and as the album continues it feels more relaxed from “Are You Happy?” to “Quarter Past Nine.” As we run out of gas at the end, “Final Call” feels pulled from the Coldplay or Radiohead playbook. Overall, it’s an effective and strong debut that’s highly recommended.

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The Orange Peels

The Orange Peels “Celebrate the Moments of Your Life”

With a title straight out of a commercial, Allen Clapp, Jill Pries, and Gabriel Coan continue to move the band beyond guitarist John Moremen’s influences. Clapp goes for a shimmering jazz-pop sound here, with a mix of arty psych-pop and electro-pop flourishes. Coan’s percussion takes the lead mostly, as Clapp drives the droning synths of “2×2” and the next several tracks meander along a theme of birds.

Clapp does get soulful on the piano ballad “Thank You” and the jangling bounce of “Whenever” is a standout for fans of the band’s classic sound. But this album is more experimental, and as far from power-pop as you can get. Clapp is a genius when it comes to atmospherics, and my favorite track here is the instrumental “Two Shores” — get some good headphones for this one. “The Ghost of You” and “Human” bring to mind Tears For Fears, and the loose, trippy “Mindego Hill” is a gem. The final section of this massive 17 track album is flower-themed as the music is more about ambiance and sonic environment than melody. The band has drifted in this direction since 2020, so it’s not a big shock. However, if you’re looking for those 3-minute earworms I’d visit their earlier works.

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The Junior League and The Raves

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The Junior League

The Junior League “Bridge and Tunnel”

Joe Adragna (The Junior League) is back with a thoughtful album that has a Long Island, New York theme. The catchy single “The Sunshine Saves Everyone” is a richly developed slice of sunshine pop akin to Allen Clapp (The Orange Peels). Assisted by Scott McCaughey (The Minus 5) and Michael Giblin (Parallax Project/The Split Squad) it’s got a heavily percussive style full of grand orchestral flourishes. While 9-11 is not mentioned directly, the trauma is felt under the surface of these songs.

The dour vignettes of life on “Library Bar” and “LIRR” speak about looking for something better.  The expansive sound of “54” and “Hart Island” recall the folk-rock of America, and a highlight here is the memorable “Andrea (You Can’t Fly).” The tone shifts for “Not My Time” which is like a lost Smokey Robinson & The Miracles track. Another standout is the quicker tempo of “Turn Off The Lights.” While this album isn’t that immediate, repeat listens reveal really inventive soundscapes. It’s definitely, music that deserves to be heard.

Kool Kat Musik | Amazon


The Speed of Sound

The Raves “Past Perfect Tense” (Remastered)

Based in Atlanta, Georgia  The Raves were one of those “lost” gems from the early eighties that did well locally, but never got the acclaim or signing of similar bands at the time like The Rubinoos, Shoes, or The Spongetones. By 1992 the band’s output was compiled in a limited edition Past Perfect Tense CD. This rarity boasted tight harmonies and jangling guitars in the classic tradition of The Raspberries.

Kool Kat Musik brings you a remastered version of this hard-to-find LP. Fans of traditional power pop will love this, as the energy is wilder than the Beatley haircuts on the cover. Lots of highlights from the angular riffs of “C’est La Vie” and Badfinger-like “Now You’ve Really Done It” to the bouncy rock of “Calling Your Name,” and many more. You still hear source tape limitations on some songs, but this is still a great document of The Raves talent. Highly Recommended for DIY power pop collectors.

Kool Kat Musik | Amazon

The Lunar Laugh and Dana Countryman

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The Lunar Laugh

The Lunar Laugh “Nighthawks!”

Oklahoma duo Connon Anderson and Jared Lekites are The Lunar Laugh and they offer up a live concert album with a pair of studio tracks on Nighthawks! The band tends to cover the musical spectrum from power-pop to folk-rock, and country. Opening with the studio tracks “I Wanna Know” and the spawling “It’s Okay,” it showcases their smart melodies and stylistic range (especially on the latter.) From here the live concert begins. Starting with “On The Road” it’s an excellent song with palatable energy that draws the audience to clap along.

The solid performances of “Winsome” and “Living A Lie” soon expand to other tracks, like bass player Campbell Young’s “Alive,” Neil Diamond’s “Solitary Man,” and Death Cab For Cutie’s “Soul Meets Body.” While these are well received, they don’t fit the band’s identity as well as a “Mama’s Boy” and “Old New Kid In Town.” With 18 songs it would’ve been a little better to get a few more studio tracks instead of covers, but nevertheless, this album is a pleasant diversion and deserves to be heard.

Big Stir Records | Amazon


Dana Countryman

Dana Countryman “Pop Scrapbook”

Once again the prolific Dana Countryman is back. The unapologetic “One-man Brill Building” delivers a knockout pop punch where his meticulous production details enhance everything he does. The terrific “Mrs. Sunshine” is a collaboration with Klaatu’s Terry Draper and Scott McPherson. It sounds like a lost track from classic ’70s Klaatu mixed with ELO and Queen; it’s simply great (we need a whole album of this!) But Dana is never stuck to a single style or genre, and the classic hook of “My Little Caroline” follows in the Neil Sedaka tradition.

The breezy light jazz-pop of “City Life” and the bossa nova “Sunday Comes Along” is an idyllic slice-of-life guaranteed to lighten your mood. Dana also isn’t afraid to take chances, as the mini-musical “Record Store Employees” is a medley of melodies all dedicated to crappy customer service. It’s another winner here, and “Brand New Feeling” is a country ditty with a really nasal vocal. The shmaltz level remains high on the other songs, but nothing here is cringe-worthy (although “Butterflies” comes close). So if you love retro pop get this – it’s highly recommended.

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