"Beatles Stories" premiere and Red Button pre-order

I spent my Saturday Night at the east coast premier of Seth Swirsky’s new film “Beatles Stories.” A great little film that’s on the festival circuit right now, it goes through a series of interviews with celebrities and musicians who had a personal Beatles experience.

I was trying to get a photo of myself and Seth outside the theatre, so I handed my camera to a friendly asian lady who was near us. She took the photo and I thanked her… not even realizing that it was May Pang who took our picture! On top of all this Seth is now promoting the new Red Button album. The album is available now and my review will be ready in a few days. Photo: May Pang and Seth Swirsky.


Beatles Stories promo from Seth Swirsky on Vimeo.

Film Review: "These Magnificent Miles"

This Ken Davenport movie is the definitive biography of the band, Red Wanting Blue. They been around for 14 years, but if you never heard of them, that’s understandable. Considered by some music journalists as the “the best underground independent rock band in the USA.” Yet they’ve never been signed to a record label.

The band’s sound is pure middle America, comparable to Dave Matthews Band and Lifehouse. Lead singer Scott Terry has a soulful vocal similar to Eddie Vedder, and his dogged persistence is central to the bands success. We follow the band on the road and through the process of creating their 8th album and hearing testimonials from fellow touring mates OAR, family members and past band members. A majority of the action is concert footage and backstage scenes. These guys do everything themselves, including posting their own concert fliers on campus in the dead of night. Much like the last film I reviewed, this is the story of a band that deserves fame and fortune, but is relegated to doing it because music is their shared passion. We meet all the members of the band and learn their bios, their day jobs, and how they survive as working musicians. We conclude with a triumphant, yet anti-climactic signing by Fanatic Records. Overall, the film is inspiring and educational as to what it takes to survive in today’s musical landscape.

Nothing Can Hurt Me: The Big Star Story

Today is exactly one year since the passing of music icon Alex Chilton. In the works is a full feature-length documentary about the massive critical acclaim, dismal commercial failure, and enduring legacy of pop music’s greatest cult phenomeon, Big Star.  Produced and directed by Drew Denicola and Danielle McCarthy. More info on the movie here.

Last year when I interviewed Ken Stringfellow, we both had no idea it would be Big Star’s final show.

Toddstock the trailer


I learned about this event years ago through Todd Rundgren’s web site. A limited number of fans had the opportunity to spend a week in Hawaii with Todd and his family for his 60th birthday. At that time, I didn’t have the money or opportunity to take a second vacation. Well who knew they’d make a documentary about it? I truly missed out on a life changing experience. Oh well, at least I’ll be able to see the movie.

Film Review: "Why Isn’t Chris Von Sneidern Famous?"

In 2008 I promoted the documentary “Why Isn’t Chris Von Sneidern Famous?” Well now it’s out on DVD and you get the opportunity to watch the story at home. It’s not only a profile of one of the best musicians you’ve never heard of (who kind of avoids identifying himself with “power pop”), but a debut documentary for director Kathleen Mcnamara. The film is structured around roughly six sit-down interviews that show the relationship and trust that gradually develops between the flattered, but reluctant, subject and novice filmmaker. It has plenty of commentary from critics and friends, as well as CVS performances at small venues, including IPO. The haunting question that hangs over the film is “what is success for a musician and is fame the most important ingredient?” The film is a compelling portrait of a Von Sneidern the musician and artist who sees little value in being “famous.” For Chris, doing great music is what he’s best at, not promotion or PR for himself. Often his friends and family are concerned about him just “making a living” as opposed to being a “starving” artist. Chris’ ego may get in the way of his associates business advice, but there is no doubt of his talent and creative drive. A fun documentary for both musicians and music fans alike.

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