Aaron Lee Tasjan and The Late Show

Aaron Lee Tasjan

 

Aaron Lee Tasjan “Karma For Cheap”

Nashville singer-songwriter Aaron Lee Tasjan, aka ALT is a bit of a musical chameleon. The personas and musical styles he plays aren’t static, although his primary focus is in the roots rock and country rock arena. Very much influenced by Tom Petty, George Harrison and Arlo Guthrie, and many others. So you could make a case that this is a lost Wilbury looking for an audience.

The opener “If Not Now When,” uses the riff from George’s “Wreck Of The Hesperus” and takes it in a better direction. A big highlight is “The Truth Is So Hard to Believe” with its Posies-like percussion, and swirling bass guitar riff. “The Rest Is Yet To Come,” is another winner with its easy rhythm and descending bass line. From there it settles into some longer Pettyesque mid-tempo tunes, and Aaron has a slight drawl and even a little vibrato when playing the Orbison-like “Strange Shadows.” The production is solid, with no filler even though only a few songs stick with you afterward. Fans of the artists above will like this one, and it will grow on you. Highly Recommended.

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Thew Late Show

The Late Show “Sha La La”

This is The Late Show’s follow up to their critically acclaimed album Portable Pop, which was listed as #46 of the 200 most essential power pop albums in John Borack’s book “Shake Some Action: The Ultimate Power Pop Guide.”

From the get-go, you will hear a band influenced by The Replacements on the opener “To Let It Go,” with its sharp guitar riffs. After 30+ years, these dudes still rock pretty well, with the slightly-psyche rock title track and the harmony-filled chorus of “Tears.” The bouncy “Hello Linda” and “A Better Chance To Take” both have that timeless power pop quality. While the majority of the songs are good, they don’t have the freshness of Portable Pop, which is a product of its time. Still, this is absolutely better than a lot of music out there, so check it out.


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John Borack Power Pop

John M. Borack’s Latest Book, Shake Some Action 2.0. is out!

Author John M. Borack’s upcoming book, Shake Some Action 2.0: An Updated Guide to the 200 Greatest Power Pop Albums, due in September from Not Lame Media, is an update of sorts to Borack’s now-out-of-print 2007 book, Shake Some Action: The Ultimate Power Pop Guide.

The book is 414 pages of pure pop-inspired passion that even the most casual power pop fan will appreciate but a serious one will get totally geeked about. Newly written and/or expanded reviews of the outstanding power pop releases plus nearly 60 new entries included in the Top 200.

In addition, the book comes bundled with a 24-track CD collection from Borack’s power pop band Popdudes! The CD contains several rare and/or previously unreleased tracks.

Check it out here

Summer Magic and Michael Roberts

Summer Magic

Summer Magic “Sharks and Other Dangers”

This St. Louis-based “band” is basically Kevin Bachmann (Lapush, Troubadour Dali, Jon Hardy & The Public), who worked on his debut album with David Beeman (Pokey Lafarge, Tristen) and David Vandervelde (Father John Misty). Sharks And Other Dangers is a summer LP coming out at summer’s end, but when you start out with the infectious jangler “Hey!” its like popping open a crisp beer. With an understated vocal and a Rickenbacker rhythm, it sets the stage for this short (but sweet) LP.

Using a variety of surf guitars, shakers, and classic rock stylings Summer Magic cuts through the haze and sticks with you. “Charles de Gaulle in The Afternoon” shuffles along like an updated Tommy James classic, and “Attraction Corridors” is like Teenage Fanclub with its “ba-ba-ba” vocals and descending verses. The fast-tempo “A Certain Little Chord” is another big highlight, with its driving guitar lead. Overall not a wasted note and it deserves a spot on your playlist, for any season. Highly Recommended.

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Michael Roberts

Michael Roberts “There Is No Blue”

I know little about Mr. Roberts other than he’s from Wales (UK) and he’s made several “best-of” lists last year with Suspended In Space. This year I caught up to his latest LP, There Is No Blue. A plinking toy piano opener “Stardust Symphony” is a mainly a baroque instrumental, but most of the tunes are solid ballads where Michael’s hushed vocal floats over a melody with great orchestral flourishes like “It’s For Real” and “Home.” A little like John Mayer meets Eric Matthews. The vocals are also done by Nathan Corbett, who’s got a great voice too.

Props also go out to Donna Howell, who often duets with Nathan on several tunes, like “Sometimes” and “Turn Your Face Into The Sun,” plus she sounds a lot like Debbie Harry. More high-quality songwriting and catchiness on the upbeat “And Again” and “Cats Like Us.” Highly Recommended.

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Freebie Fridays: William Duke, Richard Turgeon, Lund Brothers

Richard Turgeon just keeps going! After the release of his new LP Lost Angeles, he decided to cover one of the most popular power pop bands of early the 2000’s, The Gin Blossoms (who have a new release out, btw.)  Richard does a pretty faithful rendition of that band’s biggest hits. These are both FREE downloads. Enjoy!


William Duke

William Duke “Quatro”

William Duke is back with a fine short LP (or extended EP) with an assortment of goodies. Duke’s sound is like a mix of The Pernice Brothers and Eric Matthews, with elements of Roots, Soft Psyche, and Baroque pop. He gives us the opening “Caroline And The Silver Screen,” a near five-minute jangling epic. The infectious beat and harmonies stay with you on “Junk #2,” and the moody mid-tempo “Hotel’s End” and “As Good As It Gets” tugs at your emotions. No real filler, and super highly recommended. Plus, it’s a FREE download.

Lund Brothers

Lund Brothers “Live!”

OK, it’s NOT a freebie. I rarely review live concert albums, but this one was worth it. The Lund Bros’ historic set at Seattle’s Experience Music Project (EMP) showcases a band that captures that “live” vibe with maximum impact. As a stripped-down trio of Chris Lund, his brother, Sean and Gwon Chang – they pull off a great set. Highlights include “Plastiscene” and “In My Hands,” fans of Cheap Trick and Redd Kross will want to check this out!

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Bird Streets and Lane Steinberg

Bird Streets

Bird Streets “Bird Streets”

It’s been a long journey for New York songwriter John Brodeur. Since his 2000 debut Tiger Pop, he’s been collaborating, writing and performing for nearly two decades, and through it all maturing as a musician. John’s new project is called Bird Streets, and its a collaboration with the producer and multi-instrumentalist Jason Falkner (Jellyfish) that delivers satisfying results. Falkner has notably has brought out the best in his recent partnerships (R. Stevie Moore, Bent Von Looy) and this continues the trend.

The familiar, but fresh opener “Carry On” has got handclaps and guitar hooks, embracing the best of power pop with its layered melody. Falkner’s influence is really strong on the brilliant single “Betting on the Sun” as it mixes a jangling rhythm with its shimmering light chorus and dark lyric. “Spaceship” is a notable metaphor for the musician’s addictive life as Brodeur states “No way of stopping until life had passed me by.”

The bright “Thanks For Calling” is a great song of longing with a bouncy melody and a catchy bass line. “Heal” describes an abusive co-dependent relationship, with soaring harmonies. Most every track hits its mark, with only a few quiet moments. Overall this is easily Brodeur’s best album, and it continues Falkner’s winning track record. Highly recommended and makes my top ten list for 2018. Kudos once again to Omnivore Records for this one!

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Lane Steinberg “Lane Steinberg and His Magical Pony”

Lane Steinberg is a prolific musician often mixing experiments in melodies alongside mini pop symphonies. Sometimes it all comes together (like the brilliant 8×8 projects) and sometimes it doesn’t. This LP gathers many older singles and collaborations. Often I compare him to Todd Rundgren in approach, and the opener “You’re Not Connected To The Internet” has the catchy melody, and crashing percussion. Next, “Another Early Autumn” is a magical Brian Wilson styled composition that showcases Lane’s vocals and savvy production skills.

We do get collaborations with Stevie R. Moore (“Franklin & First”) and David Grahame (“After Taxes”), among others. More highlights include the very Ray Davies-like “Everyone Thinks I’m Happy Now” and the breezy “Portofino.” Overall, a worthy addition to your playlist and it gives the novice listener a good primer to Lane’s musical milieu.

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Mooner and Michael Slawter

Mooner

Mooner “Satisfaction-promise”

After Mooner created the amazing Masterpiece a few years ago, I wondered what Andy Ketch would do next. We have both brilliance and experimental rock on display in this LP. Opening with “Yeah, I read it,” it mixes word association with gleefully wild guitar noise. “The Stand-In” is a sweet catchy gem about a washed-up actor, “don’t mind him, he’s a stand-in, OK?” Echoes of Big Star are all over “I Don’t Know How,” and the ballad “Desire” has a yearning chorus with some nice harmonies.

The songwriting shifts around in tone, but notable tunes are “My Sorrow” and the creeping “Slow Parade Of Love” that grows into a gorgeous chorus. Ketch and company know exactly how much distortion to use effectively, very much like Radiohead’s early efforts. While not hitting the highs of the last release, this is still a highly recommended release. Don’t miss it.

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Michael Slawter

Michael Slawter “Last Call For Breaking Hearts”

Thanks to the folks at Futureman Records, we get another blast of guitar pop from Mr. Slawter. “Summer’s Kind” is a wonderful jangling gem that sure to stay on my playlist all year. The hooks come fast and hard on “Free Fall” and the rumbling reverb of “Same Old Thing,” so fans of Bob Mould or The Well Wishers will want to check these songs out. Lots of highlights including, “The One (And Only),” and “We Belong.”

Slawter adds some archival material after the new stuff, in the form of the “Mick in ’69” EP, originally released 2013. It’s amazing how consistent Michael’s sound has been and with a total of 16 tracks, it still holds up. Check it out.

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