Category: Power Pop Review

The Dowling Poole and Bill Lloyd

powerpopaholic
Dowling Poole

Dowling Poole “One Hyde Park”

The Dowling Poole takes the whimsy and stagecraft of the first album, Bleak Strategies and turns the knob up to “11.” Willie Dowling (Jackdaw 4) and Jon Poole (Cardiacs) have made quirky XTC styled pop with even more layered narrative elements, as the brilliant opener “Rebecca Receiving” is gloomy song about aging played to a bouncy march in a world “shattered and torn.” The manic tempo continues on “Fight, Fight, Fight” with a twisted organ chiming in on the melodic joy of horns, guitars and “ba-ba” harmonies.

“When She Knows, She Knows” is another example of psychedelic Brit madness and “Vox Pops” is full of high melodic sarcasm, with a nice Brian May-like guitar break midway through. The next several track play out like late-era 10cc with “Hope and Glory” and “Bring Back The Glory” having a dream-like quality. “Whatever” actually goes off into a prog-rock trip, before we circle back to the epic title track, with its swelling chorus of “Barbed Wire On The Chelsea Bridge…” Overall no filler, but its also not as immediately catchy as the first album. After repeat listens, you’ll appreciate every “ba-ba” and pop culture witticism. Highly Recommended.

Amazon

Bill Lloyd

Bill Lloyd “Lloyd-ering”

We all love comfort food. That’s what country-power pop veteran Bill Lloyd released on Lloyd-ering.  The goal of a covers album is to introduce the music to those who aren’t familiar with the original and/or make it there own. Lloyd definitely accomplishes this with a very eclectic selection of pop tunes.

The joyful update on the Bobby Fuller Four “Let Her Dance” turns into a much needed Lloyd gem. The key here is Lloyd picks songs that are less familiar to the average listener. Excellent covers of the Byrds “The World Turns Around Her,”  The Hollies “Step Inside” and Badfinger’s “Lonely You” are simply perfection. And the instrumental prowess on The Raspberries “Goin’ Nowhere Tonight” begs to be played at full volume. On the ballads, its less so, as both Lennon’s “Across The Universe” and Lovin’ Spoonful’s “Coconut Grove” are songs where the original vocals are more distinctive. Otherwise, this is a sweet collection while we await Lloyd’s next LP full of originals. Highly Recommended.

Amazon | Listen & buy on Syderpop Records website

https://www.youtube.com/watch?v=HhxMp3GKyQY

Mark Roebuck and The Subterraneans

powerpopaholic

Mark Roebuck “The World and All Within”

Mark Roebuck has a pretty impressive history in power pop, even if he isn’t quiet a household name. Mark’s 1980’s power pop band, the Deal; was at one time signed to Bearsville/Warner Brothers Records, and eventually carried by Not Lame Records where his anthology “Goodbye September,” was a top seller. After several collaborations with several bands, and partners (including Dave Matthews) he took some time off.

Now reunited with former Deal drummer Michael Clarke, he delivers a powerful CD of harmonic, driving rock. Mark’s style vocally is very similar to Cat Stevens, and I’m sure you’ll hear similarities in the ballads. “After Day After” is a Badfingerish tune with a great ear worm chorus that really sticks, while “Billboard Blue” boasts a solid guitar riff and is like a mix of Bob Mould and The Byrds. More standouts include “God Is A Gun” and “Gratitude.” The slow “King William County Is The Place” is an earnest ballad, that uses a fuzz guitar riff in the chorus that transforms seamlessly to a rocker. Highly Recommended.

CD Baby | Amazon

The Subterraneans

The Subterraneans “Lost”

Another late 90s band is back; The Subterraneans led by Guitarist Rik Mercaldi & Drummer Mike Roze. The Subterraneans play rock with a variety of influences from British Mod, Indie to 70’s CBGBs punk. The bands sound is somewhere in the territory of The Black Crows. This album marks the first new music after a 9 year hiatus for the band. “What’s On Your Mind” showcases muscular riffs with a Lou Reed styled lyric and Mercaldi’s impressive guitar chops during the solo. “No Way Out” and “Lost” are pretty standard power chord rockers, but “Seasons” is a standout here as Mercaldi’s vocals have a confident snarl, with the organ riff humming – it begins to sound like a lost Doors tune.

“Sliding” takes the album in a new direction, with a slow acoustic track that includes a mandolin rhythm (very much in a Lindsey Buckingham mode.) “Prima Donna” is a true power pop song featuring a lean guitar hook, handclaps and its my favorite track here. The band jumps around stylistically after this but overall its a welcome return worth checking out.

Amazon

EP reviews: Cartoon Spirits, The Kickstand Band and The James Rocket

powerpopaholic
Cartoon Spirits

Cartoon Spirits “Crustacean EP”

Cartoon Spirits are determined to bring power pop back to where it belongs: the Pacific Northwest. Gray skies and drizzle can only be battled with hooks, fuzzy guitars, and raspy harmonies. The Portland band has just released its debut recording, Crustacean EP.  Its hard to argue their point, as “Remake The Stalls” is a catchy bit of modern pop magic, with solid guitar riffs and a timely opening falsetto. The trio of Michael Faherty (guitar), Loredana Corallo (bass) and Jeff Davis(drums) are a tight unit on the follow up “Common Law,” with fine job shredding to the layered vocal harmonies. “Back to The Cult” is another catchy tune that reminded me of Squeeze a little. Overall this is a great great debut. Highly Recommended!

Amazon


Kickstand Band

The Kickstand Band “Cut’Em Loose” EP

Another modern power pop band with a great sound, The Kickstand Band is from Detroit, Michigan with a good back catalog of excellent music that deserves to be heard. “How It Feels” has a confident fuzz rhythm and layered guitar melodies.The leads, Gordon Smith and Allison Young give us some great harmonies on “Next To Me.” Young goes solo on “Regret You” and her sweetness shines through on the chorus. This “yet-to-be-discovered” band is making its music available at a “name-your-price” point, so take advantage of the musical goodness!


The James Rocket

The James Rocket “We Are Here For You b/w Derby Girl”

The James Rocket are a 5 piece from Brooklyn, NY delivering a sweet quick single sure to please, “We Are Here For You.” Lead singer James William Roy is reminiscent of They Might Be Giants with a little more alt. rock fuzz. And check out the bands 2012 debut, the first track “Paper Valentines” is free. Love the spunky guitar buzz melody! Highly recommended!

Talkie and Tokyo Police Club

powerpopaholic
Hablas

Talkie “Hablas”

San Francisco-based rock band, Talkie makes it their case on debut LP Hablas. The band has a very catchy formula for the opening song “Mountain;” just start with Beatles “Dear Prudence,” then add equal amounts of Beck, Beach Boys, and a dash of the Stones. The easy going strum of “Sunny” is another ear-worm that has a very 1970s California feel. The brothers Brad and Matt Hagmann can certainly sing those rich harmonies on this 16 track album.

The theme throughout the album is heartbreak and self worth, on “Ricky” its about leaving the comfort zone of High School and going off to college; “I can hear it in your voice, you’re scared” the lead vocal sings. Even gaining a little self confidence is tough on “Kronenberg” and “Queen of Espana” with its light bass and drum rhythms. The album coasts on several light experimental folk pop songs till we get to the fuzz guitar gem “Rollercoaster.” Another standout is the slow grower “Get By” that builds to a satisfying cacophony. If you let this one grow on you, you’ll definitely find some sweet tracks.

Amazon


Tokyo Police Club

Tokyo Police Club “Melon Collie and the Infinite Radness (Part 1)” EP

Canadian based Tokyo Police Club have long been a bright shiny example of radio-ready mainstream power pop, with a series of catchy guitar anthems reliably embedded into each album. The band is getting cheeky with its too-hip title “Melon Collie and the Infinite Radness (Part 1)” an obvious dig on the Smashing Pumpkins. And like most TPC albums we have a winning dancable rock tune opening things up with “Not My Girl,” next the passable “PCH” is a descriptive song that leans a little more on the synths and drums than guitars.
Read the full review at Blogcritics.org

Amazon

Edward Rogers and Gleeson

powerpopaholic
Edward Rogers

Edward Rogers “Glass Marbles”
UK-born, NYC-based singer-songwriter, Edward Rogers is like the Dylan-esque elder statesman of rock on his sixth solo album.  Fans of Ray Davies, Graham Parker, The Zombies and Lou Reed will appreciate his approach. Rogers is joined by an all-star cast: James Mastro (Bongos), Sal Maida (Milk N’ Cookies), Dennis Diken (The Smithereens), John Ford (Strawbs), Pete Kennedy (The Kennedys), Dave Schramm (Schramms), Konrad Meissner (Silos), and returning producer Don Piper.

The 19 tracks are a bit overwhelming at once, but I found several gems here. Starting with the upbeat “The World Of Mystery” its a classic rock poem delivered with conviction. “The Letter” has smooth psychedelic bluesy riffs that sinks in, “Bright Star” has a little Bowie baked into its DNA, and both “Broken Wishes on Display,” and “I’m Your Everyday Man” recall the early Kinks classics about the working class. Another amazing instrumental performance in “Burn N Play” is buried in here too. But my favorite is the Byrdsian jangle of “Looking for Stone Angles” and its wonderful guitar rhythms. I did find many of the folk songs sprinkled throughout the album very depressing (i.e. “The End Moments.”)  It takes a little work to get at the good songs, so please be patient with this well crafted album.

Amazon


Gleeson

Gleeson “Curse My Lucky Stars”
When Gleeson II released in 2013 I was really impressed with the band’s melodic skill and versatility. Ty Chandler and his crew have grown larger, with major roles for Phillip McEachern (vocals, keyboards) and new vocalist Elyse Estrada. It starts with a very slow fade in on “Lazy Bones” leading to the sweeping piano melody, thick choral harmonies, and violins. “What’s Going On” is a quick sing-along piano tune, and “Troll Day” is a catchy rock gem that compares well with Gleeson’s best. The Lennonesque “Lollygagged” is a bittersweet piano gem and “With My Motive Gone” is very much like the Minus Five with a strong chorus, and buzzing guitar ending.

The albums mid point shifts 180 degrees to literally “Something New” featuring Estrada’s lovely voice against strings. Then after an instrumental marching band song(?) it churns out one heavy grunge song and a few wimpy ballads. “The Size of Empty” is a bright spot here with a strong duet between the leads and a terrific guitar crescendo. The shifts in tone (and style) will be too much for some, but I recommend this album for the excellent first half. Also, Estrada needs her own album to highlight that angelic voice.

Amazon