Category: Power Pop Review

Ryan Hamilton “Hell Of A Day”

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Ryan Hamilton “Hell Of A Day.”

Texas singer Ryan Hamilton(Smile Smile, People On Vacation) played the Austin’s SXSW Festival in 2010 and met up with Jaret Reddick (Bowling For Soup) and their friendship led to a lot of songwriting and finally a (self-funded) solo album. And it’s a rare thing that an artist can appeal across generations with a timeless power pop sound, but Ryan does it with flair similar to Wyatt Funderburk or Fountains of Wayne. Its also no surprise that this album was produced by Linus of Hollywood.

First, the sing-along chorus of “Be Kind Rewind” is apologetically sunny and bursts forth with horns in the chorus, every bit an anthem to empowerment because “we can do whatever we like.” But the real single follows, as “Karaoke With No Crowd” is an ultra-catchy gem that will leave you singing along and things continue to roll from there. The troubled boyfriend is the protagonist for most songs, as “Letter Verb” and “Respond To My Email” are defiant responses to rejection, as well as great melodies. Another rocking tune is the riff packed “Medicine” that pulls out all the stops and “Records and Needles” is a love letter to classic rock, mentioning luminaries like The Beatles, Bob Dylan, Tom Petty and The Rolling Stones.

“Freak Flag” is a sequel of sorts to “Karaoke” where you need to celebrate your individuality, and forget the brainwashing of pop culture’s poisonous influence. Its not just that each song here is an ear-worm, but the message is important and really resonates after a few listens. Add to that a great cover of REO Speedwagon’s “Take It On The Run” and you’ve got an album that easily becomes a nominee to our 2015 top ten list.

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Singles: Squeeze, Bill Lloyd, The School, Mia Milan, SA Reyners

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The Video Jukebox
Here is a sampling of some new singles from Power Popaholic’s picks. Some artists are new and some are old, but they are highly recommended, and deserve to be heard!
Squeeze returns with “Happy Days” from the upcoming album “Cradle to the Grave”


Bill Lloyd “Yesterday” from the upcoming CD “Miracle Mile”


The School “Do I Love You” from their upcoming album “Wasting Away And Wondering”


Australian singer Mia Milan “I Won’t Cry”


New Zealand’s own SA Reyners “The Other Way”
https://www.youtube.com/watch?v=VC8s_vTQqdU

Travel Lanes and The Bazillions

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Travel Lanes “Let’s Begin To Start Again”

Its been a while since the last Travel Lanes album, and Frank Brown (Flight of Mavis, Buzz Zeemer) channels power pop influences like Cheap Trick and Elvis Costello on the opener “Class Trip” with its hook filled chorus and rumbling guitar chords. The follow up “In The World” is a jangle rock song about memories of the prettiest girl (in the world.) “No Go” is like an early U2 song, but played with simple rhythm and rich layered instrumentation.

The infectious “100th I Told You” has a quick tempo and quirky lyric like a Squeeze song and then the solid alt country “The Year” follows it, and Brown is at his best “when the wheels fell apart” on his year. The next few songs channels Tom Petty’s style from the catchy “TA” to the slower “Death,” where he tries to trick the Grim Reaper at his door with a very memorable opening line. The fuzzy guitar on “Cream Soda” is another treat and every track is solid. Brown has upped his game here and you should not miss it. Highly Recommended.

CD Baby

The Bazillions

The Bazillions “On the Bright Side”

On a rare occasion I find a “kids” pop album that will appeal to parents even more than they may expect. “Super Hero Rock Band” imagines a group of comic book heroes jamming together as a way to unwind, and Batman sounds like Johnny Marr. The song reminds me of a slower, calmer version of Weezer. The power pop on “Use A Contraction” may sound basic, but the arrangement is tight and harmonies sparkle here.

The guitar lead melody “My Teacher’s An Alien” is another gem with some great uncommon chord progressions. Like the classic Schoolhouse Rock series, some songs really do teach concepts, as “Personification,” “Q and U”and “Water Cycle” are catchy and more intelligent than typical dumbed-down kid music (I’m looking at you, Wiggles). The earnest “Bad Haircut” is a well written ballad about your first trip to the barber. Overall a fun and memorable pop LP that you can share with your kids.

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The Bellfuries and The Anderson Council

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The Bellfuries

Bellfuries “Workingman’s Bellfuries”

Austin, TX band The Bellfuries are back, and they go way back to the “roots” of power pop by incorporating ‘60s pop melodies with R&B rhythms and soul on their latest album Workingman’s Bellfuries. Vocalist and chief songwriter Joey Simeone chooses not to get hung up on genre categories, but fans of The Everly Brothers, Carl Perkins, or Richie Valens will surely love this music.

Wonderfully produced the band starts with “Loving Arms,” a danceable country shuffle with a sweet hook. The traditional songs like “Bad Seed Sown” benefit from Simeone’s strong vocal and dynamic phrasing. “Make The Mystery No More” has a Phil Spector-like arrangement, using the multi-tracking to deliver great harmonies. “Letter To My Maybe Baby” and “Beaumont Blues” are my favorites here; pure Everly inspired magic. It also includes a great cover of The Beatles “She’s A Woman.” Its no wonder that there are no weak points or filler in this entire album. Highly Recommended!

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https://www.youtube.com/watch?v=eP0NOP9ip9s

The Anderson Council “Listening Party” EP

Peter Horvath and team had a good idea with Listening Party, as it would feature each of its band members recording an original single and then a favorite cover song. Opening with Christopher Ryan’s “Questions About Animals” it sounds almost nothing like a Council song, and feels heavily influenced by Jason Falkner. More familiar styling is heard on “Almost Anything” and “Yeah,” and they are real good songs too.

As for the covers, they are deep cuts that are not immediately familiar save one. First is a dense, less psychedelic version of The Smoke’s “My Friend Jack” and then the obscure Peter Gabriel song “And Through The Wire.” A cover of Jellyfish’s “Joining A Fan Club” has plenty of raw power and enthusiasm, although Peter strains to sing those high notes. Fans will enjoy this one, so check it out. FYI: The Anderson Council will be a Power Popaholic Fest on September 12th

CD Baby

 

http://audiorumble.blogspot.com/2015/08/lets-begin-to-start-again-again-review.html

Brandon Schott and One Like Son

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Brandon Schott

Brandon Schott “Crayons & Angels”

Brandon Schott has always been an artist who knows better than most how to set the mood. After the great Verdugo Park EP, he’s expanded this into a full album with the help of Andrew Curry, Andy Reed and Jason Wormer. The childlike innocence of the instrumental “Dandelion” leads into the album’s biggest song “Henry,” a richly layered portrait of a boyhood optimism, complete with harmonies, horns and toy piano. “Cerulean Seas” is another like-minded song that sails along, as most compositions here are strongly influenced by Pet Sounds and Sir McCartney. Another gem is “Every Little Song,” a beautiful duet with Kelly Jones, where the melody twists with each key change.

Plenty of instrumental filler is found between many songs, tying the theme together but I suspect they are more snippets that didn’t fit elsewhere (“Sunglow”) and this make the albums middle a bit lightweight. However many strong compositions remain like “Seeing You In Stereo” and “Dear Daisy” is a catchy guitar led melody. The grand “Wisteria” is an exceptionally good atmospheric instrumental, and the wonderful “Dandelion Rain” is the best love song I’ve heard this year. Add to this the Elvis Costello cover “Riot Act” and you’ve got a winner. Highly Recommended.

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One Like Son

One Like Son “Classic”

While the novelty of a debut recorded on an iphone has passed, One Like Son (aka Stephen Poff) continues to pump out some great music from his Montgomery, AL studio. “As Seen on TV” has that big repeating riff, and a memorable melody. “Down To Hollywood” follows the Cheap Trick template, and the casual “Summer Days” reminded me of Extreme’s acoustic pop. Overall, the music seems more hard rock oriented than past releases.

“A Praise Song” is like a superhero theme from a Christian rock band, with its buzzsaw sound and an infectious bounce. Not everything flows as smoothly; some metal guitar indulgences are tiresome (“Borderline” and “It Knocks Me Out”) and the lack of any ballads makes this 13 track album a heavy lift. Stephen does sprinkle in some good songs, like the mid-tempo “Five Good Years” and energetic “Whispers” to end things. Give it a try, and you’ll find a favorite tune within.

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