Category: Power Pop Review

20th Century Boys and The Loft

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20th Century Boys

20th Century Boys “20th Century Boys”

The debut album from 20th Century Boys doesn’t just flirt with nostalgia—it grabs it by the collar and drags it onto the dance floor. With a sound that fuses the glittering swagger of ‘70s glam rock with the raw energy of pub rock, this Fullerton, California-based trio delivers the goods you’d expect from a Rum Bar Records band. The group is Jeff Moses (lead vocals, guitar,) Mike “Rocko” Occhiato (bass,) and Jason Hubbard (skins).

Right out of the gate, the album’s opener “Suzy” pulses with an anthemic urgency, and even better is the follow up “Cuz I Want To” follows the Stones playbook, with cocky glee and buzzing riffs. Tracks like “Tricky Situation” and “Hotz On 2 Boogie” are brimming with power chords and sing-along refrains, perfectly crafted for late-night drives. It’s not all great, as some of the songwriting feels lazy (the same riffs repeated ad nauseam.) But there are plenty of highlights including “Come On Jason” and “Never Dull Moment,” and “Rumble At The Dance Hall.”  Overall, a good debut, and I look forward to more from these “Boys.”

Amazon

“The

The Loft “Everything Changes Everything Stays The Same”

A tale of the fledgling ’80s UK indie scene and friendships shattered and rekindled, resulting in a band’s debut album finally emerging from the studio some 40 years later. Like other “lost” bands (i.e. Peach and Lee) it’s a tale of what “could have been,” and a long awaited homecoming.

“Feel Good Now,” the opening track, has a calming chorus and is the most enjoyable song here. It easily could have been on the charts alongside Crowded House. “Dr. Clarke” has a bit of the late ‘60s style that recalls The Who’s “Can’t Explain,” but the majority of the music is mellow folk rock “trying to have something useful to say” like the easy strum on “Ten Years” or jangling beauty of “Greensward Days.” While it might not set the world on fire, the steady confidence of “This Machine” and several tunes here prove more than worthy of multiple listens. Check it out the album and see the documentary below.

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Nick Frater and Brad Marino

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Nick Frater

Nick Frater “Oh Contraire!”

Nick Frater returns with ‘Oh Contraire’, a stunning power pop achievement that cements his place among the genre’s best. Although Frater has consistently produced memorable hooks and harmonies, his daring arrangements this time broaden his overall style. Many highlights here, the best being “I Know You Know I Know,” a memorable single with glam rock-inspired riffs and along with “One Minute” and “My Heart’s in Stereo,” it echoes Jeff Lynne’s signature production style. And when he wants to create a grand epic sound it’s no issue with “Songs For The One-Eyed City” loaded with descending guitar riffs, bells, echoing harmonies and a heavy rhythm section. Frater seamlessly blending his influences without losing his own distinct voice.

Another big highlight is “Dreaming of a Wonderland” which sounds like a lost 10cc single to me.  The mellow 1970s-inspired lounge pop of “Seraphim Called” and “Steal Away” are also refreshingly familiar, while the piano closer “Goodnight, Goodbye” is a McCartney-esque gem. Oh Contraire boasts a star-studded guest list, including Probyn Gregory, Michael Simmons, Cary Grace, and Texas power pop duo Lannie Flowers and Danny Wilkerson. Their contributions enhance an already great record, proving Frater’s ability to bring out the best in his collaborators. Without a note of filler, this one is a contender for my top ten of 2025. Highly Recommended.

Amazon | Kool Kat Musik

“Brad

Brad Marino “On The Brink”

Brad Marino’s latest release is a collection of 19 rarities, remixes, and unreleased tracks, carefully curated, remixed, and remastered. Known for his consistent output of high-energy rock, Marino unearthed a treasure trove of songs that showcase his signature blend of classic rock, and punk influences. ‘On The Brink’ leans more towards early rock and roll as a template, not that far from his old band The Connection.

If you’ve never heard Marino before, this is a great “instant” record collection. I love the re-made “Peggy Sue Got Married,” a shout out to Buddy Holly. Marino’s variety is on display too, from the mid tempo “Not Fooling Me” to the Ramones inspired “Hamburger U.” Included is the standout single duet “Over My Head” with Natalie Sweet. Overall a fun collection. Highly Recommended.

Amazon | Kool Kat Musik

March Singles & EPs: Ally Kerr, The Speedways, Pretty Rude, Slow Motion Film, Clean Lines, Jeremy Messersmith, The Cynz

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“Lucky Streak” is new smooth pop from Ally Kerr, and the only use of a child’s voice in a current song I didn’t find annoying. Nice video too, album out in April. I wish NYC winter would leave already! Next The Speedways have really gem with “Visiting Hours” and it’s like a lost Elvis Costello hit. NYC rockers Pretty Rude are pretty damn good. Some glam touches on “Who Do You Think You Are (I Am)” won me over, but the entire EP is brilliant. Slow Motion Film are some members of Amoeba Teen, and it’s a different sound from that band. Check out “Painting Tattoos” and “The Ba Ba Ba Song.” Clean Lines is a band from Madrid, Spain and they kick ass all over the place with “Nuisance.” Fans of The Buzzcocks, The Nerves, The Ramones will enjoy it. A new single from Jeremy Messersmith wishes we can all be “Billionaires.” That’s a really nice dream, but Elon isn’t giving away anything to me. Finally, The Cynz have a new single with “Heartbreak Time,” and it really rocks with those harmonies and guitar licks. Enjoy!

Sorrows and He’s Dead Jim

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“Sorrows"

Sorrows “Parting Is Such Sweet Sorrow”

A new and final chapter for the legendary NYC indie power pop band Sorrows is finally out. This end to the trilogy of albums ‘Parting Is Such Sweet Sorrow’ was recorded in 1981, at the height of their powers. The band is made up of Arthur Alexander, Joey Cola, Ricky Street, and Jett Harris. Originally they were The Poppees, but changed their name and upped their game in 1980. In the spirit of Cheap Trick, The Plimsouls, and 20/20, they had the hooks, harmonies, and punk energy to make it very big. But their record company had other plans and the 2nd album was ruined by overproduction and management interference. The album was finally released as intended, and ‘Love Too Late’ was my #2 album of 2021.

Now right out of the gate, the raw “Never Mind” is a cry to the record company suits that the band’s independence was top of mind. It’s a perfect melding of Beatles and Stones, along with the brilliant “Out Of My Head.” Then add a little Who-influence, and you get the perfect Ricky Street rocker “What A Good Boy!” The band also has several blistering rockabilly tunes “Let Me Know,” “That’s Your Problem,” and “Something Else.” Another highlight is the heartfelt elegy for John Lennon “Cricket Man,” and there are a few well done covers included as well. Overall, a fantastic send off for one of the most under-rated bands ever. A contender for my 2025 top-album list for sure. Highly Recommended!

Big Stir Records | Amazon

“He’s

He’s Dead Jim “Head Like a Toyshop”

While the band name and cover is a clever bit of sci-fi nostalgia, this Aberdeen, UK group starts us off in the same direction as psyche pop revivalists Mothboxer or Emperor Penguin with the opener “Paradise Fayre.” But they don’t stay in that lane, “On the Beach” has a Madchester lite feel, and they bounce around the genres of garage, glam, new wave, and jangle.

Highlights include “Seventh Night of Sin,” “Ticket to Explode,” and bright horns and synths of “Tomorrow is Yesterday” which seems to sum up this bands motto. Not all the songs hit the mark, but the enthusiasm is evident. The variety of styles are also a mixed bag, but even a faithful cover of Blue Öyster Cult’s “Don’t Fear The Reaper” will put a smile on your face. Fans of adventurous retro pop will enjoy this, so check it out.

Amazon | Kool Kat Musik

Vanilla and The 1957 Tail-Fin Fiasco

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“Pish

Vanilla “Pish Posh”

Pacific Northwestern power poppers Vanilla have finally completed their massive Pish Posh album project. Jayson Jarmon (Liar’s Club), Sean Gaffney, Mark Simmons, Scott Warfield, James Peterson started laying tracks down in 2023 as a song-a-month project. Ending with a massive pile of 36 songs, you are guaranteed to find more than a few gems here. In fact, the batting average is very high. While some songs are interesting, like “S1 E1” with its Russian klezmer style, I tended to stick with more traditional power pop oriented tracks like “Situtation Change,”“Fine Line,” and “Shuttlecock.”

There is some fun experiments that I also found compelling, like the dichotomy of “Second String” with its light jangling guitar with heavy deep chorus and the very Penny Lane flavored “Pancake Hat.” Another gem “Coil Memory” boasts a great brass introduction and recalls late period John Lennon. The light Bossa nova beat “She Loves Me Not” is a breezy duet with Jessica Van Horn and a very XTC-like “Solar Plexus” loads it up with some great chord shifts in the verses. So many different subjects are here, like the political “Blame the System” is almost an American protest in the spirit of 80’s band Midnight Oil or the poignant “The Hunger Artist” opining on the struggling state of the average musician. You will find a lot of variety stylistically too. For the equivalent of a three-album set, this is definitely a highly recommended box of assorted chocolates. Indulge yourself!

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The 1957 Tail-Fin Fiasco

The 1957 Tail-Fin Fiasco “Are You Sure?”

These guys are like Steely Dan from an alternate universe, lead by musician Malcolm Moore and with lyricist David Myers, and multi-instrumentalists Paul Mason and Patrick Duffin. While they may sound similar to the famous Becker-Fagen duo, they are decidedly unique with strange stories and offbeat wonderfulness. “Strictly Hickory” will just stick with you like a commercial for an Alabama pork belly rub. It’s all light fun with some really serious musicianship. In fact it does take a few spins to stick, since each composition is loaded with melodic twists and turns. “Happy Couple” has some great bits and a fantastic guitar solo, but the ever repeating chorus does wear out its welcome.

“Bench Warmers” has a retro fifties rhythm and a smooth chorus and is another big highlight, and “Do You Think I Might Be Jesus?” has an interesting analogy in the story and its got some great sonic details. However, the formula here doesn’t always work and the stream of consciousness song structure can get frustrating for some listeners. But if you are looking for something left of center the 1957 Tail-Fin Fiasco might be your cup of tea. Check it out.

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