Category: Power Pop Review

I met CJ Grogran at IPO New York and foud his set pretty good, so afterwards his agent gave me a copy of his CD “newsongtwo.” Co-Produced by Kurt Reil of The Gripweeds, who plays drums on the tracks here as well, Grogan has the talent that carries a lot of these classic rock and roll styled songs. There are hints of The Beatles, Smithereens, The Gripweeds, and even Bob Mould in his influences. The album spans many different moods and approaches. A great example is “Go” with expansive guitar and organ that builds to it’s dense chorus of gentle harmony and swirling guitar melody. Vocally he’s a bit like Steve Winwood and he pounds the piano keys and bares his emotions on “Thrashing Doves,” but the mood lightens on the pop tribute “Bacharach” where the classical pop piano contrasts well with his mellow vocal, and with the horns here it’s reminiscent of Terry Kath-era Chicago. I appreciate the wonderful contemplative acoustic guitar and sitar on “Fall Down on Me,” as opposed to the hard rock sound of “Colourblind” which sounds less distinctive here. So what follows on the album is some nice memorable tracks (“Painted Line”) followed by artistic wanderings (“The Once In A While” and “NewSongtoo”) and then some straight forward power pop (“Turning The Beat”). So you have an album that has a bit of everything, like a box of Whitman Chocolates – you’re never sure what you’ll get; either something soft and sweet or dark and nutty (jeez! enough with the candy metaphors). More often than not you’re enjoying the precise musicianship and melodic touches of brilliance on display.

CJ Grogan Site | My Space | Not Lame

Choo Choo is from Switzerland, and is a self-described “Steam Powered” garage pop band. It’s easy to get excited when I heard the opener “A Little Wiser Now” with organ, guitar, drums and a killer hook that sticks like glue. Like many Rainbow Quartz bands, the retro sixties sound is bent to suit the songwriting of lead singer Dan Joerg. “Your Heart is Breaking Down” is another good song with a Doors-like organ solo and “la la” harmony at the break. The party atmosphere is evident in “All I Know” and the band has a crisp loud sound. This sound shares a lot in common with both The Clash and The Alarm, as well as 60s garage bands, and newer retro bands like The Ugly Beats or The Cynics. At some point the hooks leave the songs (“Half as Good”, “You Don’t Understand”) and you are left with that raw party energy, nothing else here gets close to that first single. Another standout is “Losing Balance” which comes closer to the Clash’s sound than any other song here. Also by the albums mid point, the Farfisa organ takes over the lead of the band and the songwriting gets less pop and more of a punk style. This may be okay for most listeners, to me it felt like it was the band was coasting a bit. It’s also worth noting that the cool cover has the band taped to the floor with duct tape. Where have I seen this before? The last track “I Ain’t Coming Home” is a great finish where the guitar sound and the harmonies return to add to the manic energy of the finale. Worth a listen for sure and I wouldn’t mind seeing these guys on stage either.

Choo Choo Website | My Space | Itunes

Listen to “Your Heart is Breaking Down”

Northampton, MA based Chris Scanlon is a pop guitarist with a knack for both pop and folk that he displays on his debut “U-Turn.” The theme here is re-visiting your past and if you are a New Jersey native like Scanlon, that’s just a bonus to the plot line here. Opening up with the acoustic guitar strum of “Marianas Trench” it brings to mind a little bit of Bruce Hornsby’s rhythm. This leads to the playful “Fish Daddy” which draws you in with fiddle and hand claps, and Scanlon’s vocals approach the chorus with great enthusiasm, like a campfire hoedown. Another standout, “Jersey Boy” is a pretty cool autobiographical song with some nice guitar and horn work.The slower ballads are also well done (“Matawan” and “This House”) and have a passing resemblance to another Jersey boy, Bruce Springsteen (they actually met up a few times). Scanlon gets pretty inventive on “My Name is Chaka” with it’s scat and funky bass, and it’s my favorite song on the album. The next few songs, “Punk Rock Girl” and “Cousin Stinky” have an eighties power pop sound, like 20/20 or Paul Collins’ Beat. These are decent songs, but don’t have the energy and spirit of the earlier tracks, and the latter tracks on the album “My Mother’s House” and title track slow things down again, it showcases Scanlon’s soulful croon. Fans of adult contemporary singer/songwriter pop will enjoy this one quite a bit.

My Space | CD Baby | Itunes

Austin-based Future Clouds and Radar, lead by multi-instrumental ensemble led by Robert Harrison (formerly of Cotton Mather) releases this very short album (only 8 tracks) and jumps from folk pop to pastoral art rock. Last year’s debut was one of the best albums of 2007. This year’s “Peoria” opens with the expansive arrangements of electric guitar and strings in “The Epcot View” would fit nicely on the last album. Harrison then channels Neil Young on “Old Edmund Ruff” before picking up the pace with “Feet On Grass,” a psyche-organ romp worthy of Mike Pinder. Both frustrating and mesmerizing is the wonderful opening to “Mummified” that plays like an Supertramp epic that devolves into The Beatles “Revolution #9” it is one of the best tracks here. The use of fuzz box guitar and ghostly vocals give the entire album the feel of kaleidoscopic smoke.The later tracks sound good but seem to be unfocused (“Eighteen Months”) or trying for a more epic psyche-orchestral mood than anything else (“The Mortal” and “Mortal 926”). Missing a very strong power pop tune may turn off some Cotton Mather fans, but if you’re willing to explore Harrison’s acid trip you will be not be disappointed.

My Space | Amazon | Star Apple Kingdom | Kool Kat Musik

Soft Targets consist of singer/guitarist Jesse Corry and bassist/keyboardist Nathan Sadler and drummer Steven Gillespie. The debut album of this Tallahassee, Florida band is a blend of The Cure and Aztec Camera in terms of pop sounds. This is not quite power pop, and closer to indie pop with Corry’s vocals almost like Peter Murphy without the baritone. The melodies on the album are appealing in places with “Calm Me Down” being close to the style of the Talking Heads with some great guitar melody. In a funky way the song “The World Looks Bigger Now” is the most fully realized with harmonies and some nice arrangements, crisp guitar playing. The other songs that follow are pretty pedestrian, and don’t have the kind of hooks that stand out much. I was ready to write off the album at that point, but when the song “Skyscraper” took hold with a sharp guitar riff and catchy melody that merits attention. It’s got a glam-like heart with some nice harmonies and proves to be the best song on the album. After this we get the keyboard ballad “Sirens” which almost sound like Eric Matthews or Cardinal and makes a great contrast to the earlier tunes. The album picks up stream toward the end with other notable tracks (“Heavy Rainbow” and “Small Straight”) Overall, this album has several good tracks, and deserves some consideration.

MySpace | CD Baby

Listen to the “Calm Me Down”

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