Category: Power Pop Review

I would like to bow my head in respect and honor the memory of
Audities publisher Gary Littleton.

Gary suffered a massive stroke involving the right hemisphere of his
brain last June. After extensive therapy and rehab he was released from
hospital paralyzed on the left side of his body and confined to a
wheelchair. He continued to seek therapy and rehab in Tampa for
several months. He never was able to recover from this.

He passed away on June 28. Without him and the Audities mag/site/list – I would not be listening to great music, let alone blogging about it. He championed the genre like no other and will be missed.

“I can feel it, now its time
Open your eyes
Fears be gone, it wont be long
Theres a light in the sky
Its okay to look outside
The day it will abide
And watch the sunrise.”

– Big Star “Watch the Sunrise”

An album full of simple pleasures made by a pop music veteran, Van Duren. I’ll be quick with the history here, but Van Duren is part of Big Star lore, partnering with Jody Stephens and Chris Bell in 1976. He would have taken Bell’s spot in Big Star if the band had survived. Undaunted he’s been making music over the past 30 years in the Memphis area. His latest “Open Secret” is a collection of sweet pop songs and ballads that make for fine listening. The opener “Stars Inside” has a bit of that Big Star flavor, with hummable melody and guitar strums. Similar to other southern rockers like Mitch Easter or Don Dixon, the earnest vocals come out on “Face to Face Again” where he laments “Children grow up too fast/ All we can do is cast a long shadow.” Like a lot of adult themed pop, the subjects are varied from love, loss and aging. Elements of the title track “Open Secret” are similar to Brian Wilson and Todd Rundgren, with full strings and woodwinds. My favorite here is “Heart Trouble” where he is joined by both Terry Ferguson and Probyn Gregory (Wondermints) with a hook filled guitar melody that inspires. Van Duren is limited a bit by his vocal range, but the instrumentation is pure gold as “At The Lonely Hearts” reminds me of a Hudson Brothers ballad. More Todd comparisons come to mind on the mid tempo songs (“Oh Kay” and “Europe”). The last track “Europe” is also a standout here, with piano and guitar dramatics that bring the album to a fitting finale. Overall, this is a great album that power pop fans are sure to enjoy.

Van Duren’s Site | MySpace | Not Lame

The pop mind of Gilbert Garcia is fertile. The band name roughly translated means “My fault” – and it isn’t a mistake that his band, the Memphis based Mea Culpa has a great pop sensibility that resembles Ben Folds, Elvis Costello and Big Star all at once. Recorded at the legendary Ardent Studios, “Madison” should lift the band to new highs and make the leap to stardom. Helped by bassist Adam Hill, this is a short album (8 songs) but it’s a quality collection. Opening with the “Coming Back To Me” it resembles a the band You Am I, even Gilbert’s vocal approach is like Tim Rogers.The song is full of sweet hooks and it continues on the smartly written “Resume” lead by a strong piano melody. However the album’s high point is the guitar rock goodness of “You’re Not The One” – it’s got hit single written all over it. Then the album settles into a bit more of a laid back position with the Teenage Fanclub-like “What You Want” and the very Ben Folds-like “Your Best Appendage.” After that unfortunately the remaining songs can’t compete with the earlier ones in terms of memorability. But the flashes of brilliance are definitely worth your ears and a purchase. 

Mea Culpa Site | CD Baby | Itunes

Listen to “You’re Not The One”

Bill Popp is among the unsung heroes of power pop. Popp is a music veteran of early 60’s rock influences in the classic tradition of The Beatles, REM, and The Who. Popp and his band, The Tapes delivers melodic hooks, combined with dance grooves and poetic harmony, that have a timeless quality. He compares well to Frank Royster, with more of a British Merseybeat flavor. The lyrics are personal and touching in all cases here, and fans who favor DIY artists like Chris Breetveld (“The Breetles”) will go nuts for Bill Popp and seek out his music. The new album starts with “Paradise,” a “don’t-worry-be-happy” mantra set to a nice guitar riff. It’s got a nice Beatley vibe and just the right amount of mellow reassurance in the chorus. The follow up “Perfect Idiot” is a wonderful fast paced diatribe of self-criticism and nervous conversation in under three minutes all set to a wonderful hook. “Love and Lust” is a very Pete Townshend-styled rocker with plenty of jangle and a sweet piano break in the middle of the song. The song “Your Hero” is an perfect autobiographical snapshot of Popp at 50 years old – he’ll literally tell you, “Yeah, I tend to drink a lot, but what else do I got?” in the song. The Popp’s wisdom continues in the song “Love Many Trust Few” – it has a little rap in the middle with guitars, that reminds me a little bit of 10cc. A nice cover of The Beau Brummels “Just a Little” round out this release. It a shame that this band isn’t bigger or more well known than they are. They are one of NYC’s best kept musical secrets. CD Baby is expected to carry the album soon, but you can check out earlier releases there.

Bill Popp’s Site | My Space | CD Baby

“If you ain’t got no money, ain’t nobody calls you honey,” he once said. Criminally underappreciated, Bo was a true rock and roll pioneer who not only perfected a guitar style used by everybody, but also an innovator of electric guitar reverb and tremelo effects. Without him there would be no “rock and roll”, nevermind power pop. When you talk about who stole a riff from somebody else… you have to mention Bo Diddley because EVERYONE copied from him. His major songs included, “Say Man,” “You Can’t Judge a Book by Its Cover,” “Shave and a Haircut,” “Uncle John,” “Who Do You Love?” and “The Mule.” He was 79 years old.