Category: Power Pop Review

Pete jamed with Fratellis at Austin’s SXSW festival, playing a version of The Who’s “The Seeker” — it is a rare moment of power pop past being carried by power pop’s future. Pete is clearly just enjoying himself. Unfortunately this is only a preview video, Click here for the full version. Fratellis new album “Costello Music” is out and about, and a review is coming up very soon!

The Satellite Program is a power pop-alt country styled group with real DIY spirit and feel to the music. Some really great guitar noodling and melodies that sound like a marriage of The Old 97’s and The Greatful Dead meets Kenny Howes. More than a few tunes are shining through here, notable are “Coin-Op Proxy” and “Inside Man.” Singer/songwriter Mark Malone does a good job of adding some feeling to his lyrics and it complements the guitar work nicely. My favorite here is “Wipeout by Decree” an energy filled song with hot licks that Enuff Znuff would envy. However I found many of the ballads a bit unrefined and not really doing it for me other than the song “Rollaway.” The song “Polychrome” starts out okay and evolves into a real mess as well. But there are still plenty of worthy tracks here like “Bed of Roses in the Snow” and if you like you can listen to the album streaming and judge for yourself.

CD Baby | Not Lame

Here is another overlooked gem from 2005. Tally Hall is a group of young musical prodigies from Michigan. The keyboardist Andrew Horowitz won the 2004 John Lennon Scholarship Competition, presented by Yoko Ono and BMI, for writing “Good Day.” Since then, with the support of the uber-popular www.albinoblacksheep.com, Tally Hall’s music and related videos have attracted an unprecedented amount of internet attention.They sound like a mix of Barenaked Ladies and They Might Be Giants in places and do a fine job of mixing choirs, strings, brass and multiple influences from Beach Boys to Beastie Boys. The production has a nice clean sheen to it all, like a 10cc album. They do a great job on songs like “Greener” and “Apathy” that has even a bit of early Weezer thrown in. Of course, there are some silly Zappa-TMBG styled songs like “The Whole World and You.” The best part here for us power popaholics is that the CD is as cheap as a cup of coffee! Get a used copy on Amazon.com for about three bucks!

Listen to “Good Day”

Sean O’Hagan continues to develop his Brian Wilson-lite style. “Can Cladders” is the sixth LP from the High Llamas and it has some female vocals similar to 2003’s “Beet Maize and Corn”. The lush, orchestral swirls make for pleasant pastoral listening, alot like Sondre Lerche’s recent efforts. O’Hagan’s vocals seem to flow into songs and sounds great on “Winter’s Day”. I have to say no one today uses a Banjo and Harp for better melodic effect than him. I would call this a return to proper form, without all the electronic noodling that plagued 1998’s “Cold and Bouncy”and 1999’s “Snowbug”. The album doen’t quite reach the highs of earlier efforts, and often repeating sections of the melodic choruses can get a bit tiresome. But aside from that this is a solid release that will please most fans and let’s others know there’s still a place in the public consciousness for baroque, string-laden orchestral pop. Listen to “Old Spring Town” to hear one of the album’s high points. It’s for sale on emusic and you can also visit the High Llamas Web Site and lots of other places.

Listen to “Bacaroo”

Listen to “The Old Spring Town”

Listen to “Sailing Bells”

There is a first time to everything and I have modified my rating of Bryan Scary “The Shedding Tears” from a 7 to a 9. Normally I would never do this, but this album has continued to grow on me and get better with each listen. It will also make my top 10 for 2007. It is also finally available on Not Lame Recordings for those without an emusic account.

I wanted to take a brief moment to write about a very controversial movie I saw last night. I rented Terry Gilliam’s Tideland. Gilliam has always been one of my favorite filmmakers and I always rush to see his work. Unfortunately Tideland for me was a painfully bad movie and a missed opportunity. On the DVD intro, Gilliam readily admits that most people will be offended by it and most critics either love it or hate it. I won’t say I hate this film, because there are flashes of Gilliam magic in it. But alot like The Brothers Grimm, much of the storytelling is erratic and the “message” does not come through. Gilliam’s love of details and minutia goes out of control on the screenplay for Tideland, effectively rendering the film tedious. The gruesome aspects of the movie are handled well and I actually expected something much worse. I found the same theme and fantasy motif much better done last year on Pan’s Labyrinth. Alot like Brian Wilson, it looks like Gilliam’s best work is behind him and a new generation of filmmakers are taking the lead in fantasy films these days. I took enough time to rant about non-musical stuff so, more music reviews will be posted tomorrow. Back to your regularly scheduled program!