Nick Piunti and Juliana Hatfield & Eric Payne

“Nick

Nick Piunti “Solo… ish”

Working with Andy Reed (The Legal Matters) Nick Piunti turned a series of demos into musical manna as per usual. He has added help from Donny Brown (The Verve Pipe) and Joe Daksiewicz (The Complicated Men). The songs are all about the frustration of the music “business,” as we start with “Big in Madrid.” A catchy tune about an overseas tour where he’s always giving of himself, while he tells himself “don’t quit your day job.”

When Nick is on point he’s the best power pop artist in the biz, both “One Dimensional” and “Handshake Deal” are just perfection here. The mellower tracks here are good too, as nothing here is filler. The textures and orchestration of “Darken My Days” show real depth and the layered harmonies on “Vacant Heart” prove to be more highlights. The more emotional “Bruises and Bandages” and the addition of Lora Aldrich on “Tragic Tragedy” are treated with the same care and deserve additional spins. Once again, Nick ends up on my Top Ten short list. Highly Recommended.

Amazon

Juliana Hatfield and Eric Payne

Juliana Hatfield and Eric Payne “Bets”

I don’t know when I slipped Juliana into the power pop category, but her first band The Blake Babies were always melodic and her entire career has been consistently underrated. And similar artists, like Liz Phair should be taking notes. ‘Bets is a collaboration with her contractor(!) who’s a musician himself. Eric proves that it may take an unexpected, like-minded soul to bring out the best in us.

The opener “Your Social Security” hooks you immediately, with its flowing verses. The rougher riffs of “Only Sister” and “Sweet” keep the same urgency, and Juliana’s vocal carries the song where it needs to go. It goes all relaxed for “Temptation” and the hook is solid on “The Well.” While not every song had me grooving like “Thoughts To Send,” there is enough here to make this highly recommended.

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Jim Basnight and The Junior League

“Smug

Jim Basnight “Under The Rock”

Jim Basnight has been active since the late 70s, first with the Moberlys and later as a solo artist, helping shape Seattle’s pre grunge indie rock scene. His new album, ‘Under The Rock, began in 2023 with sessions in Athens, Georgia, organized by bassist John Carlucci. Back in Seattle, Basnight and longtime co producer Garey Shelton expanded the recordings with new harmonies and guitar work from his current band. Inspired by the results, they cut more tracks in 2024 and 2025, rotating players and building a deep pool of material.

As a longtime fan, I hear the spark of his early records paired with the control of a seasoned writer. He opens “All Summer Long” with the feel of a lost John Fogerty tune, driven by Basnight’s steady swagger. “Get It Out” hits fast and hard,  and the country tinged “Other Woman” and “So F’ed Up” lean into sharp storytelling and hooks that stick after one listen. The solid “Think Of Me,” and the heart felt ballad “Ones That Got Away” are also highlights here. If you care about strong songs, tight playing, and records you will spin more than once, this one delivers. Highly recommended.

Kool Kat MusikAmazon


“The

The Junior League “The Moon Neither Noticed Nor Ignored”

Joe Adragna returns as The Junior League with another batch of melodic guitar rock that hits the mark. He has built a track record for consistency, and this set keeps that streak intact. “Sunset Park” and “A Matter of Time” feel like instant staples, built on clean jangle, strong melodic lines, and Adragna’s weathered vocal, which gives the songs lived in credibility.

“Just As Long As I Have You” leans into earnest mid tempo territory, layering guitars around a direct love lyric. “The Naked Lunchbox” taps into the smooth, harmony rich sound of Eagles in their late 70s prime, without sounding retro for the sake of it. “Never Quite The Same” raises the bar with a more detailed arrangement, subtle backing harmonies, and tasteful slide guitar that adds depth.

Adragna pushes harder on “I Hate To Break It To You,” where distorted guitar and punchy percussion give the track a blues punk edge. He pivots back to bright, guitar driven pop on “Until You Get It Right,” proving he knows how to balance grit and melody. The emotional core runs deepest on the extended “Forget Forget Me Nots,” which closes the album with weight, reflection and great guitar riffs. This stands among his strongest efforts and deserves your attention. Highly recommended and an early nominee for 2026.

Kool Kat Musik | Amazon