Category: Top Ten of 2007 Candidate

Ever since Farrah came out with “Moustache” in 1999, they have been a nicely evolving power pop band. After the hard sounding “Me Too” they matured with the new “Cut Out and Keep.” This is an excellent album, and does a great job starting with the corny “Dumb Dumb Ditty” a term referring to a clever homonym (the song itself is a dumb ditty). The lyrical and musical content has improved to the level of Fountains of Wayne and Weezer, and will definitely please fans of either band here. The gentle ballad “As Soon As I Get Over You” has wonderful lyrical rhyme like “As soon as I get over you, I’ll change the name on my tattoo.” The very energetic “Awkward Situation” has all the hallmarks of a power pop classic. “Fear of Flying” tells a great story in the lyric and the most Adam Schlesinger sounding tune of the bunch. “No Reason Why” is a Jellyfish-like a song filled with trumpet trills and rocking guitars that is my favorite here. The tracks are all killer and no filler. This is a no-brainer if you have e-music.com and a good excuse to open an account if you don’t. Bottom line here is that this is a top ten album for 2007. Take a peek at the cool video for “Fear of Flying”

Farrah Site | MySpace | E Music | Kool Kat Musik | Amazon

I have been a fan of Ice Cream Hands for ages. I consider them one of the first great power pop bands to come out of Australia. With some artists you need a few spins of a CD to let it sink in. Not with these guys. The sound is an immediate satisfaction of harmony and melody. After the last album I heard “Broken UFO” in 2002, things were quiet. This new album “The Good China” finds Marcus Goodwin, Charles Jenkins, Douglas Lee Robertson and Derek Smiley up to their old tricks. Opening with “Come Along” it’s a rich full pop song that is full of the classic Ice Cream Hands sound. Best described as Teenage Fanclub meets Crowded House. The album continues with a droning riff on “In the Back seat of a stolen Car.” It then switches gears for the very Beatlesque ballad “Holding On.” Continuing on, almost every song is a keeper and the band’s maturity that was evident on “Broken UFO” is here as well, shown especially on the the very Finn-like “Anyway.” Toward the end of the album, the tone gets a bit more soulful and ends with the stunning Brian Wilson inspired “My Mother was a Dancer.” It’s hard to argue with anything here, visit the links below to purchase this. Emusic has the older stuff and if you pick up any of the older records you won’t be sorry either. They are also interviewed on PBS in Melbourne – see the MySpace site.

My Space | Amazon | Play 4 Me | JB Hi Fi | E-music link to older albums

This was the top album on rock critic David Bash’s top 2007 list and I think it deserves some attention. The Fast Camels are unapologetically rooted in the feakbeat of 60’s pysch-beat. This sun-blistered, psychedelic brand of 60s power pop and freakbeat is on the road to gain converts all over the UK and you can hear it now. “Like a Magic Optician” is a fine Syd Barrett styled single that is a real joy to listen to. “The Hump” jams with awesome twang and Drew Sturgeon’s breathy vocals that recall Donovan. The “Comforting Things” and “The 2 Day Week” has a lighter Eric Burdon & The Animals feel to it. “Can you see me?” is a great driving jangle guitar fueled song that recalls The Byrds. My favorite song here is “Big Daddy Smyth” with its great hook and biting lyrics about a guy you don’t want to cross. It also has other 60s era influences like Lee Hazelwood, The Beau Brummels and The Troggs. This is not an album that is merely influenced by the Psychedelic era. It is a legitimate companion to those great albums and chock full of memorable tracks. Original psych afficianados will love playing “spot the influence” and anyone who likes to be challenged to listen beyond the surface will love this album. For most of the fans of Rainbow Quartz artists that emulate the classical late 60s style, this is required listening. All you need is your lava lamp and some incense. It is most worthy of my top ten list this year. Thanks Dave!

Fast Camels Website | MySpace | E-Music | Amazon

Rooney, a major label band that brought us a power pop smash debut in 2003. It is an perfect example of how it combines past influences with present tastes to create indelible power pop classics. Led by frontman Robert Schwartzman, Rooney’s new album “Calling the World” continues to offer us sweeping melodic hooks and strong addictive alt rock singles. Simply put, it is above and beyond the debut album. Rooney has also updated their sound a bit. It is a bit more studied and less carefree, I guess the band matured after four years. It opens with the uber-catchy “When did your heart go missing” – sure to have MTV repeatability. Next up an truly amazing Queen-like “I should have been after you” with great beat and harmonies that are truly classic. Then “Tell Me Soon” hits all the power chords and forges together a massive rock single. “Don’t Come Around Again” brings the glam back with a capital “G” and sizzling guitar riffs. “Are they Afraid” is a amalgam of Alan Parsons Project and ELO influences. All the tunes here are not just good. They are great and every track here speaks volumes. Rooney have taken some of the best rock of the last forty years and melded it together into their own sound that is truly accessible to the fickle public. The lyrical content here is not so profound, but it is easily digested. Easily, this makes my top 10 list. In fact, it is right now the best album I heard all year so far. And a major label release yet! Run don’t walk to get this album.

Rooney Homepage | MySpace | Amazon

Listen to “Calling the world”

Listen to “When did your heart go missing”

Grace Basement is a pretty cool band from St. Louis. And this is a real awesome debut CD.The same kind of enthusiasm that emerged from the first Johnny Polonsky album “Hi My Name is Johnny” is here. However, the best comparison I can come up with on the fly is The Mother Hips. The excellent opening single “BBP (Ball Point Pepper)” is about as sticky a hook as you can get in a song. It has dreamy background choral florishes to a constant rhythmic guitar strum. What follows is “Green Machine” a pretty good Teenage Fanclub styled mid-tempo rocker. Then it gets even better with the melodic opus “Orphan Annie & The Dump Truck” which recalls the best of Camper Van Beethoven. The following track “On The Plane” borrows a bit of laid back Beach Boys harmony with piano and acoustic guitars and is also really good. About mid-way through the album it slows down considerably with several Wilco-like ballads. The remaining ballad tracks are very good, but don’t approach the greatness of the albums first half. It picks up again with “You Must Go Home,” a bouncy rocker and the excellent “She’s a Dream” round out this album. After a few listens, this one really sticks with you and the song melodies grows like a weed garden in your brain. That makes it a top ten contender in my book. So far I see it available on Amazon or you can contact Dren Records for a copy.

My Space | Amazon | Dren Records | Kool Kat

Listen to “BBP (Ball Point Pepper”