Guest Review: The Eagles “The Eagles”

The Eagles

The Eagles are undoubtedly among the most iconic American rock bands. Even though members have come and gone, and the band has suffered the untimely passing of two of its founders—Glen Frey and Randy Meisner—the music still stands the test of time. 

Their debut, self-titled album, with its impressively-diverse track listing, made it clear that this was a band that was here to stay. And now, 46 years after its release, it’s due a re-listening and its own Power Pop Review. The story of how The Eagles were recorded is also the stuff of musical legend. The foursome made a pilgrimage to Olympic Studios in London to record their debut with iconic producer Glyn Johns; however, they weren’t expecting the strict zero-tolerance policy Johns had adopted in his studio. “Bored out of their skulls” with their new, monastic lifestyle, the band became avid poker fans and even went so far as to perfect their own version of the game: Eagle Poker!

The album became an immediate critical and commercial success upon its release and made full use of the combined extraordinary talents of the four founding band members: Glen Frey, Bernie Leadon, Randy Meisner and Don Henley. In fact, each band member shared songwriting and lead vocals across several of the tracks. The album’s sound, which is a mixture of pop rock, folk, and country, was in turn influenced by the emerging scene in Los Angeles, led by bands like Poco. 

By today’s standards, the band and this album came together in a surprisingly short amount of time. However, it still sounds exceptionally polished and very mature. Album-opener “Take It Easy” sets the standard for the rest of the tracks. Although fairly simple in its construction, it’s the memorable lyrics (co-written with Jackson Browne) and rich harmonies that make this track the gem that it is. 

The other two singles, “Peaceful, Easy Feeling” and “Witchy Woman”, peaked at number 22 and number 9 on the charts, respectively, and they serve to showcase yet more diversity in sound, arrangement, and nuanced songwriting. “Witchy Woman”, which was co-written by Don Henley (who also performed lead vocals on the track) and Bernie Leadon, is aptly mysterious, whereas “Peaceful, Easy Feeling” is a sublime, country-flavored acoustic ballad composed by Jack Tempchin, who would go on to become a favorite collaborator of the band.  “Chug All Night” and the Meisner-led “Most of Us Are Sad” have drawn their fair share of criticism over time.  Repeated listening also draws to the forefront some forgotten classics, such as “Take the Devil” (composed and performed by Meisner) and the Neil Young-esque “Train Leaves Here this Morning”. Then there’s “Earlybird”, which is possibly the most experimental track on the album, with its heavy banjo, wild guitars and bird whistles!

All in all, The Eagles still sounds as fresh as the day it was recorded. This remarkably self-assured debut has been a favorite among fans worldwide for over four decades, and it will no doubt continue to have a place in people’s hearts for at least another 40. 

Michael Rault and Daisy House

Michael Rault

Michael Rault “It’s A New Day Tonight”

Toronto musician Michael Rault has a great knack for solid ’70s riffs and classic power pop style. Opening with some nice guitar work on “I’ll Be There” it’s like a glorious mix of Badfinger and T-Rex. The careful arrangements and simple structure allow Rault’s melodies to come through. The album takes its inspiration from the act of sleeping and dreaming. “Sleep With Me” is like a lost Emmit Rhodes single with fuzz rhythm guitar, lush harmonies, and a sweeping string section.

“Oh Clever Boy” is McCartney styled gem, and the pace slows up on “Sitting Still” although the neat bassline makes that tune work. Things seem to stall a little on “Dream Song,” but I get that the next few songs act like REM sleep snippets. The full Beatlesque melodies come back on “Out of The Light,” its got a scratchy vibe – like an old 45 you found. “Sleeping and Smiling” has a dreamy 10cc quality and the sprawling closer “When The Sun Shines” has some nice George Harrison styled slide guitar. Overall solid execution and the ear-catching melodies make this the equivalent of power pop comfort food. Highly Recommended.

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Daisy House

Daisy House “Bon Voyage”

The Southern California folk-rock duo of Doug Hammond and his daughter Tatiana are back after last year’s successful Crossroads. The vocal dynamics of the songs remind one of the late 60’s harmony bands Mamas & Papas or CSN, but the songs are thoroughly modern and touch folk, rock, and country genres. Bon Voyage continues the band’s sophisticated songcraft on the title track, a strummed gem with a Spanish-styled rhythm. “Stop Looking’ At Me” is a topical song about sexual harassment. You kind of expected Liz Phair to do something like this, but Tatiana pulls this off perfectly. The apprehensive shuffling “Persephone” is along similar cynical lines.

The chamber pop of “A.I. Girls” makes good use of Doug’s higher vocal range and on “Let’s Do it Again” Tatiana channels Chrissie Hynde with its catchy power-pop chorus. Of course the Byrdsian folk jangle returns on “Over The Hill” and the trippy “Like A Superman.” It takes a few chances, as “Heavenly” feels overproduced, but the classic ballad “Til The End Of The World” is near perfection. The songwriting is top notch, along with the multi-layered instrumentation. Highly Recommended.

May Singles: Richard Turgeon, Cosmos Sunshine, SA Reyners, The Golden Rail, The Ego Ritual, Dan Rico

The opening track from Richard Turgeon‘s upcoming LP, “Lost Angeles.” It’s a big-sounding, California-tinged power pop track with lots of harmonies. And it’s a FREE download.

Cosmos Sunshine sounds pretty hippie-dippy, right? But no, this is a big rocker with hooks and an angst in the groove. Fans of Neil Young will like this one.

New Zealand’s SA Reyners gives us one sweet single. A bouncy piano is layered with rhythms and counter melodies. Very impressive! If you’d like another SA Reyners single, Lexiconographer was released last month and it’s a FREE download. When is this guy gonna make a full album already?

The Golden Rail is an Australian supergroup of sorts. Members have come from various bands: The Palisades, The Rainyard, Header, Summer Suns, DM3 and The Jangle Band. The singles here are simply great covers. “Shouldn’t Get Hung Up About It” was originally recorded by The Village Idiots and “Fined For Wrestling” was originally recorded by The Tokyo 5.

The Ego Ritual is a new psyche-pop band that’s about to debut on Kool Kat Musik. This is an advance single that’s very groovy and a FREE download too!

Dan Rico is just “Hot To Please” and with this FREE download, he definitely pleases.

International Power Pop: Tommy Lorente and Cooper

Tommy Lorente

Tommy Lorente “Stupefaction”

Oui! Tommy Lorente has really come out strong here, and in his native language has produced a classic power pop album. After Tommy’s first LP, I compared him to Kurt Baker and wondered what direction was next. He has matured nicely. “Poor Tchack Pow” is so catchy you don’t even need to know French to sing along with the chorus. “Arthur” is another terrific gem about a pep talk to the heartbroken title character translated to “Tell me, tell me, tell me Arthur” featuring solid hooks all around.

The bouncy “Le Rêve Américain” (The American Dream) is about pursuing his dream in Memphis strutting like “king,” drinking bourbon and listening to rock and roll. It settles into a nice groove with “Pareil Au Même“ (Same At The Same) with another sing-along chorus. “J’ai Connu Mieux” (I Know Better) is part Bo Diddley and part Paul Collins. Its all compelling, without a note of filler – although with the fast pacing we don’t get a ballad, and that could make all this a little easier to digest. Still, this is a highly recommended LP for any power pop fan. And that says a lot! Et ça en dit beaucoup!

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Cooper

Cooper “ Tiempo, Temperatura, Agitación”

Álex Diez is a veteran pop artist from Madrid, Spain. He played in the mod band Los Flechazos to great success in the 80s and 90s, and after the turn of the century, he formed the indie-pop band, Cooper. His fifth full-length album focuses on meticulously crafted melodies sung in Spanish with layered harmonies and brass. The title “Time, Temperature, Agitation” refers to the old method of developing photographs.

The big highlight is the opener “El Último Tren” (The Last Train) complete with a fuzz riff ending. Next, “Salto” (Jump) reminds me of that old Katrina & The Waves hit “Walking On Sunshine” in tempo and spirit. “Ya Llegó El Verano” (Summer is here) is a naturally sunny melody full of optimism. You can hear the Beatles influence in the guitar playing, and the production is top notch. If you like your power pop with a touch of español, check out Cooper!

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