Super Doppler and The Rationales

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Super Doppler

Super Doppler “Moonlight Anthems”

Super Doppler (formerly known as Major And The Monbacks) is a rock band from Norfolk, VA consisting of six members: Neal Friedman on keys, guitar, and vocals; Michael Adkins on keys, guitar, and vocals; Cole Friedman on bass guitar; Tyler West on percussion; Harry Slater on guitar, keyboards, and vocals, and Bryan Adkins on drums. The members of the band met in high school, and describe their beginnings as “a loose collective of high school friends with a common interest in late nights and loud music.”

The catchy opener “There There” has a distinct 70’s flavor, like a lost Three Dog Night track with the chiming “la-la-la” backing vocals, and piano rhythm. That retro style is carried forth on the title track, reminiscent of the late Joe Cocker or Greg Allman, with brass adding to the atmosphere, but the jewel in the crown is the next track. “We Are Doing Fine” is a sweet Beach Boys-Beatles amalgam with a big fat sing-along hook in the main verse and trumpet flourishes in the Yellow Submarine style. The remaining songs aren’t as immediately satisfying but vary in style to prevent predictability. “You Should Know” has some great instrumentation, and it’s a soulful performance. “Here Comes The King” is another brass led pop gem with a shifting tone. Overall, it’s a little overlong but still, some great music is here so check Super Doppler out.

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The Rationales

The Rationales “Upstream”

The Rationales earlier works The Distance in Between and Dream Of Fire are steeped in a rich power pop sound. Upstream starts strong with a great opening riff on “Ready To Go” and its chugging chorus is punctuated by a wicked guitar solo. However, with “Trade You” it settles into a mellower MOR style of arena rock. “Climb The Ladder” is another decent rocker that wears out its welcome past the six-minute mark.

The even slower “Under The Gun” has some nice touches with its slide guitar and stadium-sized melody. The band’s skill is evident, but the songs are missing hooks and don’t all resonate strongly compared to past work. However, the rootsy “Dulcinea” is a richly composed gem with layered instrumentation that builds to a peak. Overall, uneven but worth the effort to catch the gems contained here.

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Somerdale and Fernando Perdomo

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Somerdale

Somerdale “Maggie Says It Again”

During our last Power Popaholic Fest, I was honored to have Somerdale play and I got to meet the band and Jem Records Marty Scott.  He credits a review brought his attention to Somerdale, where they are featured on Jem’s roster with a re-issued release of last year’s album. It was my #8 top album pick of 2016 and now long sold out.

The re-titled Maggie Says It Again is expanded to 15 tracks with “Say It Again,” “Don’t You Know,” and “Broken English” as the new songs. They fit in perfectly —  with “Say It Again” being the best of the new crop. Overall the album rocks with that 70’s pop-rock influence, thanks in part to Chuck Penza’s lead vocals and those driving riffs. Fans of Badfinger, The Raspberries, The Who and Cheap Trick should not hesitate to grab this one, as it remains super highly recommended. Plus, its got an exclusive Holiday bonus song – “Merry Christmas Time.” No excuses!

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Fernando Perdomo

Fernando Perdomo “The Golden Hour”

As one of the most accomplished writer-musician-producers in California, Fernando Perdomo releases his 4th and (so far) best solo album. It starts with a dramatic piano intro and then the smooth slide guitar of “Sleep” mixes its Beatlesque bass line and layered harmonies to great effect. The tempo picks up with “Spotlight Smile” and its Californian hook “Magical love is here, won’t you let it near to your heart?” making it a great tune.

Fernando is a bit like Todd Rundgren it comes to songwriting and opens up with the self-examination of “The Light” and “Fine.” The dense song structure is memorable and his guitar skills are exemplary. His deep voice lends itself to love ballads like the memorable “Sunset” with its cascading chord structures, reminding me of a Burt Baracharch-Brian Wilson hybrid. No filler here and the rich production deserves your best pair of headphones. Additionally, gems like “Love Loss Repeat” and “I Feel (Therefore I Am)” lays out Fernando’s honesty in a Neil Diamond kind of way. Super highly recommended and another addition to our growing list of nominees for best album of 2017.

 

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Premiere: The Sighs “Love From Lisa”

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More than two decades after releasing their last album, The Sighs return with a third full-length that brings a brand-new vitality to their harmony-drenched guitar driven-pop. Once destined to be a lost record, Wait On Another Day finds the Massachusetts-bred band drawing from an unearthed batch of demos and dreaming up a fresh sound that’s hook-heavy and full of heart.

Formed in 1982, The Sighs began with Robert LaRoche and Tommy Pluta—two lifelong musicians who bonded over their mutual love of harmony-driven acts like The Beach Boys, and soon learned that their own voices blended together beautifully. Later adding Tom Borawski and Matt Cullen to the lineup, they quickly made their name as an unforgettable live band.

This exclusive premiere track “Love from Lisa” recalls Revolver-era Beatles (“We all grew up Beatles freaks, and there’s really no denying that on this record,” Cullen points out).

Pre-Order

Special Record Release Show will be August 26th at the Celebrate Holyoke festival in Mass.

Here is the video version:

Sitcom Neighbor and Sunshine Bloom

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Sitcom Neighbor

Sitcom Neighbor “Shag”

The band Sitcom Neighbor is essentially singer-songwriter-guitarist John Murphy with veteran producer Steve Refling (Seth Swirsky, Nelson Bragg, Nushu, etc.) After an impressive sophomore LP in 2012, I didn’t see how Murphy could fashion anything better, but he has. This is a note-perfect power pop album, with “Tourist Attraction” taking his signature 1970’s rock style to the next level — with a jangling hook similar to The Spongetones. “Pimpmobile” is a flawless follow-up, with its Badfinger riffs and Ringoesque drum fills describing a “white Cadillac with gold wheels.” Next, “Your Turn Next” is a densely packed rocker with a wicked guitar break.

No filler, all killer here as the layered guitar sounds and multi-tracked harmonies flow over the tracks “Let Me Be Your Man,” the haunting “Goodbye,” and bouncy “Lucky Day.” The sound is consistent without being too predictable. In fact, Plasticsoul’s Steven Eric Wilson declared the “new Shag album is so brilliant it actually makes me angry.” Agreed and it earns a rare “10” rating and a certain contender for 2017 album of the year. Don’t miss it.

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Sunshine Bloom

Sunshine Bloom “Power Pop is Dead”

West Midlands UK band Sunshine Bloom is lead by vocalist James Jeffery (bass), with Shaun Evans (keys), Robert Bentley (guitar) and Jack Jefferies (drums) as they certainly disprove the album ironic title.

It opens with the piano melody “Friends With Detriments” that pays a tribute to Jellyfish with its bouncy tempo and harmonic flourishes; fans of Ben Folds and ELO will enjoy this too. “I, Me, You” has a distinct ’80s power pop guitar feel, the showpiece here is “Have Wings, Will Travel” with its breezy and infectious melody. It ends with a prog rock epic “Farewell Waltz,” featuring a wonderful guitar break midway through. Overall, highly recommended and a band to keep your eye on.

CD Baby | Amazon