Small Yards and Tomas Nillson

Small Yards “Small Yards”
Seattle’s Small Yards creates a style that straddles the boundaries of post-punk, garage rock, and power pop. The new self-titled album demands some attention with its opener “Heartache,” with a garage rhythm and a multi-lead vocal by Jenn Miller that sticks with you. Then “Realize” has continues the fun, with more of bar room jam. Quick songs like “Downtown” and “Shake Me Loose” recall The Ramones with its tight guitar and drum interplay, it’s also very catchy.
The band is very consistent, and the combination of male and female vocals will please fans of The Muffs and other similar bands, “She Comes” is another big highlight with great vocal harmonies. The guitar work is also memorable, check out the riffs on “So Far Way” and the power pop gem “Strawberry Summer.” Overall its a little too short, but their is no filler here either. Highly recommended.


Tomas Nilsson “Inside My Universe”
Tomas Nilsson (The Mop Tops, ANC4) is a songwriter, singer and guitarist from Sweden. Tomas wrote all of the songs and sings lead while he is assisted by Janne Borgh on bass, acoustic guitars and backing vocals, Niclas Österberg on drums and Lisa Sydhagen on backing vocals and keyboards. Overall, this is fine jangle pop with the opener “Oh What A Shame” sounding very much like a Byrds outtake. The reverb is heavier on the Tom Pettyesque “Guess I’m In Love Again” and “Tired of Being Tired” with a solid hook here.
Tomas has an older sounding vocal that suites these blues influenced songs best. Higher energy singles like “Wonder Girl” benefit from the addition of a female vocals in the chorus. And it really helps on songs where Lisa is out front more like the dense melody of “Inside My Universe.” The songwriting is a bit uneven, but it includes great standouts like “Stupid Friends” and “Give It All I Got.” Uninspired “Desert Island Holiday” and “I’m Lost In Her Eyes” are a bit ho-hum. Despite this, fans of jangling Rickenbacker guitars and Tomas’ other bands will enjoy it for sure. It’s music that deserves to be heard.

May Singles: My Mom is Here, Airport 77s, Sucker for a Pretty Face, Catherine Campbell, Super 8, Alex Lehey, Scarlet Sometimes
Eureka Machines and The Spindles

Eureka Machines “Everything”
Chris Catalyst (guitarist for The Sisters Of Mercy and Ginger/The Wildhearts) founded Eureka Machines in 2007. Although he has been quite prolific on Bandcamp with solo work, his band Eureka Machines has been improving with every record. It’s not hyperbole to say their sixth LP is the best album to date.
Just listening to the opener “Everything,” he packs every hook into this dense song, and the 4 minutes fly by quickly. The band includes Wayne Insane (BIG drums), Pete Human (bass), and Davros(guitar) and they keep the sound consistent here. The layered guitars lead the way, “Back in The Back of Beyond” and “Black and White” are both excellent follow ups that keep you engaged. The song structure tips into heavier rock on “If I’m Gonna Fight Myself, I’ll Never Win” and “Nature and Nurture.” Things calm a bit with the slower strums of “Home,” but it’s a breather and then we’re back to melodic rock. Added highlights include “The Great Indoors” and the epic closer “Beautiful Day.” Chris deserves praise for his ability to write catchy songs that hold your interest even after six minutes. Highly recommended.


The Spindles “Wavelength”
Chicago-based power pop rock quartet led by Jeff Janulis follows up the successful ‘Past and Present’ album from 2019. Wavelength features guest appearances by Brad, Graham, and Rob from The Elvis Brothers, and Bill Corston from Jay & The Americans.“Getaway” is a great catchy opener, with a terrific solo guitar break. The band covers The Hollies “Bus Stop” and several Elvis Brothers tunes, and it fits in well with their originals.
“Rock Boy” is the perfect description of today’s veteran musician as a “part-time worker, but a lifetime rocker.” And these guys really can rock your socks off. Lots of call outs to the 70s-era bikers with “Ride My Bike” and the fun “he said/she said” story of “Two Sides to Every Story” adds a Nick Lowe-ish hook in the chorus. No filler here, so enjoy! Highly recommended.
