Rediscover: 10cc

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https://youtu.be/2HdoocAtdSQ

If you ask me who the most influential band was in the 20th century, you’d have to say The Beatles. But not far behind them I’d have to say is 10cc. The bands constant innovation in pop music is felt even today. The catalog is pretty extensive and eclectic as you had two strong songwriting teams with appositional goals.  The Stewart-Gouldman team provided the grounded hits and lyrical pop narrative, while the Godley-Creme team provided the stylistic brilliance and cutting edge influence. Check out the recent BBC biography of 10cc on You Tube above while it lasts. And just a single example of how other artists took 10cc’s techniques as producer Phil Ramone describes how they made Billy Joel’s hit “Just The Way You Are.” If you are new to 10cc, check out my recommended albums at 50thirdandthird.com.

Hemmit and Mono In Stereo

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Hemmit

Hemmit “Straight Outta Nowhere”

Portland, Oregon rock duo of songwriters Adam Rohosy and Keith Fleming are the hard charging band Hemmit. Opening with “Brohemoth,” it references the Beatie Boys with its power chord and cow bell anthem. Next is a perfect cover of The Rolling Stones “19th Nervous Breakdown,” sounding almost better than the original. The sound shifts to a poppier vibe on “Thank You” with its tightly crafted melody. The late’ 60s influence is mixed with 90’s hard rock on “I’m The Man” and “ADHD,” and it never gets predictable, “So Deluxe” is another riff busting gem that’s sure to please. You know these guys are fun, as “Happy Friday” mixes wah-wah bass and synth chords with the those meaty guitar riffs. Nothing really mediocre here, and the band’s enthusiasm and talent goes a long way to making this LP one of my highly recommended picks.

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Mono in Stereo

Mono in Stereo “Long For Yesterday”

Rockford, Illinois’s Mono in Stereo falls somewhere between the lines of punk rock and power pop but they’re not too far stylistically from Watts or The Satisfactors. “Late Night Confessor,” opens with fast riffs and a throaty delivery that sets the template for most of the album. “Long For Yesterday” is rant of regret that recalls The Ramones with its fast tight melody and stripped punk vocals. “Start Again” is another song that treads the same ground thematically. Slowly the sound gets grungier and songs get much longer like “Never Coming Down” and “Feels Alright.” I felt the songwriting loses its way a little here, but it still sounds good. My favorite on the LP is the power pop gem “Bakersfield” with its simple catchy chorus that I couldn’t get out of my head, like a Kinks classic. Hopefully future releases will have more of this.

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The Steve Deaton Three and Kevin Martin

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The Steve Deaton Three

The Steve Deaton Three “The Steve Deaton Three”

Mississippi rocker Steve Deaton (formerly of Buffalo Nickel) is joined by bass (Adam Perry), drums (Denny Burkes) to form The Steve Deaton Three. The chiming guitar chorus of “Duke of High School” is about a legendary burnout who everyone knows. The sound is very much like The Raspberries and Cheap Trick, done in a tight 70’s FM style. Next “Watching You Drown” has a great chord structure, sleigh bells, and that sweet jangling strum.

A harder fuzz is found on “Beautiful Believers” about a Christian rock band. You hear some Southern influences on “The Big Cheese” which recall ZZ Top and Rick Derringer, who gets his own tribute here (“Derringer Lays It Down”). Even twanging country rock comes up on “Peroxide Blonde in a Hopped Up Model Ford.” This is a band that understands the need more cowbell and makes its debut a ton of fun. “If you were listening to the radio in 1978, this record will make sense to you,” says Deaton. A faithful cover of the Nazz classic “Open My Eyes” rounds out this highly recommended album!

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Kevin Martin

Kevin Martin “Future Friends ”

San Diego singer-songwriter Kevin Martin moves away from the classic power pop influences of his debut Throwback Pop for his second album. But he does move forward in time. “Julia” is a ’80s styled pop extravaganza with deep synths and beats, it continues with “Loaded Gun” sure to appeal to fans of Ah-Ha, Level 42 and The Fixx. Thankfully, it isn’t stuck in the ’80s for long.

“Not Gonna Let You Go” comes a little closer to the piano pop from his debut, with its classical flourishes recalling Elton John. “The Unknown” throws in more style, a little bit like Queen or The Fratellis and its a big standout. “Diamonds” starts with a waltz but shifts to a hook filled chorus and boasts a terrific guitar coda.”Goodbye” is a gorgeous piano ballad supported by strings, and makes a solid closer. There are plenty of quality songs here, richly produced and worth adding to your playlist. Definitely Recommended.

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Dave Rave and KiDD

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Dave Rave

Dave Rave and The Governors “Sweet American Music”

Canadian rock veteran Dave Rave is a consummate professional who has played fifty IPO shows in a row from 2010–2013. His recordings have been both prolific and sporadic, but certainly well worth hunting down. Rave plays good ole rock and roll on “Sweet American Music,” sounding like a mix of The Stones and Material Issue with nice harmonies in the chorus.

The Kinks-like “Always Something There” and “Queen Of The Tambourines” is a shift in tone and tempo. The latter song has little psychedelic touches that dovetails nicely into “Pullman, Washington” with its exceptional guitar solo. “Purple Velvet Valentine” is another tonal shift sounding like Lou Reed, but the jangling chords of “Lindsay” are closer to Rave’s classic R&R sound. “You Take What’s Yours” is another favorite here, with Merseybeat echoes and a strong hook. Overall, this album is full of sonic variety and a highly recommended gem.

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KiDD

KiDD “Hotchpotch”

KiDD is a mix of talent from The Barne Society (a Glasgow collective) including; The Wellgreen, Dr. Cosmo’s Tape Lab, Euros Childs, Linden, and BMX Bandits. Song were written and produced by Stuart Kidd and for Hotchpotch he cherry picked songs from previous albums to make this compilation. The McCartneyesque digital 8-bit melody of “Alfie” floats along and the acoustic lullaby “Little Lucy” keeps things joyfully light.

“Win Or Lose” feature harmonica and melodic hook with a tambourine beat. The lazy shuffle of “Please Say You’ll Stay” and “Breathe in The Country” make this perfect summer music, with harmonies that recall The Beach Boys Smiley Smile album. The atmospheric tempo slows down even more, and get progressively more psychedelic and folky on “Waiting For Springtime,” but overall this is fine collection of tunes. Limited edition cassettes on Bandcamp.

The Modulators and Joel Boyea

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Modulators

The Modulators “Try, try, try”

New Jersey band The Modulators formed in 1980, released three singles and an album in 1984. They’ve continued to tour (New York’s IPO is a regular spot) and now the band finally delivers the long-awaited self produced sophomore album. The jangle and layered guitar melodies aren’t that different from the bands earlier material, so fans will love it.

Opener “Upper Hand” and the title track are straight forward guitar pop. “What’s On Your Mind” is a wonderful Merseybeat styled throwback, and “Someday” boasts some great vocal harmonies along with a killer rhythmic hook. The vocals are a little deeper, but sung with earnest confidence as evidenced by the ballad “With Your Love.” Fans of old school DIY pop will appreciate the added acoustic textures and roots based influences, and overall no filler here either. If you buy it at Kool Kat you get an exclusive 4 song bonus EP with demos, including the live version of “Down At The Dirt” from 11L RNI Radio NY International. So its definitely Highly Recommended.

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We don’t have any samples of the current album to post, but here is the bands original “hit.”

Dave Rave

Joel Boyea “Here Again, and Lost”

Boyea’s opening “Upbeat” is a great marching anthem, full of ringing guitar melody and solid drum work, one of the better opening singles I’ve heard this year.  The lower key “Breaking Up” has echoes of smooth California styled pop about a relationship that’s run its course. Most of the tunes are closer to this mid-tempo style as the album follows the stories of self actualization from differing points of view.

Strong melodies are layered into the “Impossible Puzzle” and “Until It’s Too Late.” But if you delve into the lyrics, it’s got surprising depth for example, “Outwitted” deals with the nature vs. nurture debate about homosexuality.  Sparsely produced by Andy Reed, Joel’s vocal is similar to Lannie Flowers in style and timbre. Definitely for those who crave meaningful songwriting.

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