Friday Freebies: 8×8 and Loop Line

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The transatlantic duo of Lane Steinberg and Alexander Khodchenko (aka 8×8) had a musical comment to recent events in Ukraine. In fact, Alexander lives in Kiev in the midst of all the current chaos. Listen and get a free download of “Stop The Madman,” and see if you can guess who they’re talking about.

 

Recorded very much like 8×8 is Tides, the debut album of the band Loop Line. Loop Line consists of two members: Luke, who currently lives in Japan, and Paul, who currently lives in the USA. Occasionally they get together in the same room, but for most of the album its been done through internet file/idea sharing. Tides is a massive undertaking with 21-tracks, and you’ll easily hear the Brian Wilson meets Weezer influence on some of the better tracks like “All I’m Waiting For” and “Used To Be.” The vocals are a real standout, and you’ll hear the improvement in harmonies on the latter tracks. It reminded me a little of last years John Hopkins album. A pretty impressive, if overwhelming debut that is a free download on Bandcamp.

The Mike Benign Compulsion “Here’s How it Works”

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Milwaukee-based Mike Benign Compulsion brings all the tools to his third album Here’s How It Works. Benign is joined by bassist Brian Wooldridge, drummer Michael Koch and guitarist Joe Vent. The group is a tight sounding unit, with touches of Elvis Costello, The Kinks and The Beatles sprinkled all around. Benign’s rugged vocal takes hold of you right away.

Starting with the mid-tempo “Mrs. Kean” it’s a dense song about adultery with backwards guitar that leads us to the next stage in the affair, “You Say It’s Over” and our protagonist is “inclined to agree.” The big single “Haley Daley” is a fantastically catchy song with energy and snide attitude. The songcraft is both delicate and complex in “Bay Window” making it one of the best ballads here.

The theme of loss and anxiety permeate the entire album. The restlessness is apparent on “Professional Jealousy/Saw Your Post” with the latter half of the song shifting to resigned bitterness. “Me and My Fluoxetine” has a perfect opening riff and line that would make both Ray Davies and Bob Dylan jealous. The pastoral harmonies on “Sleep” make it another winner. No filler either, as each track gives you something compelling. After a few listens, I found no reason to keep it off my list of top ten albums for 2014. Don’t miss it.

CD Baby | Amazon

Lapland and Ed Woltil

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Lapland “Lapland”
Lapland is a new project by Brooklyn singer-songwriter Josh Mease. From the opening strums of “Unwise” you feel the full otherworldly texture and mood wash over you. It gets into standard folk pop fare with “Overboard,” but the melodic gift is evidently strong with Josh, as the chords and layered harmonies evoke both McCartney and Paul Simon. Each song structure is tightly woven but slowly paced,”Aeroplane” drifts along like a Nilsson ballad amongst the clouds.

If you like subtle pocket melodies, then this album is for you. “Drink Me Dry” is another casual gem, and then it gets very deep on “Memory.” When Josh veers toward the atmospheric it may set you to sleep, but if you liked 8×8 or Dent May then you’ll just drink it in. The faux western “Metal Lungs” is another highlight. The production is clean and aside from an instrumental or two you’ll just have to listen to it a few times to have it sink in. A real grower.

ITunes |  Amazon

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Ed Woltil “Paper Boats”
Acclaimed singer-songwriter from The Ditchflowers steps out with his melodically rich, lyrically nuanced solo debut. The album is built around Woltil’s considerable acoustic guitar skills and warm vocal, as he builds neatly efficient songs. “Algebra” is a fresh, snappy melody along the lines of Joe Walsh or Donald Fagen. The easy going “Random Access Memory” has a wandering verse and hook along the lines of Mike Viola, a pure joy to listen to. “Someone Else’s Life” creates a melody with a wry touch of self-awareness, similar to Randy Newman. “The One and Only Anderson” is a cute, funny portrait of his dog, Andy.

He takes a few more liberties on the LP’s second half. “Open” is a mix of classical influences, and “The Shortest Distance (Between Two Hearts)” is soul-pop ballad. And the skillful lyrical gymnastics on “One in A Row” brings to mind Paul Simon at his most playful. Overall its a fully realized display of superb songwriting and musicianship. Highly Recommended.

CD Baby | Bandcamp

The Jellybricks “Youngstown Tune Up”

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The Jellybricks have always given us edgy, fuzz driven power pop – and they’re back once again for a Youngstown Tune-Up.  The Harrisburg, Pa.-based band, fronted by lead vocalist Larry Kennedy, sound tighter and better than ever. “About The Weekend” echos classic Elvis Costello and Nick Lowe with its signature choral riffs. “Probably Me” is full of energy, starting up with shouts of “Hey Hey!” and driving chords in the chorus, with an excellent break between verses.

As the band has grown more mature, it focuses less on the growling angst of their earlier sound and focuses on lyric and smart melody.”I’ll Go Mine” is an anthem to a break-up, with a solid guitar structure reminding me a bit of The Goo Goo Dolls or Counting Crows. Lots of great highlights here, “Eventually” is a wonder of harmonies and classic melody,  and “After You” is another great sing-along theme. Bottom line is this is the best Jellybricks album I’ve heard to date, and I’ve been following them since the late ’90s. They definitely deserve a spot in this years top ten list.

CD Baby | Amazon

Sunday Sun returns and Richard Snow’s freebie

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Sunday Sun was ranked very high on my top ten list last year with a trio of EPs that displayed a mastery of power pop melody and crisp harmonies. The band has a new single out on Bandcamp. Check it out!

 

Another favorite band, Richard Snow and The InLaws released a pretty awesome album in 2011. Richard decided that at this point he wanted to give the album away as a freebie, and spread the word of a “world without money.” Whatever your philosophy, you can get this album on Richard’s website for nothing but a click.