Goodfellows “The Name of These Girls”

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Normally I would not recommend an album that isn’t available in the US, but for the power pop fanatic this one is worth seeking out. From Madrid, Spain the Goodfellows have a history of inventive packaging, and excellent songs. The latest LP, The Name of These Girls disc is lovingly packed in an actual denim jean pocket.

Musically, the band follows a traditional power pop template, very similar to Teenage Fanclub and The Gin Blossoms. Starting with “Virginia,” it isn’t revolutionary, but a steady jangle pop opening. The band ups it’s game with “Rocket Girl” by getting an assist from the legendary Paul Collins adding his vocals/guitar in the second verse. Lead vocalist Gabriel Palmer doesn’t have the strongest pipes, but the song composition and instrumentation go a long way on the Beatlesque “I’m Coming Back to You” and the guitar crunchiness of “Marianne.” The highlight of the album for me is “Just A Minute,” with a perfect chorus worthy of The Wonders. Lots of references to musical nostalgia are themes to songs like “Happy Days,” “Good Old Days” and even the lone short ballad “Times Are Never Changing.” Keep up the great work amigos!
power pop review score 9

Goodfellows.es | Rock Indiana

This is footage from a recent concert in Madrid, to listen to the album visit Rock Indiana.

Loveland Duren and The Breakup Society

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Loveland Duren “Bloody Cupid”
This is the eclectic combination of musicians Vicki Loveland and Van Duren. Starting with “Crash Landing” it features a cool bass line, Loveland’s soaring vocal (similar to Heart’s Ann Wilson) and guitarist Jim Duckworth shredding solo. Next track is more melodic, “Lines in The Sand” has both Van and Vicki in a duet with a memorable chorus and snappy pop hook. “Now Will Do” has more folk elements, with violin and mandolin featured as a country tune.

You really can’t pigeon hole this LP in one genre, but I’m gonna focus on the more pop oriented tunes, so I recommend “Birthmarks,” the romantic “There Goes The Floor” and the sobering “Losing My Mean Streak.” The soulful rock of “Sins Of The Father” is a highlight of Loveland’s moving vocal, and the soft-shoe “Kiss Me Slowly” is another jazz tune with Van Duren’s easy going lead. Like a fine wine, you’ll want to sip in this albums variety and charm.

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The Breakup Society “So Much Unhappiness. So Little Time…”
This passed under my radar early this year, but I wanted to call it out as a great soundtrack for life’s disappointments. Opening with the title track, it sets the stage with the words of Ed Masley “it’s a struggle making lemonade, when life gives you limes.” The band skillfully navigates the Beatle influenced “Invitation to Quit” and Masley approaches it with his Midwestern heart on his sleeve. Each tune is an impressive blend of The Kinks and Paul Westerberg in his prime, with no filler.

The album follows the sad losers in Masley’s world, from the dude waiting for “The Next Reunion” to impress old classmates to the old groupie trying to meet the band in “Another Day in The Life.” Even the upbeat “Upward Spiral” where the narrator sees the path out of the pity party,  he “can’t seem to wrap his head around it.” The standout here is the rocking power pop gem “Here Comes Floyd.”  And Masley isn’t quite like the characters he sings about, on “Mary Shelly” where he “appears to be the fool he plays in each song” he’s really not, just like “Shelly wasn’t Frankenstein”. The dense guitar psychedelics close out “She Doesn’t Cross Against The Light” like an Oasis finale, and overall its excellent album. I hope Masley doesn’t take another five years for the next one.

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IPO Fall 2013 Report

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Following our own Power Popaholic Fest lead, the International Pop Overthrow came back to New York in the borough of Brooklyn last week. The venue was easy to get to, plus Matchless boasts a good sound system and plenty of room for patrons to get up close and personal with the IPO artists.

The music was uniformly very good, and special kudos goes to Cliff Hillis who played with both Corin Ashley and Starbelly. I was impressed with several bands; The Modulators brought a roaring audience with them, and the Rousers are another tight combo that didn’t miss a note. Guest Kurt Reil joined London Egg on stage,  Meyerman rocked loudly and Jana Peri had a full band backing her great voice. Like the spring IPO in NYC, power pop veterans Starbelly mesmerized the crowd. An excellent time was had by all, thank you David Bash for another successful concert series!

Kelly Jones and Little Anchor

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Kelly Jones “Alta Loma” After thrilling us with her collaborations with Mike Viola on SheBang! and Melon,– Kelly Jones bares her soul on the personal Alta Loma. Starting with “Right Hand Man” it evokes the sensitive spirit of Dan Fogelberg and Joni Mitchell with its acoustic guitar lead and subtle slide guitar accents. The album is full of intimate musical musings, a perfect example is “Limbo” with dreams “rolling out the window.” The melodies are subtle, and invite contemplation with rich lyrical imagery. “Idyllwild,” “Love Dynamo” and “Funny Old Way” are the thoughts of a mature woman’s point of view on romance. Other songs deal with the passage of time (“Old House”) and spiritual faith (“Unanswered Questions.”) So cuddle up with a hot cup of tea and listen to Kelly’s angelic voice. Highly Recommended.

CD Baby | Amazon

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Little Anchor “Floating Bridges” Miss the summer weather? I know I do, but Brooklyn-based foursome Little Anchor has a new album that will bring those summer memories back. Lead vocalist Alexa Cabellon has a clear smooth voice that brings each tune to life, starting with “Alive” it showcases the angular guitar progressions and sing along chorus. The songs gradually get more personal, with the ethereal ambiance of “Carolina Waits” and the slower duet of “Mailman.” The tempo is more playful on “If I Wanted To” as Alexa’s joyous voice “couldn’t hide it if I wanted to” chorus make it a catchy gem. “Over and Over” is a grand dramatic tune, with sweeping piano chords that tell me this is a band to keep your eye on.

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