Mod Lang and Phil Thornally

powerpopaholic


“Mod

Mod Lang “Borrowed Time”

Named after the classic song by Big Star, Detroit’s Mod Lang skip nostalgia and get straight to the point, tight hooks, chiming guitars, and choruses built to last. “What I Can’t Have” kicks things off with a hook strong enough to grab you on first listen, channeling the sharp melodic punch of early Kurt Baker and the restless wit of Elvis Costello. It sets the emotional tone for an album driven by urgency, tight songwriting, and pure pop instinct.

Guitarists/vocalists Antonio Keka and Alex Belfie lock into rich, layered harmonies on “In Advance,” pulling from the widescreen pop drama of Big Star and the melodic muscle of The Raspberries without slipping into nostalgia. The Beatles-informed vocal blend feels earned rather than borrowed, especially when “Cocomoda” pivots into a ragged, blues-leaning guitar attack straight out of Keith Richards’ playbook. The band moves freely between styles while keeping a clear identity at the center. Nothing feels padded or tossed in to fill space. Tracks like “TV Star” and “Borrowed Time” hit with relentless momentum, the kind of high-energy songwriting that converts skeptics halfway through the chorus.

Alongside modern torchbearers like The Lemon Twigs, Uni Boys, and Sharp Pins, this record shows why modern power pop keeps pushing forward. Every melody lands, every arrangement serves the song, and the result ranks among the year’s strongest releases. This one belongs firmly in the top tier of 2026. Super Highly Recommended.

Amazon


Phil Thornalley

Phil Thornalley “Stacked”

Phil Thornalley steps away from the polished studio pop associated with his Todd Rundgren and Jeff Lynne influences and plugs into a louder, band driven sound rooted in the punch of Weezer and Blink-182. With Casey Shea on vocals, Alice Gütt on bass, and Ruby Cohen on drums, the project leans hard into bright guitars and upbeat energy built for early 2000s alternative radio. These songs slide easily alongside playlist staples from Bowling for Soup, Smash Mouth, and Green Day. “You Could Have Anyone” leads the charge with a sharp hook and an easygoing guitar riff, while its lyrics tap straight into teenage frustration, complete with eye rolling rebellion aimed at parents and authority on the song “Parents.”

“It’s You That I Want” delivers one of the album’s strongest melodic turns, and “Summer Looks Good On You” slows the pace without losing its singalong pull. The momentum slips in the back half, where “Sweet Believer Medley” leans heavily into Smash Mouth territory while folding in nods to The Monkees and Neil Diamond. It plays more like an indulgent detour than a necessity. The closing track “Hold Me” rebounds with a breezy, retro pop feel that restores some balance. Even with uneven moments, the record delivers enough hooks and nostalgic punch to earn a recommendation, especially for listeners raised on turn of the millennium power pop.
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Apple Music

Snow day singles: Freddy Monday, Uni Boys, Richard Turgeon, Waterboarding School, Plastic Family, They Might Be Giants

powerpopaholic

Enjoy the winter wonderland! Yes, Valentine’s Day is long gone, but I thought of this one for my wife’s birthday and Freddy Monday brings me a perfect love song to give her. Uni Boys are coming back and as expected, they have a great new album I cannot wait to review based on the single “I Don’t Want Dream Anymore.” The always talented Richard Turgeon shows his sweet side with “Girl Like You.” Next from overseas, we have Gothenburg, Sweden band Waterboarding School, a bit messy in a cool DIY loose way, and Netherlands Plastic Family delivers the classic power pop sound perfectly! Finally, those dudes from They Might Be Giants have never slowed down and we like to check in once in a while. Loving that “Wu Tang,” too! Okay, enough fun, go back to shoveling that snow.





Music City and Congratulations

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Music City

Music City “Welcome To Music City”

Dublin born Conor Lumsden has always chased the perfect pop moment. With The Number Ones, he built a tight unit where every member mattered and every song snapped into place. Now with Music City, he steps out on his own and swings for something extra special.‘Welcome to Music City’ took six years to finish. What started in Dublin stretched to New York, London, and even Konk Studios, once home to The Kinks.

“It’s Alright” is a bouncy pop melody that sets the mood and sets the blueprint up. A great hook, glittering chorus, and lean lyrics that stick after one spin. “When The Day Comes By” and “Do I?” feature clean melodic rock without any bloated production, or studio trickery. And the shimmering harmonies on “Little Favour,” and tight “Pretty Feelings” show that Conor’s influences include Big Star, and several other 70s bands without sounding like an homage. No filler here at all, and “Common Sense” leans into T-Rex styled glam, with jagged riffs, catchy chorus and the addition of vocalist Tina Halladay. Granted some songs are almost “too pretty” like the dream-like “Autumn Song,” with its wall of backing vocals and jangle. Overall a great debut, and Highly Recommended.

Amazon


congratulations

Congratulations “Join Hands”

This is a bit off the beaten path, but Brighton, UK band Congratulations has various musical styles, creating a fun and energetic sound. While it defies genre definition, its got plenty of catchy hooks and rhythmic rock. The opener “Nevergonna” has lots of danceable funk, and lead singer Leah Stanhope fearlessly runs from Madonna-like coos to Gwen Stefani shouts, all while the chaos swirls around her.

“Fought 4 Love” has a wicked glam riff that dares you it stand still, blending 80s pop with a chorus that plants itself in your brain for days. “This Life” and “Dr. Doctor” both have electro-pop-funk that mixes Prince and Devo together almost seamlessly. What keeps it together are those hooks. No matter how far they stretch, they circle back to melody (most of the time.) The middle of the album goes off the deep end a few times. “Hollywood Swingers” shifts all over the place, it’s so quirky and loud it can’t be ignored. If you have a spirit of adventure, check this fun album out.
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Amazon

Jim Basnight and The Junior League

powerpopaholic
“Smug

Jim Basnight “Under The Rock”

Jim Basnight has been active since the late 70s, first with the Moberlys and later as a solo artist, helping shape Seattle’s pre grunge indie rock scene. His new album, ‘Under The Rock,’ began in 2023 with sessions in Athens, Georgia, organized by bassist John Carlucci. Back in Seattle, Basnight and longtime co producer Garey Shelton expanded the recordings with new harmonies and guitar work from his current band. Inspired by the results, they cut more tracks in 2024 and 2025, rotating players and building a deep pool of material.

As a longtime fan, I hear the spark of his early records paired with the control of a seasoned writer. He opens “All Summer Long” with the feel of a lost John Fogerty tune, driven by Basnight’s steady swagger. “Get It Out” hits fast and hard,  and the country tinged “Other Woman” and “So F’ed Up” lean into sharp storytelling and hooks that stick after one listen. The solid “Think Of Me,” and the heart felt ballad “Ones That Got Away” are also highlights here. If you care about strong songs, tight playing, and records you will spin more than once, this one delivers. Highly recommended.

Kool Kat Musik | Amazon


“The

The Junior League “The Moon Neither Noticed Nor Ignored”

Joe Adragna returns as The Junior League with another batch of melodic guitar rock that hits the mark. He has built a track record for consistency, and this set keeps that streak intact. “Sunset Park” and “A Matter of Time” feel like instant staples, built on clean jangle, strong melodic lines, and Adragna’s weathered vocal, which gives the songs lived in credibility.

“Just As Long As I Have You” leans into earnest mid tempo territory, layering guitars around a direct love lyric. “The Naked Lunchbox” taps into the smooth, harmony rich sound of Eagles in their late 70s prime, without sounding retro for the sake of it. “Never Quite The Same” raises the bar with a more detailed arrangement, subtle backing harmonies, and tasteful slide guitar that adds depth.

Adragna pushes harder on “I Hate To Break It To You,” where distorted guitar and punchy percussion give the track a blues punk edge. He pivots back to bright, guitar driven pop on “Until You Get It Right,” proving he knows how to balance grit and melody. The emotional core runs deepest on the extended “Forget Forget Me Nots,” which closes the album with weight, reflection and great guitar riffs. This stands among his strongest efforts and deserves your attention. Highly recommended and an early nominee for 2026.

Kool Kat Musik | Amazon

Video premiere and more stuff: The Smug Brothers, Ridel High, Pop Boomerang, The Happy Somethings, Sr. Pez, Pop Boomerang

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The Smug Brothers are back with a new album, due in May titled ‘Gravity Is Just A Way To Fall’ check out the premiere of a new video by skate legend Dave Ackels. You can pre-order the album here. Now some FREEBIES! Next before Tsar became a big Hollywood power pop band, Ridel High was there, and here is a new digital EP of remastered ’90s demos. Next, UK band The Happy Somethings deliver happy folk pop that have us “Thinkin’ ‘bout good times.” and from Elche, Spain this psychedelic pop band Sr. Pez is just “Walking In Circles.” Finally, I am happy to report the return of Pop Boomerang Records compilations, this new one is ‘Electric & Eclectic Rarities Volume 2.’  It bundles up previously unreleased songs, demos, live versions, rare B-sides and a huge array of covers. Enjoy the snow melt!