The DVD release includes the film and extra features like commentary track, visual effects reel, production gallery, etc, AND the entire Monster Suit album (which served as the official soundtrack). Get it at Amazon.
Sam Phillips “Push Any Button”
Prolific singer-songwriter Sam Phillips returns with her 10th studio album, Push Any Button. Thankfully she leaves behind the wanderlust of her recent past and brings us melodic pop that comes closest to her masterwork Martinis & Bikinis. Starting with the organic percussive effects on “Pretty Time Bomb” it sets the stage for the compelling melody of “All Over Me,” with neat little horn flourishes and a churning guitar rhythm. The catchiest song is next, “When I’m Alone” with its fast paced beat and Phillips expressive vocals.
The minimalist orchestral base and plucking strings suits Phillips well on tracks like “Going”and “Speaking Of Pictures.” Another gem “You Know I Won’t” is another sing along melody and with barely a wasted noted, its a perfect showcase of an artisan at her best. Highly recommended AOR listening.
Felsen “I Don’t Know How To Talk Anymore”
Oakland band Felsen is a hard working local band made up of guitarist Dylan Brock, singer/guitarist Andrew Griffin, bassist Christian Hernandez, and drummer Art McConnell. Felsen has toured throughout the West and puts together a workman-like effort on this new album.
The songs take a while to reach the hook, but they do get there. The lead track “Rock and Roll’s Not Dead” certainly takes its time, as we don’t get any rock guitars till the four minute mark. Much better are the melodies of the title track, “Better Days,” and the catchy “Tokyo Electric .” Where Felsen falters is in the slow meandering epics (“Gunfighting At Dawn”), but if you’re patient you’ll appreciate both the environmental message and the music.
Mooner “Making Americans”
Mooner has a new single and b-side, recorded as a quick follow up to the Unpronounceable Name EP from last year. You just gotta love that opening with a multi-tracked guitar riff. Enjoy!
Prevrat “Symbols”
This a bit off the genre path; its a mix of ambient psychedelics and I like the trippy jangle rhythms of “I You Two” and the industrial-techno guitar on “Safe Distance.” The highlight for me is the mix of acoustic and electrics on “Abandoned.” The vocals kinda get drowned out and at times you’ll wanna skip a track or two, but overall a worthy freebie.
Andy Klingensmith “Pictures Of”
Son of Futureman Records producer Keith Klingensmith, Andy takes a lighter approach towards ambient chamber pop, with light indie harmonies in the style of The Free Design or The Sea and Cake. A very engaging debut.
Keith Klingensmith and the TM Collective “Volume 2”
Well let’s not forget about Keith’s own covers series with the TM Collective. Gotta love the note-by-note perfection on The Who’s “Kids are Alright” and Davies’ “Waterloo Sunset.” They also know how to rock out, hear The Soft Boys cover of “I Wanna Destroy You.” Thanks for the goodies Keith!
Carnival Season “Misguided Promise: Carnival Season Complete (1984-89)”
As a music collector you often spend some some time looking over “lost” bands that never got the attention they deserved, and thanks to the internet nothing is “lost” anymore. Through a connection with Tommy Keene (FYI: new album coming up next month), I came across this obscure ’80s power pop band from Birmingham, AL that toured with The Replacements and Redd Kross (to name a few). Made up of guitarist Tim Boykin, bassist Brad Quinn, and drummer Mark Reynolds they broke up just as the Seattle grunge scene emerged in the early ’90s.
They certainly deserved more recognition than as mere footnote in power pop history, as Misguided Promise gathers up the bands entire output in one neat package. Read the full review on BlogCritics.org
Amazon | Kool Kat Musik
Carnival Season “In Our Time”
Carnival Season drummer Mark Reynolds passed away in December of 2012, the band had been sharing song demos for possible inclusion on their first album in 25 years. “In Our Time” would have been one of Mark’s songs to be included on the album. The song was recorded In Kobe, Japan, and Birmingham, Alabama, by Carnival Season’s Brad Quinn (bass, keyboards, vocals) and Tim Boykin (guitars) with guest drummer Eric Wiegmann. So this is the official last single of Carnival Season, it makes as perfect epilogue to the above mentioned anthology.
CD Baby
The YouTube ID of <span>wRlTuT4GCJA</span> is invalid.Solid songwriting and clever melodies are characteristics of this new album from Dallas musician Doug Bryan. On top of that you have an All-Star supporting cast of music talent: Glenn Tilbrook (Squeeze), Dallas producer Salim Nourallah, Miles Zuniga (Fastball) and Bryan Wakeland (The Polyphonic Spree). Opening with the languid “Panic” it’s punctuated by vocal harmonies and Ringo-like drum fills. What’s missing from Doug’s nasal vocals is made up with his lyrical mastery on “Cure For Happiness,” and its catchy chorus that keeps things moving. The atmospheric “The Blackheath Standard” reminds me of Brad Jones solo LP, Gilt Flake.
Doug’s day job is that of a film editor and he shares his experiences on “Orange County” with lots of cinematographer terminology, and the acoustic ballad “Cannonball” is an earnest description of a weary romantic. Out of left field comes “Stalemate” with Tilbrook lending his vocals, and Zuniga on guitar; its a long lost Squeeze tune. Multiple listens are required to really appreciate the subtle touches, however Bryan loses me on the faux-Buddy Hollyisms of “Bombscare.” And toward the albums second half it gets more and more convoluted, but still worth exploring. While not for everyone, Antique Future is like a box of peanut brittle. Crunchy, nutty and delicious!