Brandon Schott “13 Satellites”

Brandon Scott has grown over the years into a musician with a mastery of conveying emotion through melody and lyric. Through a series of personal challenges his music has been a reflection of those experiences. After the introspective folk balladry of Dandelion, Brandon Schott sounds even better on 13 Satellites. The album opens with the subtle beauty of harmonies against a accordion backdrop in “Annie,” and then the moody, but brilliant “Early Morning Night” not unlike John Lennon or Colin Blunstone, with its atmospheric organ and guitar combo. It’s a shuffling tune that has some very Revolver styled tones, with a sweet key change in the break.

Like Michael Carpenter, Brandon uses percussion as a stark contrast to the somber lyrics in “Full Circle Round.” Comparison to Ben Folds is also clear on the piano compositions like “Flowers Fading” and “A Daydream.” Brandon also uses the harmonies in a similar way, as a subtle fill for each chorus for the best effect. Another highlight is “Satellite” where if the Beach Boys played on Sgt. Pepper it may have sounded something like this. “Exploding Angel” continues that motif, with light carnival styled touches framing the melody. There is no filler, but the album is primarily made up of slow tempo songs and ballads a la Elliot Smith. Overall it’s a wonderful headphones album for the sensitive pop soul that deserves your attention.

Listen at Brandon’s site | Amazon | Itunes

Greg Pope “Monster Suit”

One of my favorite power pop artists, Greg Pope puts on his Monster Suit for Halloween. We mentioned before that he is making a film called Giant Monster Playset. This is the soundtrack album, and in typical Greg Pope fashion – its got a pile of great songs. The music follow the films narrative and like his last album Blue Ocean Sky, it has a fair amount of fuzzy guitar and pysche-pop pastiche. The faux Hendrix opener “Modern Plaything” gives way to a Soundgarden styled wall of dense guitars. A bit more impressive is the soft vocal of “Soulless Heart” that leads us to a strong hook in the chorus. And there’s more, “The Chance You Don’t Take” is another gem with guitar strum and double tracked vocal.

Some nice guitar work is part of the long intro on “Place On The Hill” and it’s  comparable with The Who’s Tommy. The 70’s band Free is another point of reference on “The Last Time” as the slow march builds up to a satisfying crescendo. Some of the tracks are just wonderfully atmospheric like the instrumentals “There May Be Thousands” and “Monster Chase.” The crashing cymbals on “This Is Goodbye” makes this mid-tempo love song bounces along its warm melody a la Badfinger. The song “Your Love” feels more like Robert Pollard’s style, but the underwater vocals don’t quite fit here. Since it’s a soundtrack and not a singles collection there are less hooks than in previous works, but any Greg Pope album is a worthy investment and will satisfy your craving for crunchy guitar pop. Can’t wait for the film!

CD Baby | Itunes

The Beach Boys “SMiLE Sessions”

 

For all you audiophiles, this is the motherlode. On November 1, the original tracks of the legendary Beach Boys SMiLE will be released in a 2 CD set. If you are a really completist, the expanded boxed edition of The SMiLE Sessions will also be released, featuring the main SMiLE album tracks, plus four CDs of additional audio from the legendary sessions, a double vinyl LP set, and two 7″ vinyl singles. The deluxe box also contains a 60-page hardbound book with rare and previously unseen photos and memorabilia from The Beach Boys’ archive and newly-written essays by Beach Boys Al Jardine, Mike Love, Brian Wilson, and Bruce Johnston, as well as by Beach Boys historian and author Domenic Priore and many other inner-circle participants.

Rhode Island and Ex-Norwegian

Rhode Island “Light The Windows In These Places Let Through”
Rhode Island are three dudes (Dave Brown, Jeff Johns and Will Turner) from Leeds, UK. They are unsigned and did all the work themselves… its starts with the interesting “War With Iran.” The vocals are a bit muddy, but the composition is solid with a bass driven melody. You’ll hear a little Bowie in “I Lost My Mind,” but the harmonies on “Articulation” are quite impressive, and fans of Queen will really love this. The album gets better as it continues – “A House” is a wonderful pop composition with shifting melody lines that reminds me of bands like Jukebox The Ghost or Field Music. The band plays with atmosphere on the instrumental “Franck’s Plantation,” and check out the album’s latter half with “Alcoholics,” “Good Morning, Captain John Lerro” and the very Apples in Stereo styled “Change In Repetition.” Although not every tune here is great, there are many highlights that make this band an undiscovered gem.

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Ex-Norwegian “Sketch”
Last year the Miami band Ex-Norwegian produced a pretty good pop album that touched many bases and had lots of influences.  On it’s latest LP Sketch it takes a big step forward musically. Opening with “Jet Lag” it almost goes retro-grunge here, but Alice In Chains never had a horn section. The band has solidified it’s sound with the late 90’s and 60’s as basic touch points, and the crunchy riffs of “Smashing Time” showcases the energy and great potential. With singer Roger Houdaille improving his game we get to the best track here,”Sky Diving” with Shazam-like catchy guitars, and grand choruses similar to Sloan. I wish the whole album took this approach – but it then switches to a lo-fi “You’re Elastic Over Me” with bassist Nina Souto doing her best Liz Phair. The melodic gems pop up in spots here, “Seconds” and “Acting On An Island” are excellent psyche-pop tunes and the bleak “Upper Hand” is a proper counterbalance to the raucous Who-styled “Turn Left.” This is a band that is on the cusp of greatness, but they aren’t helped by the throwaway lyrics of “Girl With The Moustache.” But still… this is very worthy of your playlist. Fans of Weezer, Greg Pope and other guitar heavy power pop will definitely want to add this album to the collection.

Mike Viola “Electro De Perfecto”

There are only a handful of musicians who when they release a new album, I buy prior to hearing it. And Mike Viola is one of them, as he’s earned my trust over the years. This is a highly personal album, and like Matthew Sweet he lays it all out there – the questions of middle age, regret and more. In interviews, Mike mentions comparisons to the TV show Breaking Bad, where normal life drama comes from raw emotional moments.

It starts of with “Columbus Day” showing a shift from NYC to LA that took “all my energy” in the building chorus and with cultural touch points dotting the melody. The tone is sunny and catchy on most of the songs like “Get You Back” and even a “bad day for the whipping boy” on “El Mundo De Perfecto” finds the optimistic side of things. “Soundtrack of My Summer” is another Viola gem of an earworm, you won’t be able to shake off.  “Me and My Drinking” has a wonderful bass line and delicate narrative about screwing things up. Lyrically it does get very dark, especially on “Closet Cutter” where you blame “The Beatles and The Rolling Stones” for a lack of success and “Here’s The Rub” where a breakup leads to addiction. Aside the fact that this is all great ear candy, each song is a thoughtful and detailed scenario that requires repeated listens to really appreciate. Ever since Hang On Mike, he’s performed at such a high level, and Electro De Perfecto continues this tradition, don’t miss it.

Amazon | Itunes

El Mundo De Perfecto by Mike Viola