Billy Burnett and John Holk

Billy Burnette “Rock and Roll With It”
Burnette has a long and proud history in rock and roll. And I’d be shocked if anyone else short of Brian Setzer can play Rockabilly better, as Billy’s dad helped invent the genre. He’s played with rock legends Fleetwood Mac, Rod Stewart, Ray Charles, Roy Orbison, Jerry Lee Lewis, and many more. The title track of the new album “Rock and Roll With It” is a bona-fide classic with a catchy rhythm that doesn’t quit. “My Love Will Not Change” is an uptempo country rocker that has a highly polished sound that will impress the most jaded critic. “Beautiful Distraction” is a honky tonk theme suitable for the NFL or NASCAR and each following track is solid twang-fest thereafter. “I really felt like it was time. I really like this music. I didn’t get into my dad’s whole Rockabilly thing until after he died.” Burnette says, and we’re all the better he’s carrying on the family business. One listen to the autobiographical “Hot Rod Billy” and you’ll be shakin’ all the way home.

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John Holk & The Sequins “If You See Her”
In country pop music, subtlety is a premium that is often hard to come by, but John Holk uses his mellow vocal and melodic approach to win you over. The band’s sound is in the vein of Gram Parsons, The Byrds, or The Scud Mountain Boys. The pop goodness shows up in the lush second track, “If You See Her” with its tight harmonies akin to The Association, floating on top of the jangling guitar rhythm. Carrie Shepard joins Holk for a sweet duet on “Lady Jane” and another great pop moment is on “Autograph” with its ear-worm worthy chorus. Another standout is “If She Were You” with a superb guitar solo at the break. The album breaks into bluegrass and traditional country in the latter half which slow it down quite a bit, but it recovers with the easy going guitar of the ender “The Mountain” with its “Proud Mary” bass line. Overall a nice gem of an album with solid performances.

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The Doughboys “Rock N’ Raw” trailer

 

The Doughboys story is a fascinating one. A band that broke up 30 years ago, with members all going in different directions come back together. Now it’s been made into a feature length documentary with the emphasis on the reunion performance at Arlene’s Grocery in NYC. I had no clue when it first surfaced that it was Richard X Heyman‘s first band and now you can get the film from the distibutors directly. Check out the and view a portion of the movie here.

Power Popaholic hidden treasures

Visit the Power Popaholic Facebook page and you’ll find a chestful of FREE power pop goodies from some new artists I picked!

If you’ve never “liked” us, please do and enjoy the music for your last week of summer. If you like any of the music, please spread the word and get your friends to visit power popaholic.com – we’re looking for more fans!

Hans Rotenberry & Brad Jones “Mountain Jack”

This came out earlier this year, and despite almost no PR effort at all it has managed to become a favorite amongst music bloggers. It’s also been really tough to get ahold of. Shazam frontman Hans Rotenberry, and Shazam’s former producers Brad Jones unite to forge a Americana album with a sweet power pop spin. The compelling jangle of “Count On Me” and “A Likely Lad” have Jones (Guilt Flake) fingerprints all over them.

Rotenberry’s “Froggy Mountain Shakedown” and “Back To Bristol” have a Kinks “Muswell Hillbillies” flavoring. The melodies shine brightly and both artists work to make the album as repeat-friendly as possible. These two titans of Nashville power pop have also kept things understated enough on tracks like “Puttin’ On Airs Tonight” and “Buffalo Daughter” to keep things poppy, but still clinging to those country roots. Also one track alone doesn’t carry the album, nor does one songwriter dominate – each track just sounds great. Simply put, the best musical collaboration this year and yes – it makes my best of 2011 year end list.

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Timothy Nelson & The Infidels “I Know This Now”

Based in Perth, Australia Timothy Nelson has a reputation as the “must-see” band in that corner of the globe and he’s also great example of a band that blends alt. country and power pop. The jangly, guitar is reminiscent of Big Star and Wilco, with lush, melodic arrangements and plenty of steel pedal twang on the slower tunes.

The slow build of “You Don’t Know What You’re Waiting For” is typical cowpoke pop, but the gorgeous harmonies on “Run For Cover” are more what we love. The songwriting compares to Gary Louris (Jayhawks) and its the focal point of the album.  Another single that just gives me goosebumps is “Nothing’s In Tune,” with its sweet chord progressions and key shifts – it’s the only pure pop play here. Boasting a large, lush and world-class sound, the 12-track album contains not only the band in full swing but a variety of added delights such as strings, horns, auto-harp, mandolin and harpsichord, resulting in a very big, bold statement of ideas for a first record, exactly as it was intended and even better it was mastered at Abbey Road studios in London. The other songs are all decent, but these singles will keep you hooked for multiple listens. Seek it out!

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