The Nines "Polarities"

The Nines are one of a very few reliable power pop artists who’ve produced consistently great music since 1998. Lead by Steve Eggers, over the course of 15 years and 4 full length albums, a few gems tend to slip through the cracks. Polarities gathers these unreleased tracks for public consumption.

The Nines clearly fall in the McCartney/XTC/Ben Folds realm, but the band has its own unique sound and a solid command of melodies and minor chord shifts. The opening track “Anything” is a catchy dance number lead by an ELO styled synth line. Another up-tempo tune is “You Can Get High” with its awesome cascading chord structure in the chorus, although the vocals are slightly buried. The winsome ballads “Goodbye Janine” and “Vanessa” were likely an outtakes from Gran Jukle’s Field. The rolling rhythms of “A Series of Shots” is very similar to Sugarplastic, and the slow guitar strum of “Orange of Summer” is another fantastic ballad. Because each track isn’t related to the others, you’ll find several favorites here. It’s a good thing, too – as this album is chock full of great music to choose from.


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The Northstar Session and Justin Nault

The Northstar Session “Late Bloomer”
The Northstar Session are a SoCal rock band where you hear echos of the past, but it doesn’t slavishly imitate them. Opening with the ear candy of the title track, it brings to mind The Autumn Defense but with a bit more polish. A great standout is the hook laden “In Time” with a great power chords between each verse as it reaches a crescendo.  And these guys still rock out a la Faces on “Turn You Around” with a simple backbeat, and blues guitar riff.

We get some nice group harmonies and jazzy licks on “Love Won’t Keep Them Apart,” and it’s a bit like The Black Crowes doing Van Morrison. Many of the tracks are slow moving mid-tempo soft rockers, like “Who You Were,” so fans of Wilco and The Fleet Foxes will enjoy this album for sure. Solid musicianship here as well. After all, you don’t get an appearance on NBC’s  Parenthoodby slumming around.

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The Northstar Session on the show “Parenthood”Season 2 Ep.2

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Justin Nault “It’s Just Me”
Justin Nault is an up and coming entertainer living in Nashville, TN. The bouncy piano opens things up on “I Would” and it proves Justin has the talent and vocal skills to make it. The songs melody line is a bit like The Rembrandts, but with a modern twist. “Addicted” follows through with a nice hook and smooth harmonies in the chorus. A signature tune here is the title track, a nicely written but sparely composed theme, with a sweet harmonic outro.

The albums second half is okay, but doesn’t distinguish itself as the guitar lead “Walk Away” sound pretty generic. “Puppet” brings back the piano lead, and Justin seems most comfortable here. Justin is also lead singer for the band Cougar Petting Zoo. Overall, an impressive debut from a young man with a bright future.

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The Britannicas "Talking ’bout Summer"


Herb Eimerman, Joe Algeri and Magnus Karlsson are The Britannicas. These music pros have been featured on this site last summer, and today they have a special treat for you Powerpopaholics. Every note and every scene in “Talkin’ ‘bout Summer” was produced by the band members from three different countries – Sweden, United States and Australia. On top of that you can download the FREE 3 song EP from Bandcamp! Happy Memorial Day Weekend!

The Power Popaholic Interview: Bowling For Soup

Bowling For Soup are a punky power pop band with staying power. The group gained national fame for the Grammy nominated single “Girl All the Bad Guys Want” and “1985.” Their latest album “Fishin’ For Woos” recently was released and lead singer/guitarist Jaret Reddick told us how Linus of Hollywood helped the band out on a special tune. Click on our artist interviews section to find out or view the Bowling For Soup interview here.

Brent Cash "How Strange It Seems"

Brent Cash had such a wonderful debut, so expectations are high for this follow up. The album opens with a lush orchestral overture on “I Wish I Were A Song,” and it’s where Brent’s light vocals harmonize with a crew of background singers. The song is over five minutes long and the arrangement is very reminiscent of The Carpenters. That prolific early 70’s feel is even more pronounced on “It’s Easier Without Her” as the horns highlight a male/female duet here.

Next we get an bass-lead instrumental that resembles Mike Post with a bit of Curtis Mayfield brass. It’s so retro you can hear the afros and polyester suits fly out of your speakers. Another standout is “Just Like Today” where the tinkling keys are similar to The Free Design. The beautiful Bacharach-ian “Where Do All The Raindrops Go” is likely the albums most memorable tune. The only problem here is that Brent seems so buried in period technique, and after a few more tunes the nostalgia wears off. The songs themselves are decent, but the hooks are deeply buried here and aside from a few standouts it may only appeal to pop fans with fond memories of that era. Otherwise, it’s a thick slice of sophisticated pop indulgence.

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