Taylor Locke & The Roughs "Marathon"

This is definitely Taylor Locke’s year. Between his work with Rooney and his own band, he deserves a much more attention from the mainstream music press. After a stellar debut earlier this year with Grain & Grape, he returns with another power pop treasure. Taylor and Chris Price are firing on all cylinders here, and the listener reaps rewards from Marathon. The ambitious opener has an album’s worth of songs in a six minute medley called “The Honor Roll.” From Jellyfish-like harmonies to Ramone styled guitar riffs, the song is a whirlwind of images and tones that swings back and forth from sugary pop to glam rock in a mini-rock opera about different types of girls. Even Roger Manning, Jr. would be proud of this one.

“Jenny” is a pretty standard rocker follow up, but Taylor amps it up with “Tarred, Feathered & Scarlet Lettered” a swaggering tune about a Lothario’s reputation. Another huge standout here is the ballad “Don’t Forget” which is a sweetly sung, albeit condescending message to a girl how important you are to her. This song is kind of a companion to Billy Joel’s “Just The Way You Are” and melodically hits all the right notes. The gems keep coming, “My Only Drug” is a jangle filled duet with Charlotte Froom and “Los Feliz” is a fast paced guitar party with blasting horns, and wicked solos at the end. And to top it all off is a proper tribute to one of my favorite bands “Badfinger” – with plenty of lyrical references to the band and a killer hook in the chorus. This is yet another “must-have” album and top ten contender, the first time I know a band has made my list twice in the same year!


This video is “Jennifer” from Grain and Grape.

Vinyl Candy and Archie Powell and The Exports

Vinyl Candy “The Dirty Third”
The Los Angeles based band continues it’s musical quest on Dirty Third, to take the influences of arena rock and make it their own. Unlike the concept approach of the last album, this is more a collection of singles and with a distinct melancholy mood. “Human” opens up things with multiple synth lines and the band’s classic riffs. Both “Fallen” and “Ghost of You” have great sorrow behind the piano and guitar crescendos. The band tries many different instrumental key changes to contrast with vocalist, Matt Corey’s croon. Some work well (“California Georgia”) and some don’t (“Shine”). Standout tracks include the energetic “On Again Off Again” and “Love Is Too Far Gone” is a triumph of style with its pounding keys and harmonic choruses. One cannot argue that Corey and the band puts their soul into the music, but the complex arrangements leave less room for those juicy hooks that I heard in past albums. Fans of Butch Walker, Muse, KISS and other 70’s styled rock icons should welcome Dirty Third onto their playlist without hesitation. You don’t find musical quality like this everyday, so don’t miss it.

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Archie Powell & The Exports
“Skip Work”

After giving us a catchy Loose Change EP, Archie Powell and The Exports have earned our attention with their clever lyrics and garage pop aesthetic. Skip Work is a most satisfying full length extension and the tunes like “Enough About Me” have a quick bouncy tempo and a killer baseline hook that that sets the mood. There is a sense of pure pop fun throughout the album that is captured on the following track, “Fighting Words” and “Moving To The City” refers to the band’s relocation to Chicago. The songs are both cynical and optimistic at the same time.  Kind of like Weezer meets America with a dash of Elvis Costello, the song “Skip Work” is an driving anthem that’s perfect for these tough times. Another highlight is “Follow Through” with it’s honky tonk rhythm and layered pop prodcution. Every song sticks, although the lack of tempo variety or ballads is something that could be improved upon. But if you don’t nitpick here you have a truly celebratory study in dynamic arrangement and steadfast pop craftsmanship.

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The Real Numbers and The Parlotones

The Real Numbers “Welcome to the Numberhood”
This local San Francisco quartet released a short sweet album full of quirky melodic rock, and they cite Fastball and Fountains of Wayne as primary influences. “My Ugly Face” opens things up with a sharp guitar rhythm and a killer hook in the melody. Plenty of great pop energy here reminded me of John Faye’s band IKE in their early days. This feeling really comes through on “Silent Box,” lead by Dave Ambrose’s buzzsaw riffs. Lawrence Grodeska gives each track an ernest vocal, and at times like on “Numbers Game” it compares well to The Barenaked Ladies. Not every song here sticks however, and songs like “Rock n’ Roll Waits For No One” sound overly forced. But the band also does a nice lounge styled cover of “Hopelessy Devoted To You” and the ballad “New Of The Day” is a highly enjoyable composition. Overall a solid effort that deserves your attention.

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The Parlotones “Stardust Galaxies”
If you like dramatic anthemic rock with a dance beat then The Parlotones has what you’re looking for. They are currently considered the biggest band in South Africa and “Push Me To The Floor” is a prime example, where lead vocalist Kahn Morbee emotes in a theatrical style with each chord pounding to it’s full choral crescendo. The band’s themes are heavy stuff, dealing with AIDS, Nelson Mandela and social justice issues. The sound is surprisingly accessible and the tracks “Should We Fight Back” and “Life Design” are standouts for me. Think Coldplay meets Collective Soul here with sweeping epic sound on every track. This may play well in arenas, but it on some tracks (“Fireworks and Waterfalls”) it lacks the warmth to reach you at a personal level. The exception here is the beautiful duet with vocalist Zohlani Mahola on “Stardust Galaxies.” The strong songwriting and melodies will carry the band a long way toward success in the states, and the slick production polish will please fans of U2 and Oasis.

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Free Album: Sister Hazel "20 in 10: Digital Collection"

This is just a quick shout out to let you know Amazon is offering a massive 20 track compilation of Sister Hazel music for FREE. Compared often with Dave Matthews and The Black Crowes, the Florida-based band has that earthy melodic jangle going for it, and to me sounds better than many “commercial” bands in the adult alternative arena. Enjoy it for free at Amazon for a limited time.

The Posies "Blood Candy"

With their first album in over 5 years, The Posies have hardly been stationary during that time, with both Ken Stringfellow and Jon Auer involved in various projects (most notably the re-formed Big Star since 1993, until the death of power pop icon Alex Chilton). Being the current genre’s elder statesmen the band hasn’t lost its gift for strong melodies with a personal message.

What has changed for the band, hinted on 2005’s Every Kind of Light, is a more mature point of view and orchestrated approach. The opener “Plastic Paperbacks” has strong angular riffs and pounding beat, but it’s “The Glitter Prize” that long time fans cherish, with Kay Hanley doing background vocals along Ken’s lead vocal. The duo gets creative on the multi-tempo “Licenses To Hide” which combines the rock energy and dramatic piano melody (Lisa Lobsinger helps out on this track). The optimistic bounce of “So Caroline” and “Take Care Of Yourself” will also please long time fans, but occasionally you’ll get something out of left field like “For The Ashes” which recalls Supertramp, or the pretentious filler “Accidental Architecture.” Thankfully, these songs are in the minority and don’t detract from overall greatness of the gems “She’s Coming Down Again!,” “Notion 99” and the beautifully crafted Beach Boys-Posies hybrid “Enewetak.” Blood Candy demonstrates the band has aged gracefully with it’s complex indie pop compositions and elegant lyrics.

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