Longplayer "Longplayer"

Following this week’s ELO theme, Swedish natives Göran Hjertstedt and Ulf Holmberg’s new group Longplayer follows Jeff Lynne’s approach to production and songwriting style pretty closely. Combining strings and synths, they start with an impressive instrumental “Space Place Cafe” and dive right into the boogie beat with “Won’t Let You Down” which recalls ELO’s “Hold On Tight.”  And the albums first half brings us some excellent gems like “The Messenger” and “Silicone Sue.” Göran’s vocal sound is closer to Bev Bevan’s ELO Part 2 than the original – but the songwriting is strong and the hooks are plentiful throughout.

The songs begin to loose their catchiness when they veer into “The Traveller”  and “Cool Cat Walk” but the production is still polished and worth repeat listens. The missteps here are “Wild Wild Woman,” a full fifties do-wop ballad and a forgettable “The Power.” It ends on a high note with “Red Wall Of Sound” a nice reworking of “Rock And Roll is King.” This album is great fun and highly recommended to ELO and power pop fans.

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The Secret Powers "What Every Rose Grower Should Know"

After making the #1 spot on David Bash’s extensive top ten list last year for Lies and Fairy Tales, Ryan “Shmedly” Maynes and crew bang out another top notch power pop album. The opening single “Generation Ship” is a majestic ELO styled gem that conjures images of a Jules Verne inspired zeppelin floating across the clouds. Crunchy guitar riffs and Shmed’s growl on “Tarantula” is a loving tribute to your arachnophobia. The title track has some great instrumentation and the lyrics are literally pulled from a horticulture textbook.

The band stretches a bit on western themed “The Desert” and “It Should Have Been Me.” The tracks at the album’s middle are good, but don’t reach the earlier highs. There are still great standouts here like the sublime “Crocodile” and hand clapping goodness of “In The Way.” Shmed goes back to the Lynne playbook ending things with “Blue Thing,” but overall this music is way better than the piles of other bands, and just the amount of gems here demand it makes my top ten list for 2011 (So far each year Shemd has made my list).

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Marco Joachim and The Seldon Plan

Marco Joachim “Hidden Symphonies”
Marco Joachim and collaborator Jon Gordon put together this labor of love, stylistically emulating ELO and The Beatles. Hidden Symphonies is a gorgeous album, thick layers of guitars, synths, strings, keyboards and horns are piled on to give us an alternative universe version of Sgt. Pepper. Not an easy task for even a skilled musician, but Marco takes it on with “And When The World” with it’s looping chords, and Lynne styled vocal approach. On “Things You Do” it builds on a piano riff similar to Randy Newman’s “Short People,” but hooks you with a neat slide guitar accompaniment. “Cellophane Sue” is complete with Stones-like horn section, Penny Lane baroque trumpet, and capped with a wacky, exuberant guitar duel. “Nameless”, performed to a string quartet, is an ironic commentary on suburban life that is touching and yet sarcastic, sung in a sincere McCartney style that evokes the Beatles Revolver. I could continue to gush about the flawless pop atmospherics of “Gramercy Park” and play “spot the influence” on every track here but it’s all superfluous. Just get this album, it shouldn’t be “hidden” for long, as it makes my Top Ten for 2011 list.

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The Seldon Plan “Coalizione del Volere”
This is a short follow album up to last years Lost and Found And Lost. Listening to the opener “Fractionation” it was a slow indie drone with a subtle chorus, it doesn’t distinguish itself too much. But the sophisticated lyric and angelic backdrop make “Fool’s Gold” a winner. The album’s punch comes later, in the form of “Love Your Way” and “Millennials.” The fast moving guitars and beats of these songs are needed lift to the melodies. However, the percussive elements on many of the other songs here tend to drown out the vocal performances in spots, despite the excellent harmonies. But the biggest sin here is the atmospherics seem to take over and bury just about all the melodic hooks. Although its more musically complex it just didn’t linger in my memory long. Maybe next time the band will stray closer to power pop instead of ambient indie pop.

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Penguin Party and Lousy Robot

Penguin Party “Sex furniture warehouse and other stories”
Dave Milligan has a lovable quirky attitude on this third Penguin Party album. “Mike Leigh-on-sea” is an impressive XTC styled single, and the album goes off on the theme of senior citizenship with typical British jangle and whimsy. The production is sparse compared to the last album, and it brings us a homey intimacy on “She Was Only A Roofer’s Daughter.” It’s like Martin Newell doing a sing-a-long in the pub, especially on the charming “Song For My Old Lady.” Sometimes it looses it’s way getting too jokey (like an old Monty Python tune) or experimental. But there are more than enough gems here (like the terrific “Whatever Happened to Tomorrow’s World?”) to make it worth your while. Fans of Mr. Newell and Mr. Partridge shouldn’t miss this one.

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Lousy Robot “Hail The Conquering Fool”
If you mixed The Eels and Apples in Stereo in a blender you might get Lousy Robot. This Albuquerque indie band knows about quirky synth hooks and fuzzy riff based pop. Listening to the hand clapping goodness of “Andy Warhol’s Gone” it sets expectations high. The album balances out tight melodies in songs like “The Peacock” with low key filler (“A Not Quite Perfect Film”). Some of the stream of conscious lyrical musings work well on “Christmas In Berlin” and it sets you up for sweet tracks like “Sugarsweet Me.” However the band wears its slacker badge with pride, as “A Man On A Weird Horse, Pt. 1” teases us with a single bridge. And that’s the issue I have – a few good songs surrounded by a pile of loose snippets. This 12 track album felt more like an EP, so I hope the band makes more pop and less “corn” on the next album. Pick out the choice kernels here.

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