Wild Bores "Welldone and Charred"

Power pop veterans Wild Bores are back and the duo of John Whildin and Brian Chard concentrate their third album on strong melodies with toe-tapping rhythms. Starting with the up-tempo “Expect Me Now” its similar to The Dbs or Big Star with it’s catchy base line. Crunchy guitar riffs with controlled distortion rule “Biology” and it bumps up things a notch. There are strong riffs on “Forward Is Backwards,” but the vocals here seem buried or slightly off.

Thankfully the band doesn’t stray off course, as “Freake” is an excellent power pop single that we’ve come to expect from the Wild Bores. The production is not over polished and recalls classic REM or Chris Stamey in spots, with the memorable “Making A Sun” and the heavier “18 Miles” as highlights. The band tries a few experiments here on the quieter tracks, and some work (“Band of Thieves”) and some don’t (“Taking Time”). They break out the big horns for the closer “Same Time Tomorrow” and it’s a great song that highlights how much this band has developed. Check it out.

Wildbores.com | CD Baby | Kool Kat Musik

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The Wind "Harum-Scarum" FREE Album download

The Wind are a quartet from California. Together they’ve spent the last five years touring and writing their ever-unique, vocal harmony textured, sixties inspired rock music. Their sound has elements of The Beatles, The Beach Boys, and Queen with a healthy dose of modern indie-rock. Add to this it’s a double album chock full of grand sweeping melodies and quirky musical sketches.

One thing that struck me was the pristine production work so similar to Abbey Road – it’s as if Geoff Emerick was on the board himself. The contrast of whimsy and thematic grandeur covers the entire package, similar to a Klaatu, 10cc or Stackridge album. The flowing prog opener is not unlike ELP or Ambrosia on “Shellwhite” that takes a turn to “Hathor,” a bouncy melodic British flavoured tune. “Marvel Me” has a 70’s easy listening style with building chorus, but the next atmospheric gem here is the lovely “Oh Hadihu,” like Brian Wilson singing in Bread. The guitars assert themselves in the rhythm on “Lucy” with flawless harmonies on the chorus ” ohh, such a pretty pretty girl.” Then we hear a slow blues rock number “Come On” and a theatrical number “Unless, I’m A Liar.” The variety of styles here is very impressive.

Disc 2 continues with the 10cc-like “An Astral Dance And A Shared Dream,” but a few songs here (“Some Place,” “Yankee Brig”) seemed stretched out too long and don’t add anything new. Fortunately, a theatrical scene “I’ze Born a Rich Man” and an effective country rocker “27 Cent Blues” are added delights. The quirky “This Is The Modern World” is like 10cc doing Smile’s “Mrs. O’Leary’s Cow.” The remaining tracks are effective but don’t raise the bar any further. There are enough good tunes here to rate this is a excellent album, but with so many you’ll find yourself picking out favorites. A daring debut, and the band is so confident you’ll love it it’s offering disc one for FREE at http://www.thewind.us/share/

The Wind website  | Amazon

Mimi Betinis "Love Is Just A Thin Veneer"


Mimi Betinis, founding member, lead vocalist and guitarist for Pezband, reaped the benefits of being in a pop band for several years, until it was time to move on. Betinis turned to his other talents as an artist and became an art teacher in the Chicago public school system. But now he is returning to his first love – that of music – with the release of his debut solo CD, “All That Glitters.” Nice to see this original power popper spreading his solo wings.

The Power Popaholic Interview: Scott Klass of The Davenports


Scott Klass talks about the new Davenports album, his relationship with Chris Collingwood (Fountains of Wayne) and why the popular single “Five Steps” has nothing to do with addiction. The interview is shorter than I expected because our first “take” was deleted due to an untimely computer crash.