Scott Klass talks about the new Davenports album, his relationship with Chris Collingwood (Fountains of Wayne) and why the popular single “Five Steps” has nothing to do with addiction. The interview is shorter than I expected because our first “take” was deleted due to an untimely computer crash.
The Silver Liners, The Pains of Being Pure At Heart and Sklyer



Ned Brower "Great To Say Hello"

Rooney drummer Ned Brower knew what he was doing when he hired Ducky Carlisle to record and Mike Viola to co-produce his debut. The mix of pop styles are spread all over the map here. It’s cool that Ned explores these areas and mines his favorite influences. He thrills on the starting track “Underneath Your Spell” with harmonies and handclaps weaved together. The guitar riffs lead you into “Hide Your Secrets Away” and the chorus hooks you instantly (it’s the best track here).
“The New Lonely Fool” has a T-Rex style to it’s beat and is the most Rooney-like of the tracks here. An easy listening 70’s pop feel to “Mine and Mine Alone” slows things down a bit, and then the warm “Father To Son” bounces along like an updated version of Sam Cooke’s “Wonderful World.” On “The Alleyway” Ned seems to channel Thin Lizzy lead by Warren Zevon. Considering Rooney bandmate Taylor Locke has two albums out, Brower should get started on the next one while we enjoy the variety his debut offers.
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Redondo Beat and Sterling Loons
Redondo Beat “Meet Redondo Beat”
Hailing from a little village in Germany, Roman Aul had a talent for pure pop with a classic early 60’s style. With the help of backing vocalist Katrin Meinert and drummer Max Schneider they formed Redondo Beat. The solid retro pop sounds like a collection of lost 45s by Dion & The Belmonts, Bobby Fuller and Eric Burdon. The opener “The Sweetest Sound” has great guitar opening and bouncy beat like The Dave Clark Five.”The Spell I’m Under” is clearly influenced by early 60’s icon Del Shannon, and so goes our trip down memory lane.
While this is a very solid nostalgic exercise, some song compositions just aren’t that memorable, with the exception of where they inject some R&B influence like on “Break-a-Heart” and the very catchy “My Baby (Knows How To Have A Good Time).” Toward the albums second half we seem to hit the late fifties with Duane Eddy (“Full Moon Child”) and Danny & The Juniors (“Shoop Shoop”). This is certainly a lot of fun, so fans of those moldy oldies can rejoice here. The rest of you young’uns can get off my lawn!
The Sterling Loons “March To The Tune”
If you mixed Hendrix, The Kinks and Syd Barrett in a blender you could get The Sterling Loons. Lead by guitarist Eamon Nordquist, he belts out the opener “Old Nick” and then we are treated to loose concept album, similar to Shnauser with multiple melody lines and finely crafted guitar solos. “Morning Sunshine” is a trippy delight, and “March To The Tune” brings to mind The Kinks classic period. Another highlight is the strong composition and harmonies on “Hope She’ll Get Away Part 1.” It gets better with the impressive Steve Howe-like guitar work on “Beauty Eyeing The Beholder” but Eamon’s vocals don’t always hit the mark here. The absurdist “She’s Happy” and “All Aboard” are warped Who styled tunes and other highlights include “Spaceman” and “Half Of All The People.” The mix of mod pop and heavy prog may not sit well with some, but there is much here to savor and appreciate.
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