The Sorrows and Shalini

The Sorrows“Bad Times Good Times”
During the IPO festival my friend Dave “The Boogieman” raved about The Sorrows and but I didn’t really get around to listening to it until recently. To put it mildly, I was blown away by what is the definition of a “lost” power pop classic. Frontman Arthur Alexander brings elements of The Beatles, The Who and The Kinks to this sonic delight. Almost every one of the albums songs are pure pop perfection, lead by the guitar assault of the title track. Rather than name my favorite songs, I’ll just say this stands alongside The Beat, The Poppees and The Plimsouls as best of breed early 80’s NYC power pop. The songs are taken from The Sorrows long out-of-print albums, and thanks to BOMP records they sound better than ever. So much interest was generated by this album that Alexander is putting together a new album. Finding this shiny pop treasure will make your day.

Shalini “Magnetic North” EP
Singer/guitarist, Shalini Chatterjee is a songstress with a sound shaped by an aural diet of early rock, Motown, and ’80s art-rock. Whether as part of a band, such as ’90s San Francisco college radio darlings, Vinyl Devotion, or as a solo artist, Shalini’s main focus is making energetic, inspired, and fun rock songs. Read the review at The Rock and Roll Report.

UPDATE: I got a few facts wrong in the Shalini review: Mitch Easter and Don Dixon suggested Shalini from her FIRST name (not last) and she played bass in a band called KIssyfish (87-90) not Vinyl Devotion. Sorry for the mixup.

MySpace | CD Baby 

Blank Pages and Macrodots

Blank Pages “Absolute Uncertainty”
South Jersey’s power pop veterans Blank Pages have teamed up with Kool Kat Musik to release their fourth collection of irresistible hooks and shining harmonies. Once again lead singer, guitarist and songwriter Greg Potter helms this workman like effort as “Let It All Out” is a strong opening that describes his songwriting compulsion.

Jangling riffs dominate “Help Me” and “Can You Feel” is another highlight with an early 80’s influence. The casual strum and minor chords make “I’ve Said All I Can Say” another delight. The Pages are hitting their stride here and I’m sure it’ll be widely enjoyed by power pop fans the world over. Kool Kat is also including a bonus disc with tracks from the band’s “Early Years” that were unreleased till now.  

My Space | CD Baby | Amazon | Kool Kat Musik

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Macrodots “The Other Side”
After relocating to San Francisco to play Janis Joplin in the Off Broadway biopic Love Janis, Cathy Richardson teamed up with guitarist Zach Smith (of the 80’s band Scandal) to form Macrodots. There is a hint of similarity here with Scandal as Richardson has a strong female vocal with Cheap Trick riffs that gain your attention on the title track. The next track is the soft guitar of “Beautiful Girl” which builds into a great power ballad.

The arrangements are crisp and the hooks are plentiful on “Everything” and the Cars-meets-Heart  styled epic “Not Too Late.” It flirts with heavy bombast on “Piece O Me” to the point that even Brody Dalle would be jealous. Not a bad track here, although “If I Could” has so much drama, it reminds me of what Melissa Etheridge would sound like if she sang Meatloaf. This album really rocks, so buckle up.

The Lowbots and Fun With Atoms

The Lowbots “s/t”
Since the early 80’s Tony Low (The Cheepskates) has been writing and recording melodic rock that stands the test of time. After a few solo albums these past 10 years, Tony returns to lead his new band The Lowbots. Helping out is Peter Tyler (bass) and Mike Glock (drums) on this solid return to form. Like the jangle filled power pop of Mitch Easter and Jamie Hoover, the Lowbots are a classic sounding power pop group and the opening track “Beware” is a great start, with a driving chords and catchy chorus.

“Like A Dream” is another brilliant song with straight forward delivery and a Monkees-styled Rickenbacker intro. Next a gorgeous remake of “Puffin”, which was originally a Cheepskates tune done with 12 string guitar intro and solid electric solos. “Virtual-Made Man” is a pretty funny take on the life of a DIY musician in the Internet age, and it’s a snappy melody as well. You’ll hear a variety of influences and instruments, like on the baroque “The Other Side” with that sweet harpsichord sound. Fans of those Holsapple-Stamey compositions will just love the ballad “Damaged Goods.” I can’t find a weak track here, so get yourself a “Lowbotomy” and get this album quick! 

 CD Baby | Amazon

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Fun With Atoms “Smart”
Straight from Packer Country (Green Bay, Wisconsin) comes a band that combines Beatles-styled harmonies and Husker Du styled loudness. This atomic trio is made of the elements; Rick Smith (vocals/ guitar), Dan Collins (bass) and Curt Lefevre (drums). From the opening guitar salvo on “Walking The Razor’s Edge,” it has that distinctive Mid Western rock and roll vibe with a bar room feel that The Lemonheads used to do so well. The “ohh wah” howls on “Really Happy” will have you singing along, and songs like “Feels Like Rain” brings that awesome guitar riff right in your face. It may be a little too consistent here, as a few tracks at the albums middle sound too similar. But things end stronger on the Beatlesque “Mystery” and the powerful fuzz guitar solos on “Ringing In My Ears.” This is one album that’s no science experiment – – it’s solid entertainment.

CD Baby | Amazon

Biggest Letdowns of 2010: Pete Yorn and Liz Phair

So what good is reviewing all this if I couldn’t rant about the two albums that disappointed me the most:

Pete Yorn “Pete Yorn”
Pete Yorn has been a victim of his own success, never quite reaching the highs of his debut from 2001. Like a lost soul trying to find himself, he’s trying stuff to see what “sticks” I guess. Last year he did a duet with actress Scarlett Johansson titled Break Up and while it had it’s moments (“Relator” is a great tune), it seemed a pale imitation of M.Ward and Zooey Deschanel’s She and Him. His latest self titled album was produced by Pixies frontman Frank Black. The opener “Precious Stone” and “Rock Crowd” are distinct enough, but his persona is swallowed whole by Black’s style. Yorn literally becomes a mini-Pixie most of the album after the first few tracks. After “Badman” you forget who you’re listening to. If you liked Black’s old band, then you’ll like this album, otherwise you’ll ask “Pete who?” I’d rather listen to the weary Back & Fourth instead, but even that lacks the memorable hooks that made Pete such a good songwriter. Right now he’s the musical version of Zelig.

Liz Phair “Funstyle”
Much has been written slamming this album for a variety of reasons. Fans of the Exile in Guyville Liz don’t want to hear the horrid rap “Bollywood” and “Smoke,” a whine about how the mainstream music industry is filled with wannabes and slimy corporate shills. This is like your grandma telling a corny joke and explaining the punch-line – it poisoned many listeners first impression of Funstyle. Truth is, the good songs lie a few tracks deeper, but how much muck are you willing sift through? “Miss September” and “Oh, Bangladesh” prove Liz still knows her stuff. And the Liz I love comes through on “Satisfied,” but too much here is full of cliched crap that I expect from your average Beyonce clone. Liz seems to expect the critical response with the satiric “U Hate It” but it’s about as subtle as neon sign. That’s not so say it’s terrible, and some critics have bent over backwards to praise her light-hearted humor. True, this album is more honest and confessional than her last one, but that doesn’t mean it’s that good either.

Happy New Year 2011


I’d like to wish all my readers a great 2011. As the years have passed on this blog, I realize as music aficionados we are bombarded with more new music every year – and I promise I will do my best to keep up. I will STILL be reviewing 2010 albums that didn’t make it to my ears till recently. As a way to usher in the new year – let me direct your attention to a FREE download of “Walk Tall” by Ziggy Marley & Paul Simon.