The days have gotten away from me, and I need to review some 2026 stuff this weekend. But here is another look at some of last year’s great music I did not review in time.

The Elbow Patches “Achingly Familiar”
John Dunbar was working on a new LP for his band, The John Sally Ride but with the sudden passing of legendary bass player, Sal Maida, earlier in the year he vowed to end that band and The Elbow Patches was formed. The jangle and melodic fuzz of the opener “You Can’t Kid Yourself” is a great start. Next the Byrdsian strums of “The Day Got Away From Me” is just comfort food for my ears. Dunbar’s sardonic side is kept in check, aside from tracks like “Who Doesn’t Hate Each Other?” Although there seems to me a sense of resignation in his songwriting. With its retro late 60s style, each track resonates, and like his other musical projects it’s certainly highly recommended.


The Goods “Don’t Spoil The Fun”
This should have been a bit higher on my list, Oakland band The Goods have a mellow melodicism on the opener “April Fools” akin to late period Monkees. You’ll hear that magic on “Sunday Morning Out of The Blue.” They also have a dense chiming jangle akin to Dropkick on many songs. But add those harmonies and you’ve got something special, like on “Raining” and “Me and My Ghost.” The album is also consistent with its style and quality songwriting. No filler here at all. After a few spins, this will stick with you. Super Highly Recommended.


Ryan Allen “Livin’ On A Prayer On The Edge”
Ryan Allen came out with 2 albums in 2025. Both are excellent and Allen just continues to get better and sounds like he’s having fun doing it. ‘One Week Off’ is like an experiment in churning out demos, like Robert Pollard on a 4-track. Great as this album is, ‘Livin’ On A Prayer On The Edge’ feels more deliberate and the songwriting feels more thought out. It also allows thoughtful moments like “Anxious All The Time” and punkier excursions like “Devil’s Juice.” Some tune are just fun like “Spider Sally” while others are driving pop jams like “So What Who Cares.” It’s a very well rounded album that really showcases Allen’s talent. Highly Recommended.




