Few artists are as timeless as former Smiths frontman Morrissey. On his ninth solo album, he’s as sharp as ever. Lyrically not too many people can get away with lines like “It’s not your birthday anymore, there’s no need to be kind to you.” There is not so much a single standout track (although “I’m Throwing My Arms Around Paris” comes close), as this is a solid consistent album. Unlike earlier works, his optimism is on full display here. He even mentions “It’s a miracle I made it this far…” in the first track “Something Is Squeezing My Skull.”
He swoons and croons many concepts here, from the fuzz rock of “All You Need Is Me” to the familiar and somber “It’s Not Your Birthday Anymore.” Producer Jerry Finn brings Morrissey’s torchy voice to the forefront here, as opposed to earlier albums emphasis on gloomy atmosphere. “Sorry Doesn’t Help” is another single-worthy fast paced track. If you never liked him before, this is at least his most accessible album. Even the last track “I’m OK By Myself” states an upbeat affirmation, and it’s a personal statement that puts an exclamation point on all the old stories about his personal life. Didn’t Michael Jackson do this when he made the single “Leave Me Alone?” In any case, “Years of Refusal” is a welcome addition to the Morrissey/Smiths catalog. For fans and non-fans alike.
Well here’s some insanely creative and eccentric pop. With Beatlefest kicking off in New Jersey this year on March 27th, we present a group that certainly has a Fab fetish. The Poor Richards are R.A and J.A. Richard with an 18 song debut that recalls both The Pillbugs and The Spongetones, with a vast array of pop hooks. Opening with the bass lead “Remember, Remember” gets the celebration going, with enough well placed riffs and make it’s repetitive lyrics tolerable. One of the best songs here “Don The Suit,” is a Magical Mystery Tour era treat. The duo takes bits from different Beatles eras for “La La Love” with a touch of those DIY harmonies, that recall Chris Breetveld. “Mr. Travers” has a killer riff and structure, similar to “Day Tripper” and makes it easy to enjoy. Other tracks get a bit dodgy, as “All His Falling Downs” which plays off-sync until the wonderful chorus, in a clear nod to XTC. But for every miss, there are at least two charming tracks, for example “Norwegian Friend” guitar and piano recall Emmitt Rhodes. Some songs are clearly demos, and some are fun experiments (“Every Single Day”) that would be real gems if taken to the next level. If you noted all the bands I referenced then you’ll find this album is worth inclusion on your playlist.
After a long and tedious process I have migrated the interviews section to a new server. If you have any links to these interview pages, update them, as I have 2 new interviews. It’s always nice to speak with new bands. I spoke with Jeff Davis from L’Avventura, one of the early bright spots of power pop this year. Read the review of the debut album “Your Star Was Shinning” here. You can read the interview with Jeff Davis of L’Avventura over here.
I got a lot of good information from a conversation with Mitch Friedman who’s album “Game Show Teeth” is proving to be a one of my quirky favorites to listen to. Mitch had a long list of music celebrity friends and great experiences, including a period in his life when he worked for Howard Stern! Read the interview here or click on the “Artists Interviews” button on the right column to see all the artist interviews. I plan to add the audio interviews to this section very soon.
Starbelly genius, Dennis Schocket released a solo album last year, and it’s as good as you think it is. “The Cinderblock Mansion” is power pop with an alt. country flavor, that crosses the genre a bit like Wilco’s “Summerteeth” did. With an assist from Myracle Brah’s Andy Bopp, and he starts with the rootys Stones-like “Lovesick Blue” and the very Tom Pettyesque “About the Girl” with a relaxed guitar strum and melodic narrative straight out of “Full Moon Fever”. But the alt-country vibe doesn’t dominate the album and the jangle of “Another Perfect Breakup Song” is a nice highlight. By the time we get to “Breathe” we start to move into a more Wilburys’ styled pop song that has a sweet hook. Then the wicked bluesy opening of the guitars in “Tangerine Scene” gets slightly into a Beatlesque honky tonk and it’s one of my favorites here. The “Girl of the Year” is one of the best singles you’ll hear, with nice multi-tracked harmony in the chorus and descending baselines which recall former band mate Cliff Hillis. Not a bad track is to be found on the album, from the bouncy alt. country pop of “Ghosts” to the sing-a-long tamborine and guitar gem “Unified” – everything is good here. It could’ve made my top ten last year (if I found it then). Fans of the above mentioned bands, and fans of The Jayhawks or Old 97’s may want to give it a try too.
Spinnerette “Ghetto Love” EP Punk chick extraordinaire Brody Dalle is ready to make waves as Spinnerette. The former lead singer with The Distillers keeps her tough image alive with a beat that will not quit on the single “Ghetto Love.” She has come to kick ass and does so here. Brody reminds me of Chrissy Hynde if she played with The Sweet on the follow up “Vallium Knights” with manic drumming and bass backing her up. “Distorting A Code” and “Bury My Heart” round it out and recall a female version of David Grohl’s Foo Fighters. On the latter track, her low soft vocals here bubble up over rabid distorted guitar lines. Listen to the single here on Today’s Modern Pop. Make “Ghetto Love” your workout song and I near guarantee ripped abs! Spinnerette Website | Amazon | Itunes
The Secret History “Desolation Town” EP The Secret History is the new project by songwriter Michael Grace Jr., formerly of acclaimed cult indie pop band My Favorite and features the debut of vocalist Lisa Ronson, daughter of Bowie guitarist and Glam Rock legend Mick Ronson. The EP sets up a long story/rock opera that takes place partly in 1970’s New York and 1900’s Italy. But is the music any good? Ronson holds together the indie pop vibe with a very Natalie Merchant meets Debbie Harry like performance. “It’s Not The End of the World, Jonah” is a good catchy opening with the great line “Getting older is a fucking drag/ We have hit a snag/ It’s sad” before the chorus. The chiming mid tempo “Our Lady of Pompeii” has some nice piano work, but the gem in the EP is “Mark & John (Bring On The Glitter Kids)” with soaring harmonies and apocalyptic lyrics “This is the end of music…” A great start for a band that shouldn’t remain secret any longer. MySpace | Itunes
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