If you’re looking for a good example of the traditional power pop sound, you couldn’t ask for a better example than the L.A. based Galaxies. The songs are catchy and light-hearted with a focus on that lead riff, like in the opener “Here We Go Again” with it’s clean production and well conceived arrangements. Lead singer Bobby Cox sounds great and resembles Kevin Cronin’s (REO Speedwagon) crisp vocal style. This is pop that won’t scare away your non-power pop fans and it’s got enough hard rock muscle, so the music is never esoteric. The jangle of “You Promised” has a nice 80s pop style with some sweet harmonies. “Lost & Lonely” has a gentle Seals and Crofts feel to it. Although much of the tracks are about romance, there is not a sappy song in the bunch. This is a highly recommended album for that “feel good” weekend.

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Great albums always slip through the cracks on release, only to be championed by impassioned fans years later. The Ravines first CD Manifesto of a Broken Heart was actually released back in 2005, and if you like the sound of Crowded House, Squeeze and The Gin Blossoms, then this album needs to be heard. The title track is an excellent pop track, with vocalist Chris Corney commanding a catchy guitar lead to a chorus full of lush harmonies. The album then gets slightly heavier after that, with “Higher and higher” and “Supersize,” with hand claps and low riffs that recall the softer pop side of The Goo Goo Dolls. This template continues throughout the album, which is consistently good, and the lyrics are often introspective, but the guitar leads the story along. It’s hard to believe these guys fell under the radar for so long. The stories Coreny pens recall Danny Wilde of The Rembrandts, usually a wry commentary on emotional touch points. Highlights include the jangly warning “Best Friends,” “Queen Of England” and the fast paced “Rescue Me.” Even the final track “The Getway” is a real toe tapper. No filler either, as Corney sings “How you gonna get away?” you can’t wait to hit the repeat setting. This “lost classic” album grows well on you too.

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Longtime power pop favorites, the Dipsomaniacs have released their 6th album, and like your favorite comfort food, it’ll bring you warm feelings inside. Chief Dipsomaniac Mick Chorba leads the band through a nice pop set, with less garage elements, but the DIY spirit in the music lives on. The opener “Together We Can Rule the World” is sure fire hit single, with a hook filled chorus and those ever present guitar riffs, that Adam Schlesinger (Fountains of Wayne) would be proud of. “Drop Your Guitar” carries on with a workman-like effort along the lines of The Who and Cheap Trick. “Blame it On The Gin” sets up a quirky rhythm, much like Camper Van Beethoven. “Not Waiting Around” is another highlight, sounding  a little like Tommy Keene, with a polished rock sound and a superb arrangement. These songs are mostly short and sweet, and thus a lot of fun to listen to. “Wake Up Sue” is a punchy guitar tune with a foolproof riff and “Kids On Base” shows how well the band can put together an interesting story about bored army brats. Every song shines here, and no filler is to be found, even the quirky country mid tempo “Loretta After All” about a band saw wielding psycho girlfriend has a certain funny charm you can’t ignore. The sweet melodies continue with “Wait and See” and the excellent finale of “Halo Around You.” I have listened to this band grow over the years, and Chorba seems to get better and better, and I see him emerge from the shadow of those Paul Westerberg comparisons on earlier albums. A perfect entry point if you’ve never heard them before – without a doubt, recommended for power pop lovers.

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