Novelty Island and The Rockerati

Novelty Island

Novelty Island “Jigsaw Causeway”

Novelty Island is primarily Liverpool-based songwriter and producer, Tom McConnell. Solid songwriting and great melodies are evident early on with the title track. A meticulously put-together mix of sounds with a lo-fi, dreamy vibe; very Anglo-centric and a little psychedelic. An early highlight is “Northern Nowhere” with echos of the Beatles in the song chorus, with its chugging baseline and layered guitars.

The trippy “Someone Disappearing” slows the tempo even more, with some great horns that chime in midway through. Climate anxiety is the subject of the catchy weariness of “Foam Animals,” where we are “waiting for the sky to fall down” and similarly gloomy “I’m Glad It’s Not Sunny.” But the album isn’t necessarily a downer, “Apollo” has a a playful strum, and mellow double-tracked vocals. Another standout gem is “The Only Train Driver in England,” with its brilliant ear worm of a chorus. Overall an excellent moody headphones album, and it’s definitely highly recommended.

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The Rockerati

The Rockerati “Waterloo Sunrise”

The Rockerati is a one-man band led by David McCarthy from Brighton, UK. His writing, guitar playing, and vocals are very similar to his personal inspiration Dave Edmunds (and in turn Chuck Berry.) In fact, from the opener “Shake The Tree,” it’s a rolling, rocking good time throughout, with McCarthy burning through those deep rhythmic bass riffs.

The fast paced tempos and fuzzed out vocals certainly set a mood. While his solo breaks and composition don’t reach the heights of his idol, it remains an impressive display of boogie-woogie styled rock and roll. However, I noticed that McCarthy’s vocals are never clearly the main emphasis of the songs, and many have the same tempo and vocal treatment without much stylistic variation. Thus, songs tend to blend into each other. Still, for Edmunds and Rockpile fans this will be a treat, so give it a listen.

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Concert Review: Cheap Trick at The Paramount

Cheap Trick Live at The Paramount, Huntington, NY – October 21, 2025

There’s something truly admirable about a band that’s been at it since 1973 and still refuses to slow down. Cheap Trick has outlasted most of their peers, and somehow, they still make it look like fun.

The classic trio ran through the hits with ease, and Robin Zander can still hit those high notes — especially on the ’80s ballad “The Flame.” Rick Nielsen, ever the showman, joked to the crowd that they were “too stupid to quit” before breaking into “Twelve Gates,” a track from their upcoming album All Washed Up.

The Paramount crowd started off a little mellow but quickly found their groove, singing along to “Surrender” and other favorites. The sound mix was a bit muddy at times, but that didn’t faze them. Zander was in great spirits, and Nielsen powered through with his usual swagger.

Sure, the guys move a little slower these days — they’ve earned it — but they still put on a show that’s equal parts nostalgic and genuinely enjoyable. Cheap Trick might not have anything left to prove, but they keep proving it anyway.

With several tour dates left, this might be one of the last chances to see Cheap Trick in full flight. Catch them while you still can.

October Non-Halloween singles and EPs: Maura Weaver, Corin Ashley, Brad Marino, Late Cambrian, Webstirs, Future Teens


Maura Weaver’s ‘Strange Devotion’ came out last month, but feels more appropriate for Halloween. Especially the single “The Face,” shown in this video. High quality indie pop that deserves more attention here! Also back is Corin Ashley with his new EP, check out the pop goodness of “Empathy Centre” and my fave here, “Monkey.”  Rocker Brad Marino needs no “Voodoo” to get me interested in his fantastic riffs, always a welcoming sound. Late Cambrian is back with a quirky indie pop gem “Into The Lilac Tree.” It’s got great chord shifts and Olive’s amazing vocal floating behind the swirling melody. John Wlaysewski’s layered composition is really impressive here. It’s been a long time since I heard from Chicago’s Webstirs, but this new tune is a good sign that I will enjoy their new album. Finally, Future Teens have very meme-aware lyrics on “Adjust Failure” about future anxiety and seems perfect for these times. A standout line; “I’m not getting any younger and it’s clear to me now.” Next week, bring out yer dead, or some candy!




Eytan Mirsky, You’re Among Friends, and Jim Trainor

Eytan Mirsky

Eytan Mirsky “All Over the Map”

Eytan Mirsky is my favorite self-deprecating troubadour. And ‘All Over The Map’ is among his best works, beginning with the appealing “Did What I Came to Do,” where his only purpose is to make his lover smile. Next, “Apologize in Advance” is very much in the Nick Lowe mode of honky-tonk pop about his poor behavior. Both “Inside Job” and “Two Piece Puzzle” make excellent use of metaphor, but “Almost Didn’t Cry” is probably Eytan’s best ballad ever. The song takes a sincere approach to depression and is melodically effective. “The Satisfaction” is another excellent ballad. Other standouts include the upbeat “My Little Tricycle,” which is perhaps the only auto song about three-wheelers (such as the Polaris Slingshot) I’ve heard, and “Lost You in the Jet Stream,” which is loaded with aero-centric language. Naturally, this comes highly recommended.

Amazon | Kool Kat Musik


You're Among Friends

You’re Among Friends “As Normalcy Slips Away”

You’re Among Friends (Anthony Doran, Kevin Trask, and Mike Janowitz) are a Cleveland-based trio who specialize in quirky casual pop and have impressive musicianship. Fans of jam bands will like that YAF incorporates melody into its weaving baselines and jazzy beats. Highlights include the sardonic songs “There’s Nothing Left Here” and “Forced to Act It Out.” And this band doesn’t just play by the numbers; “Move On With What You’ve Got” features an interesting reggae groove. Hey, it’s a free download, so check them out.

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Jim Trainor

Jim Trainor “Listening To Understand”

Jim Trainor is letting his melodic freak flag fly here. “Nothing” is loaded with great hooks, and “Always Been You” unfolds like a lively conversation between friends. Added highlights include “I Don’t Wanna Be,” and “Must Be Love.” At the album’s midpoint Jim gets adventurous with some jazz and boogie stylings on “Another Sucker” and “Better Than You Do.” When he opens up on these tunes emotionally, the songs soar, and his message hits its stride. A few misfires, but without a doubt this is highly recommended.

Amazon | Kool Kat Musik

Spooky Stuff: Halloween Sounds and Timmy Sean

“The

Various Artists “Chilling, Thrilling Hooks And Haunted Harmonies: The Big Stir Records Halloween Grimoire”

Big Stir Records brews up a perfectly ghoulish collection for the season with Chilling, Thrilling Hooks and Haunted Harmonies. The label’s roster dives headfirst into Halloween fun, mixing hooks, humor, and just enough creep factor to keep things lively. Each song opens with a brief spoken-word intro—mostly unnecessary, but it does help set the spooky tone.

Sparkle*jets U.K. bounce in with “Eyeball Eater,” a candy-coated cousin to “The Purple People Eater” and  The Incurables “Halloween Bride” are made for any Halloween dance floor. The Armoires shift gears with “Full On Witch Mode,” all dreamy séance energy and ghostly charm. The Spongetones deliver a crisp jangle on “Spirit World,” Shplang goes darker with the reverb-laden “Frankie’s Back,” and Graham Parker & The Goldtops stir up some bluesy mischief on “Music of the Devil.” With over 20 songs, not every spell hits its mark, but the spirit of the season shines through. For fans of smart pop with a spooky twist, this collection is a playful and tuneful treat bag worth digging into.

Big Stir Halloween


“The

Timmy Sean “Transmissions From The Timmyverse”

Similarly along the lines of Steve Eggers (The Nines) and Fernando Perdomo, Timmy Sean has embraced some AI tools to create “The Timmyverse,” a universe of “artists” with their own musical style. But each of these personas are created with an Artificial Intelligence assist. Timmy Sean has dived headfirst into this new technology with a massive amount of music. Volume 1 of “The Timmyverse” has funk, disco, glam and more. He continued this in a second volume this month, and the best part is that he includes the non-AI altered “original” versions of the songs (and in most cases I like them better) with “the enhanced versions.”

In the hands of a skilled musician and producer, the AI versions sound great. He’s done wonders with Beatles covers, and he gets better with each attempt. Because it jumps around style-wise, its easy to pick and choose your favorites. Stay tuned to his Bandcamp page as he grows this universe, you may find some surprises like the solid “7teen.” Check it out!

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