Elvis Costello Archives - Powerpopholic

Don’t panic! The mainstream didn’t forget power pop.

January 5, 2023January 5, 2023 powerpopaholic

In general, mainstream artists don’t always consider themselves in the power pop genre, but last year these artists made us proud. If you missed these albums check them out, my favorite mainstream albums of 2022…

Elvis Costello “The Boy Named If”

I did a full review of this album earlier in the year. It is a magnificent comeback for Elvis after years of experimentation with Jazz, Spanish translations, and other things. Each track shines and he hasn’t sounded this good in years. No highlights – listen to the entire album from beginning to end and soak it in.| Amazon

Panic! At The Disco “Viva Las Vengeance”

Ever since 2008’s Pretty. Odd. singer Brendon Urie’s charismatic, cross-pollinated brand of pop moved away from his emo roots toward something resembling power pop, as that album was Beatles-influenced. But Viva Las Vengeance, produced by power-pop fave Mike Viola, was a love letter to glam, rock, and power-pop. Highlights: “Middle Of A Breakup,” “Local God,” and ” Sugar Soaker.” Highly recommended. | Amazon

Collective Soul “Vibrating”

The band has become a rock and roll institution, 30 years after the hit single “Shine” and it continues to roll on with this new collection of music. Ed Roland and the guys have laid down another solid album. One of the rare touring bands that offer new music on par with their established hits, at least for the album’s first half. Highlights: “Cut The Cord,” “Reason,” and “All Our Pieces.” Full review here | Amazon

Weezer “SZNZ”

A new EP has been released at the dawn of each season of 2022, and it totals 28 tracks when it’s all done. Rivers Cuomo is a unique talent who is both amazing and frustrating in equal measure. A fitting coda is “Iambic Pentameter” where even though he doesn’t know what’s in his “messed-up head” it still sounds great. Like most post-Hurley Weezer, there are enough diamonds to be found once you dig deep, past the musical sketch fluff. Highlights: “Dark Enough To See Stars,” “Francesca,” “A Little Bit of Love,” and “Records” are starting points. | Amazon

Biggest disappointments of 2020

December 30, 2020December 30, 2020 powerpopaholic

Just let me start by saying this isn’t a “worst albums” list but a collection of mediocre albums that I will likely not listen to again. I tend to pick on established stars who should’ve known better. Let the hate mail flow…

Billy Bremner “Rockfiles: A Tribute to Rockpile”
Bremner paying tribute to his old band Rockpile (with Nick Lowe and Dave Edmunds) sounds like a decent idea, but he can’t pull it off. Musically it sounds like a lame cover band, and Bremner’s vocals just aren’t up to snuff — it’ll have you reaching for the original almost instantly.

Kevin Godley “Muscle Memory”
Godley was an integral part of 10cc, one of the most innovative rock bands of the ’70s. Unlike his counterpart, Graham Gouldman who’s done a great job this year with a new album, Godley’s work is as non-melodic and experimentally boring as can be. Godley’s vocal is still impressive, and it makes the experience listenable. Barely. “Periscope” is the only tolerable tune here.

Elvis Costello “Hey Clockface”
Many critics fall over to the “master craftsman” who mixes styles and moods “brilliantly.” This scattershot mess feels like a series of loose demos. He goes for weird moody Arabic instrumentals, ballads he croaks out (his vocals are shot), and tin-pan alley pop that seems better suited to Randy Newman or Leon Redbone. The song “Radio is Everything” has him doing narrative poetry. Maybe he thinks he’s Bob Dylan now? His one “angry old man” song “No Flag” is pure cacophony compared to his last album Look Now.

Paul McCartney “III”
Sir Paul figures he could just indulge himself, playing lots of loose jams and sketches. But unlike McCartney which was a home-tooled response to The Beatles, and McCartney II which was an attempt to incorporate new music trends, “III” feels like he’s noodling around and bored. The septuagenarian multi-millionaire pop star still has legendary talent, as “Seize the Day” proves he can still fart out good music whenever he wants to. But after all that promotional build-up, he’s just taking it easy here. Ho hum.

The top 25 best power pop of 2020 is coming soon…

Assorted Artists “Beyond Belief: A Tribute To Elvis Costello”

January 29, 2015January 29, 2015 powerpopaholic

SpyderPop Records releases a compilation paying tribute to the words and music of the incomparable Elvis Costello. Costello is truly one of the worlds greatest modern songwriters, so I was stunned that a tribute disc took this long to come together. Liz Phair put it best “Elvis Costello writes novels in three minutes. He gets inside your head, and doesn’t let go… His songs about women and girls are devastating, like arrows to the heart. He’s a poet with a punk’s heart.” This collection gathers just about every power pop artist I can think of interpreting his massive songbook.

It’s hard to highlight standouts, but I’ll focus on a few of my favorites. Starting with disc 1, you have Chris Richards and The Subtractions doing a crunchy but faithful version of “No Action,” Gail George makes the “Deep Dark Truthful Mirror” her own. “New Amsterdam” by Parallax Project is another gem of an arrangement with its unique rhythmic texture. Jaime Hoover & Steve Stoeckel do an amazing a Capella version of “Blame It On Cain.” Of course Kurt Baker’s synth version of “High Fidelity” is another highlight.

Disc 2 boasts a stripped down version of “Alison” by Matthew Sweet and a truly beautiful arrangement of “Riot Act” by Brandon Schott. Another fave is Hans Rotenberry’s “Tear Off Your Own Head (It’s A Doll Revolution)” and Paul Myers tragic “So Like Candy.” Disc 3 continues with the high energy “Strict Time” by The Anderson Council and the always amazing Lannie Flowers doing “Radio Sweetheart.” With the huge amount of songs I was a little surprised no one took on the fan favorite “Oliver’s Army.” Many of the artists do a great job with the songs, so ultimately its worth the wait.

Co-produced by longtime Costello fans Olivia Frain and John M. Borack, with all proceeds from the release benefiting the Mr. Holland’s Opus Foundation, a non-profit organization that donates musical instruments to under-funded school music programs. Highly Recommended.

CD Baby

<br/>