John Larson and the Silver Fields “Rumble Candy”
John Larson has been hard at work since last year’s ‘Constellation Prize,’ and the opener “For One Night Only” talks about the elusive goal of rock and roll stardom. Larson’s voice is authentic and appropriate, but it can be a bit underpowered at times. The tone and approach is better on “Turn Around, Girl,” a catchy tune with a nice hook. Things settle in with “Let’s Get Lost (In a Carnival of Sorts)” and “Contact Low” with pleasing melodies and jangling guitars.
“The Hits Keep Coming” embodies the album’s philosophy with its sense of drive and determination. Throughout the ten tightly packed tracks, the band remains true to its roots as a fast-paced power pop band, particularly on the Steppenwolf-inspired “Whisper To Be Heard.” Although the most of the songs are mid-tempo and flow well together, the set would be a bit better with a slower ballad or a harder rocker mixed in for variety. I would still give this one your time, as it is music that deserves to be heard.
Jamie James “Straight Up”
Jamie James is country and rock and roll musician who founded the early ’80s rockabilly band The Kingbees, and penned their notable hit “My Mistake.” He was also was a longtime guitarist for actors-turned-musicians Harry Dean Stanton and Dennis Quaid. At 71, he’s got plenty of grit and experience to put out many albums, so I’m glad he finally released this solo record.
“Let the Praying Begin” opens the album. It’s an and pop blues tune with wicked harmonica flourishes. The music has a open loose feel and “Get a Hold of Myself” follows the same path, with multiple instruments blending together. “Show Biz Boogie” is the highlight, a blues based takedown of celebrity burnout that recalls ZZ Top with its quick rhythm. “Septuagenarian Blues” is wry, matter of fact song that speaks to Jamie’s age. The production across the album is flawless and fans of modern blues, pop and rock will enjoy this.
