Tag: Kurt Baker

Singles: Kurt Baker, Danny McDonald, Suspect Parts, Willie Wisely, Richard Turgeon, Francis Lung, Nick Bertling

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The Kurt Baker Combo has been putting out a few tracks over the last few months, including (I Can’t Help) Falling In Love. It’s good to hear the classic Kurt Baker sound after a few punkier projects. Look for a new LP soon I think.

A truly excellent power-pop single by Danny McDonald but it’s so short (1:10) — is it too much to ask for another chorus? Hear more for FREE on the Shake Yer Popboomerang Vol. 3 compilation.

Suspect Parts are a German band with influences coming from 60s pop and the 70s California beach sound, all the way through to 77-punk. Nice three-song EP here.

As previously noted, Willie Wisely does country music as well as power pop. The ballad “No Suprise” has four mixes here, all with steel pedal and soulful vocal performance.

Richard Turgeon just keeps putting out cool tunes, this single has plenty of guitar muscle. He also recently added “Jolene” which is a FREE download. I liked this song better, like a hybrid of The Who and Oasis.

The holidays are fast approaching. This sweet pop treat by Francis Lung is most welcome! Beautiful vocal harmonies join clarinet, tenor sax, flute, bass clarinet, and baritone sax to create this bittersweet seasonal gem. It’s a FREE download too.

Last week we featured Nick Bertling‘s Monkee covers, now he’s doing a faithful instrumental overture from The Who’s “Tommy.” A FREE download, and a fine job, Nick!

Minky Starshine and Kurt Baker

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Minky Starshine

Minky Starshine “Dirty Electric”

Rob Anastasi’s Minky Starshine has a new LP produced by Ken Stringfellow and has enlisted the support of Mike Musburger, Ducky Carlisle, Corin Ashley, Fernando Perdomo, and Phil Aiken. The album starts with the laid-back “Art School” as the lead lyric seems pessimistic; “I went to school for art but ended up pushing papers” however it comes around to the upbeat “everywhere is going to lead somewhere.”  But the darkness creeps in on “Everybody Loves to Party” despite the catchy chords and “London Metropole” focuses on the pain of loneliness.

The notable “Good Company” is a bright spot, with its hopeful melody and layered guitars. The production is artfully done, as Anastasi’s songs are emotional and resonate, but the edge seems much softer now. Especially on the apprehensive “Go!” which mixes a fast paced verse with a big arena-friendly multi-tracked chorus. Unfortunately, many other songs just didn’t stick in my head, which seems a long way from the brilliant Womanity. This is still music that deserves to be heard, and Anastasi is a world-class talent. Check it out.

Amazon | Kool Kat Musik


Kurt Baker Combo

Kurt Baker Combo “Let’s Go Wild”

The irrepressible Kurt Baker continues to pump out party records since his move to El Puerto de Santa María, Spain. With his combo, they specialize in the raucous garage rock and roll with a melody.”So Lonely” is a dirty gem that sounds straight out of the cellars of the Cavern Club. The other songs follow a similar pattern, like the quick tempo booming drum kit on “No Fun At All” or the Gary Glitter-like chords of the title track.

But after a while, these tunes blend into each other and nothing stands out. The fuzz chords increase on “A Girl Like You” which sounds closer to Watts than Kurt Baker’s Combo. “Yesterday Today” adds some Motown elements, but the percussion is too loud in the mix. Fans will still enjoy this, but beginners should check out the earlier albums.

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Kurt Baker and Tommy Sistak

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Kurt Baker

Kurt Baker Combo “In Orbit”

Baker’s back with a new band; the Kurt Baker Combo (who Kurt formed during a tour in Spain) is Juancho Lopez on bass guitar, Jorge Colldan on guitar and backing vocals, and Sam Malakiam on drums. They signed up with Little Steven Van Zandt’s Wicked Cool Records and we’ve got liftoff.

In many ways it the same Kurt we know and love, the combo of power pop and pub rock on “Upside Down” and “Baby’s Gone Bad” are gems on par with past work. The energy level is still high, on the ’50s rhythm of “Rusty Nail” and bar room blues rock of “Count On Me.” A Cheap Trick-like riff sets up ”All For You,” and the refreshing Rickenbacker chords on “Ugly Way To Be” make both tunes a highlight. A cover of Devo’s ”Jerkin Back ‘N’ Forth” is also a nice change of pace. As with most of Kurt’s music it is highly recommended.

Amazon  | Kool Kat Musik


The Nines

Tommy Sistak “A Good Hat Indeed”

A Good Hat Indeed is the follow up to the first album from Tommy Sistak, Short Songs. The same tradition of early Beatlesque melodies continues with the opener “Not About You,” with a driving riff opening up the multi-tracked harmonies. While its faithful to the source, the chorus of “Its There For You” is a catchy gem that would’ve hit big on AM radio playlists back in the mid ’60s.

The fab “You Can Have Your Way With Me” and “A Better Time” will appeal to Beatle fans, but I’m glad Tommy does vary the style slightly through the album. “If I Only Knew” is a charmer in the skiffle-beat tradition with ukulele and the washboard as primary instruments. “Sure Like Your Love” is a mid tempo ballad that keeps the mood upbeat, and overall while not every melody here hooks you there are enough gems to keep you satisfied.

Amazon | CD Baby | Kool Kat Musik

Kurt Baker and The Nines

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Kurt Baker

Kurt Baker “Play It Cool”

Proving to be one of the most productive artists today Kurt Baker is like the Energizer bunny (going and going) quickly moving from his collaboration with The Connection on The New Trocaderos, and he’s back with his favorite producer Wyatt Funderburk on a new high energy album.

It all starts with “Sends Me To Mars” setting a manic pace; its written by Kip Brown (The Wild Hearts) and it fits the Kurt/Connection/Trocaderos style like a glove. “Enough’s Enough” is more straight Kurt Baker style, catchy as hell and deserves multiple repeat listens. The tempo is still speeding when we get to “I Got You” and “Just A Little Bit.” Kurt’s restlessness comes through on his party theme “Monday Night.” The NFL may want to buy this one (my tip, Kurt)!

“Can’t Say No” is like a marriage between Elvis Costello and Green Day, and finally we get a slower (mid-tempo) love song on “Talk Is Talk” with a wonderful Beatlesque chord progression. “Back For Good” has what I hear as a Funderburk-influenced love song with yearning lyrics and a magical middle eight. There are a few songs that tread the same ground, but overall this is another home run for Kurt. Makes my top ten list (was there any doubt?) for 2015.

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The Nines “Night Surfer and the Cassette Kids”

The Nines are back with a rougher, tougher sound and the keyboard is no longer up front. Steve Eggers is still at the core of this Toronto band with the help of Bill Majoros (the Foreign Films). “It’s All in the Head” opens with deep garage rock riffs, and siren effects creating a rough car chase theme. “Just Another Party” has echoes of early XTC, Adam Ant, B-52s and the ’80s dance rock movement, and its great fun. Steve’s melodic composition skill comes out on “Never Take You For Granted” with it’s killer hook in the chorus.

The best impression is with the driving riff attack on “Wasted,” my favorite here – and very much a power pop classic. The tone slows a bit on “Sweet Tangerine” but picks up with the infectious “She Knows It’s Free,” again with the guitar riff in charge here. “Cathy” is another gem that is the best XTC song you never heard. Attempts to go darker, like on “Jimmy’s Girl” set a mood with descending riffs or synths, but don’t compare as well to the earlier tracks. Fans of early ’80’s sound will love it and its definitely highly recommended.

CD Baby | Amazon

Kurt Baker and The Persian Leaps

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Kurt Baker “Brand New B-Sides”

When Kurt and Wyatt Funderburk worked on Brand New Beat three years ago, they still had plenty of gems leftover to make a follow-up. Much like Kurt’s debut the songs here have the same sound and catchy energy. “Quit Dancing With My Girl” is another perfect amalgam of Elvis Costello and Nick Lowe that speeds along its melody line. Each track bounces along, highlights are all over this release, examples being “Emma Stone” and “What’s That Got To Do With Rock N’ Roll,” riff anthem that channels the Glam era, originally done by The New York Dolls.

The LPs second half shows some different approaches, like the rare slow tempo “Since You’ve Been On My Mind” and “I’ve Tried Everything.” There is even a cover of Nick Lowe’s “So It Goes.” Overall this isn’t as cohesive as the debut, but a little Kurt goes a long way. And it still ends up on my playlist. Highly Recommended.

CD Baby | Amazon


The Cherry Drops

The Persian Leaps “Drive Drive Delay” EP

After The Persian Leaps last review and I was told the band had a new EP coming out shortly, and now its here. Continuing their GBV-inspired power pop with the pyromaniac anthem “Fire Starter” and then “Pretty Boy” has some Bob Mould like fuzz guitar with an inspired call and response chorus.

“(Goodbye To) South Carolina” has a little more jangle, but the wall of fuzz sound occasionally drowns out the melody. My favorite highlight is “Permission”  a bit more like a modern rocker where the lead guitar line shares equal time with the lead vocal. Between the 2 EPs you have a pretty good full length, so give it a spin on your playlist.


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