Jim Allen “Maybe Things Will be Alright”
Jim Allen’s ‘Maybe Things Will Be Alright’ is an eclectic blend of power pop, roots rock, folk, and alt-country that succeeds through strong songwriting and an impressive supporting cast. Allen’s deep vocal delivery often recalls Eytan Mirsky, balancing sincerity with a melodic sensibility that keeps the album grounded even as it shifts styles.
The title track shines with dB’s co-founder Peter Holsapple adding guitar and vocals, delivering one of the album’s most immediate hooks. Elsewhere, Richard Barone lends his talents to the moody rocker “In a Cave,” while the touching ballad “For Byron” benefits from C.P. Roth’s backing vocals. The dreamy “Where I Am” reaches even further afield with contributions from Dorothy Moskowitz and Paul Conly. The variety never feels forced, making ‘Maybe Things Will Be Alright’ an engaging listen from start to finish. Check it out.
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Local Drags “Cool If We Split?”
Springfield, Illinois singer songwriter Lanny Durbin trades grit for brighter hooks and bigger choruses, delivering what may be the band’s most accessible and polished release yet. Despite tackling weighty themes like depression, aging, and isolation, the music remains upbeat, driven by ringing guitars, bouncy rhythms, and an undeniable sense of momentum.
Fans of the Gin Blossoms, Dropkick, and Teenage Fanclub will find plenty to enjoy here. Tracks like “Staring at the Telephone,” “The World of You,” and “Easy Ground” showcase Durbin’s knack for crafting memorable melodies and emotionally resonant lyrics without sacrificing energy. The album’s biggest strength is also its main weakness. The consistent sound creates a cohesive listening experience, but several songs blur together over the course of the record. Even so, ‘Cool If We Split?’ remains a satisfying and well-executed power pop release. Highly Recommended.
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Chris Stamey “Modernism”
Chris Stamey’s ‘Modernism’ serves as a companion to last year’s ‘Anything Is Possible,’ while standing firmly on its own as a celebration of the adventurous spirit of 1960s and early 70s radio. Drawing from classic rock, pop, soul, and even Broadway influences, Stamey curates a collection that feels both nostalgic and surprisingly fresh for a covers album.
The performances are consistently inspired. The Beatles’ “Hey Bulldog” benefits from the driving drumming of Big Star’s Jody Stephens, while the dB’s add their familiar sparkle to a beautifully rendered “Waterloo Sunset.” Stamey also tackles Sly and the Family Stone’s “Thank You (Falettinme Be Mice Elf Agin),” injecting fresh energy into the funk classic with help from the Uptown Horns and an all-star supporting cast. Deep cuts such as the Left Banke’s “Shadows Breaking Over My Head” and “Hernando’s Hideaway” reveal Stamey’s wide-ranging musical curiosity. Nothing here is earth-shattering, but the musicianship is outstanding and worth repeat listens. Highly Recommended.
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