Ryan Hamilton and Onesie

“Ryan

Ryan Hamilton “Haunted By American Dreams”

Ryan Hamilton returns with renewed purpose. After 2023’s ‘Haunted By The Holy Ghost,’ he stepped away from music to focus on family, radio, podcasts, and other pursuits. The break proved temporary. As Hamilton explains, “‘Haunted By American Dreams’ is really about chasing something you were told would save you, and realizing it doesn’t. It’s the echo of small-town promises, late-night highways, and all the ghosts of who you thought you’d become. I didn’t want to make a perfect record. I wanted to make an honest one, even if it rattles a little.”

That honesty drives the album. Hamilton explores persistence, disappointment, and resilience without losing his gift for memorable hooks. The opener, “Dreaming Screaming,” sets the tone with crunchy guitars, soaring melodies, and an infectious chorus. “Over Again” carries the same melodic punch while embracing the idea of starting over. “That Girl” is built for singalongs, with one of the album’s strongest choruses, while “The Come To Jesus Moment” recalls Hamilton’s earlier work, blending his Texas roots with sharp power pop songwriting.

The performances feel lived in, the lyrics avoid easy answers, and every song serves the album’s central theme. There is no filler here. Fans of Tom Petty, Billie Joe Armstrong, and Adam Schlesinger will find plenty to admire. This album stands among Ryan Hamilton’s strongest releases and marks an impressive return. Easily makes my top 10 list for 2026.

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“Onesie"

Onesie “Way Thousand Bump to the Sky”

Brooklyn’s Onesie continues to push its sound forward. What started as quirky slacker rock from the trio of Ben Haberland, Rob Lanterman, and Jason Bauers has grown into a confident, finely tuned band that improves with every release. The opener, “World Stepped On A Mirror,” immediately grabs your attention with its shimmering guitar textures, driving bass line, and irresistible momentum. “Twilight Years” follows with a thick wall of fuzz and a descending chord progression that lingers long after it ends.

As precise as the performances are, Onesie never sounds mechanical. “Tryptophantastic” shifts effortlessly through melodic twists that recall Sugarplastic and XTC, while “Heckscape” delivers the band’s trademark offbeat humor and melodic charm. The hooks may not hit with the same immediacy as 2023’s ‘Liminal Hiss,’ yet the songwriting feels stronger from start to finish. The album moves through a wide range of moods, peppered with clever pop culture references and unexpected turns. Like Onesie’s previous releases, it rewards repeated listens, revealing new details and deeper connections each time. Highly Recommended.

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May Singles and more: Matthew Melton, Onesie, Patrick Duffin, Mark Ward, The Well Wishers, Good Dog Nigel

It’s May and Matthew Melton (Warm Soda) has a solo goodie out “Gaining On You” and I enjoyed the DIY video-craft here which is a modern take on “Hard Days Night” styled stardom. Onesie also looks to come back with a new album, and the opening single “Twilight Years” is solid start. Patrick Duffin is a touring member of several bands, and his new solo album has many styles, but the opener “Emotional Transatlantic In Flight Entertainment” has very strong 10cc vibes. Mark Ward ain’t playing around, “Point Blank” is a strong political statement about the state of the world, and it hits you right between the eyes. In a similar vein, The Well Wishers add a “Pox On Everything,” with the perfect blend of melody and deep chords. Finally, from Los Angeles is Good Dog Nigel, check out “Transient Touchdown,” as its excellent shoegazer pop.

April EP and Single Madness: Brad Marino, Softjaw, Phenomenal Cat, Onesie, Radio Days, Randy Klawon, Shake Some Action!

Brad Marino has the formula and it still works! His new LP “Agent of Chaos” is out (review soon) and he’s calling my bluff, just check out the video. Next, one of the strongest extended EPs I’ve heard this year is Softjaw. Similar to the Uni Boys, almost every song here is great and a text book perfect example of modern power pop. Next, another great band, Phenomenal Cat from the UK holds nothing back, this is pop art as power pop. I loved “Seatown®” and “21st Century Englishman” with its touch of psychedelic pop akin to Donovan. Brilliant stuff here that should not be missed. Tough to follow, but Onesie rocks out with this new single “Meetcha At Minnies (The Captain’s Song).” Another return is Italian band Radio Days with a new album coming soon, and we get a new single to start. “I Won’t Give Up” is a blast of energy, glad to have them back. Next Randy Klawon (Flashcubes/Half Cubes) gives us a stellar pop single “All is Fair In Love.” Finally, the retro pop of Shake Some Action! new EP “Too Many Secrets” feels like a soundtrack for a lost Austin Powers sequel. Love the atmosphere here. Yeah baby!

Buzz Zeemer, Onesie and Pony in the Pancake

Buzz Zeemer

Buzz Zeemer “Lost and Found”

Vocalist Frank Brown, a veteran of the Philadelphia music scene, and guitarist Tom Conwell created the band Buzz Zeemer in the late 90s. Brown crafts guitar-driven melodies that are more refined than your average power pop band. After two successful albums the band vanished, but 25 years later it returns with unreleased tracks recorded between 1993 and 1997.

“Happy Hour” is a great hook-filled opener and a perfect example of how dynamic power pop was in the late 90s. We’ve got 14 tracks of goodies that go well with fans of The Lemonheads, The Replacements, and The Gigolo Aunts. Lots of highlights here, and this is a collection that deserves serious study; from the contemplative “Sometimes” to the churning grunge of “What I’ve Got.” The melodic gems “Don’t Pull Away” and “The Chosen One” were favorites of mine. Highly Recommend.

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Onesie

Onesie “Liminal Hiss”

The Brooklyn-based power pop band Onesie, fronted by guitarist/singer/songwriter Ben Haberland is back after 4 years. The band has always been unorthodox but repeated listens show their rich talent. The minor key riffs on “Permaspring” and “Robocall” have a slight Field Music feel to them, yet Onesie is true to itself with its own laid-back, casual style. “What You Kill” has a great catchy hook in its chorus and its driving drum beat. “Let Me Guess” is equally an earworm.

The style shifts slightly with “Morning Warren” a mix of funk rhythms and jangle is the definition of modern eclectic pop. Another good comparison is The Mommyheads, especially with “Another Day in The Experiment” and “Live Yuppie Scum.” The band’s unpredictability and mashing of styles is a feature here, not a bug, and will keep you listening. Highly Recommended.

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Pony in the Pancake

Pony in the Pancake “In Dreams”

Pony in the Pancake is an Albany-based indie band known for their harmonies, depressing lyrics, and easygoing approach. These tracks use lo-fi guitars and garage-rock rhythms, creating soundscapes that recall traditional surf-pop with a modern twist. While not always compelling there are some highlights like “We’ll Go Walking” and “Forever.” The download is “name-your-price,” so you can check it out risk free.

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Onesie and The Unswept

Onesie

Onesie “Umpteenth”

Brooklyn band Onesie is back, led by Ben Haberland going in several directions here. Opening with “Ten Times Tinnitus” a sly XTC meets Pearl Jam-style progression that quietly sticks with you. Some riffs are clearly reminiscent of 90’s heavy rock like on “Customers” and “Amour Phuss.”  An early treat “Final Days Of Nineteen” has a great mix of instruments along with a gentle vocal with harmonies that demands repeat plays.

Another favorite for me is “Would You Be My Goon?” a wonderful blend of melody and pastoral mood similar to Sugarplastic. Ben doesn’t stand still stylistically, as we get a bit of glam (“Legacy Act”) and bouncy pop (“Award Show,” “Missing The Heart”). The songs are quirky and celebrate their own weirdness a bit too much, but it’s the huge hooks that’ll keep you listening. Highly Recommended for sure. Check it out!

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The Unswept

The Unswept “Minor Blemishes”

The Unswept are a family trio; Charlie, Liz, and Ryan O’Brien,  UK transplants to Chicago that pulls from many classic power pop influences, and on the opening Brydsian jangle gem “Sunshining” it sets the tone right away with its light harmonies. “The Boy Who Wakes You Up” describes a stalker-admirer with a sweet chorus, and Liz takes lead on the country-kissed “You Ain’t On My Mind.” For pure Beatlesque fun, it’s hard to beat “Fake It” with its catchy Monkees-like guitar arpeggio.

The band soldiers on with slight variations on the retro style, some work (“It Doesn’t Really Matter”) and others don’t (“She Just Knows It’s Over”). “Brown Line” is a solid break-up song with excellent rhythm and drum work. At times the retro vibe reminds me of old Rainbow Quartz labeled bands. These tunes may have a blemish or two, but they will put a major smile on your face.

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