The Golden Needles, Rob Fetters and John Dunbar

The Gold Needles

The Gold Needles “What’s Tomorrow Ever Done for You?”

UK band The Gold Needles gets ambitious with this new release. The title track is a fantastic start with its earworm chorus and country rhythm. The band’s sound is akin to The Grass Roots, Sweet and late-era Moody Blues updated to today’s era. “I Get The Pressure” is another gem with its neat bassline and spacey synths. The band takes the Hollies “Have You Ever Loved Somebody?” and owns it, nearly outdoing the original. The band proves its rock creds with “Dead Man’s Hand” and “Susie Is Sorted (She Doesn’t Care).” While the chugging rocker “Billy Liar” references the classic British flick, I was really impressed with “Realm Of The Black Dog,” an awesome psych-pop gem about depression that sinks into your soul. Overall, not a single note of filler here and highly recommended. Don’t miss it!

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Rob Fetters

Rob Fetters “Ship Shake”

Rob Fetters is an immense talent and although it came out last year, it’s always a welcome addition to your playlist. “Turn This Ship Around” is all about changing your destiny and making your own luck. It’s a great message and richly delivered – very much in the Tom Petty mode. “Artichoke” is another impressive song, with its sweeping synth and guitar lines that bring to mind late-era Genesis. From here Fetters gets a little esoteric on songs like “Prophets” and “Me & Eve.” But there is the kick-ass single “Can’t Take It Back” with a riff that grabs you right away. You also get weirdness with “Dog Is God” and a few near misses like the self-pitying “Nobody Now.” Greatness pokes through again with “Queer Year,” likely the best song about gay acceptance I’ve heard. Definitely check this album out, it deserves to be heard.

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John Dunbar

John Dunbar “Oh Wellness”

Another late 2020 album I missed that deserves your attention. Dunbar’s music has evolved over the years to become more melodic and catchy, and Oh Wellness does a great job of mixing his cynical style with a simple hook. “Born To Bore” is a sweet mid-tempo gem all about the clueless friend who just won’t shut up. Dunbar has several personal irritants set to music, like the lack of appreciation for punctuality on “The Problem With Being On Time” and job insecurity on “Easy to Replace.” The songwriting is great throughout, and John keeps these songs simple and to the point. Subjects like dating and relationships are all part of “The Girl Who’s Heard It All Before” and the excellent gem, “A Sentimental Heart And A Skeptical Mind” and it makes this LP a great listen. Highly Recommended.

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Weezer and Rob Fetters

Weezer

Weezer “Everything Will Be Alright In The End”

A few major label acts fall into the “power pop” category, and fewer have the longevity of Weezer. Rivers Cuomo has really come back to his roots and even got his old producer Ric Ocasek to help bring the magic back. In a major turnaround, Rivers waves goodbye to the dance-rock of 2009’s Raditude for good. He explains himself on “Back to the Shack,” that “thought I’d get a new audience, I forgot that disco sucks” and even the guitar licks refer back to the bands “Blue” debut.

“Eulogy for A Rock Band” tells us that Weezer accepts its role in the rock universe, and to cement this gives us the crunchy singles “Lonely Girl,” “The British Are Coming,” “Cleopatra,” and “Go Away.” The band still goes off on a tangent with its’ closing suite “The Futurescope Trilogy,” but there are more hooks than a tacklebox on the songs preceding it. Highly Recommended, especially if you haven’t heard any Weezer since 2001.

power pop

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Rob Fetters

Rob Fetters “Saint Ain’t”

I really enjoyed discovering Cincinnati musician Rob Fetters (Thanks Carl Chavis!) Recorded in Nashville with a pile of guest stars like Matt Malley (Counting Crows), Belinda Lipscomb (Midnight Star), and Clyde Brown (The Drifters, Ben E. King) to name a few. “Suffer” is a catchy rock gem that will get you hooked. “Nero” is plaintive light pop composition with a great hook about infamy, “who says I can’t last forever?” he says. His sound is similar to Tom Petty, Todd Rundgren or Ian Hunter.

Solid songs all along here, “Desire” and “Forever Never” are very enjoyable, but the collaborations are so stylistically different it’s jarring. The light folky “Famous Last Words” a collaboration with Bee Haskins is the polar opposite of the blues-rock on “Life and Death Boogie” with Clyde Brown. Honestly, Fetters is so good he didn’t need these duets here to fill the running time. “Walking Out” is another gem with excellent guitar work that closes out the album. Highly Recommended.
power pop

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