This interview digs into the records and ideas behind their music, with clear ties to bands like Big Star, The Byrds, and The Kinks, while staying rooted in today’s indie scene. If you care about strong melodies, tight arrangements, and guitar-driven songs, this interview gives you a closer look at a band pushing that style forward.
The Uni Boys return sharper and more focused, leaning fully into the sound they hinted at early on. While they share some overlap with The Lemon Twigs, Reza Martin and Noah Nash continue to carve out their own lane when mining the past. Pulling from the Nerves, The Paley Brothers, 20/20, and Milk ‘N’ Cookies. It lands somewhere between scrappy and polished, with a clear nod to late ‘70s L.A. power pop. The Uni Boys bring enough energy and conviction to make it feel fresh rather than recycled.
The production keeps things tight and direct. No filler, no gloss, just hooks and melody driving every track. This is where the Uni Boys sound most natural. There’s a balance between heartache and optimism that gives the record its staying power. The Beatlesque “You’ll Curse His Name Again” speeds along, while “I Don’t Wanna Dream Anymore” hits with a quick, upbeat punch. Both tracks feel loose and fun, like the band is enjoying every second. That energy carries through the album and pulls you in. “Abra” is a dramatic ballad with layered harmonies, while the mid tempo “Genevieve” lifts things with its brilliant chord changes and a baroque piano break. That makes this their strongest release yet. Without a doubt it makes my top ten for 2026 list. Super Highly Recommended.
Lukah Boo (aka Antonio Sáenz) is a Madrid based singer and guitarist, who’s also known with the band The Happy Losers, one of the best Spanish speaking power pop bands ever. Occasionally I listen to foreign language power pop, because I love a great hook. And Lukah does too.
The opening title track translates to “Breathing” and it begins with piano and lovely vocal harmonies. It transitions to strong melodic guitar and verses, and the joy comes through in the music. No translation needed. There are some English ballads here, “This is What It Is,” “Like Any Other,” and “A Fool,“ and they are heart felt and sound akin to Gilbert O’Sullivan. Other highlights include “Lo bien que me he portado” and “Aquella luz.” Overall an enjoyable listen, and if it had more songs like the title track, it would be even better. Check it out.
Enjoy the winter wonderland! Yes, Valentine’s Day is long gone, but I thought of this one for my wife’s birthday and Freddy Monday brings me a perfect love song to give her. Uni Boys are coming back and as expected, they have a great new album I cannot wait to review based on the single “I Don’t Want Dream Anymore.” The always talented Richard Turgeon shows his sweet side with “Girl Like You.” Next from overseas, we have Gothenburg, Sweden band Waterboarding School, a bit messy in a cool DIY loose way, and Netherlands Plastic Family delivers the classic power pop sound perfectly! Finally, those dudes from They Might Be Giants have never slowed down and we like to check in once in a while. Loving that “Wu Tang,” too! Okay, enough fun, go back to shoveling that snow.
Since their debut last year, the Uni-Boys have been a leader among bands that reference vintage late-70s power pop, and Buy This Now! refines their sound. The Uni Boys’ new material was recorded with Michael and Brian D’Addario, aka The Lemon Twigs, themselves masters of analog production. Despite drawing inspiration from bands like Big Star, Milk ‘N’ Cookies, and The Beat, The Uni Boys manage to strike a nice balance between solid songcraft and the raw attitude of much older rock ‘n’ roll.
Leading off is the catchy gem “Let’s Watch a Movie,” a celebration of doing nothing but chillin’ in front of the TV after a long day of work with handclaps and Beach Boys harmonies. The simple organ riff in “Down to the City” and the surf-style bass hook in “Hiding in My Home” are the pinnacle of the Uni Boys’ dedication to staying in bed and eating takeout food naked. The intermingled background harmonies and understated lead are what allow this band to level up. All the songs sound deceptively simple but are meticulously constructed. Highlights include “I Don’t Believe In Love,” “I’m Alright,” and the jangling “Intentions.” In fact, there is not a single dud here, and Buy This Now! showcases their particular style of power pop perfectly and makes my top ten list this year. Highly recommended.
German jangle pop band The Radio Field delivers a crisp, bright sound that is sure to warm your heart. Lead singer Lars Schmidt from indie German pop band Subterfuge had a desire to get his “indie-pop mojo” back, and he succeeded here in spades.
Starting with the lead single “Clover,” which, along with “Sick and Tired,” “Years Ago,” and “Love,” demonstrates his skillfully crafted and coiffed jangle, with smooth vocals and style reminiscent of the late 1980s. “Disorder” and “She Needs Therapy” have some dreamy fuzz guitar to keep things from getting too light. “The Version” featuring Robert Stadlober adds bright horns to the mix, and it’s one of the album’s finest moments. This style is also in the album’s closer, “Love,” with a simple country rhythm that calmly sends us out with the message, “Life is a wonderful thing.” Don’ts And Dos is a delight to listen to because of the care and precision with which it was composed and performed. Highly recommended.
California-based Uni-Boys channel power pop’s late 70’s and early 80’s era, and fans of The Plimsouls, 20/20, and The Jags will embrace their sound. While “You Worry About Me” and “Downtown” has the style down perfectly, it really fires things up with the hook-filled “On Your Lovin’ Mind,” where the guitars remind me of Bram Tchaikovsky. The production is mostly, clean and avoids the overly processed problems of that time period.
The “boys” are Noah Nash (guitar/vocals), Reza Matin (guitar/vocals), Artie Fitch (drums), and Michael Chipolletti (bass/vocals). The terrific guitars ensure most everything here works, although some tunes need stronger vocals (“Long Time No See”) or a less tinny production (“Hypocrite”). Plenty of highlights include “Up To You,” the multi-tracked strum of “Caroline Kills,” “Daily Dose,” and the Lou Reed-like strut of “I Wanna Rock You.” Highly Recommended.
Portland’s No.2 has a compelling sound courtesy of singer/guitarist Neil Gust (Heatmiser). The opener “I’m On A Mission” has deep KISS-like riffs, about first loves, lusts, and heartbreak. While the songs are written from a queer perspective, the themes are universal. “Ravers In The Sky” is a good follow-up with a wicked guitar break. The energy level of the album eventually devolves into mid-tempo noir stories, as “A.O.R.” tells of a relationship at a college radio station.
Some nice prog-like melodies emerge with “Time’s Up,” and the rocker “You Might Be Right” is another highlight. The title track “First Love” is a slowly building tune that eventually gains momentum with some layered harmonies. However, the lack of riffs on other songs makes them forgettable. Overall a decent album that deserves to be heard.