Coleman Gota “And The Loser’s Choir Sings”
Colman Gota is back with producer Mitch Easter on this rocking ode to a grievance. Gota’s vocal style has always reminded me of Tom Petty, but musically he forges his own unique path. Starting with “Catholic School,” he laments that “good guys only win in the movies,” as the catchy chorus sticks with you.
“Victim of Society” is a bit atonal, with his vocal melody running alongside the echoing rhythmic guitar. The remaining songs are all pretty compelling, and Gota’s voice grows on you quickly. In fact, as the album progresses it gets better, a little like a Dylan playing with REM and John Cougar Mellencamp. I love the little details and guitar riffs in “Lonely Tonight” and “Practice Room.” The melodic menagerie of techniques on “Do You Really Wanna Know” is also really great. “Do It All Over Again” starts out quiet, but leads to a hand-clapping joyous chorus. No duds here, enjoy! Highly Recommended.
Armchair Oracles “Caught By Light”
Norway’s Armchair Oracles are back with a new LP (their 3rd) and the band continues to giving us dramatic and melodic rock and roll. “Porcelain Heart” is an early favorite with its gentle harmonies and guitar jangle. Lead vocalist Atle Skogrand’s tone is hushed and soothing on most songs. “She Gets Me High” has a Big Star meets Beatles quality with a solid hook and it’s my favorite song here.
The band turns up the jangle and Matthew Sweet chords on “Don’t Let It Break You” and “Might Be Wrong.” The dense production threatens to obscure the guitar solos, and at times makes the music homogenous. Thankfully on “Silver Nights” it adds a psychedelic sitar sound that adds a little variety. And the slower tempo gem “Last of All Suns” dazzles with it’s Mott The Hoople-like guitar breaks and haunting bassline. There are enough good songs here to make this one highly recommended.