Goodman “The Era of Buckets”
When I hear people say that classic power pop is an old niche genre with older influences, I generally agree. So what does the future of the genre sound like? I listen to artists like Michael Goodman, who has been steadily increasing his musical skills over the past ten years. Goodman plays electric and acoustic guitar, glockenspiel, banjo, piano, and synths. He is assisted by producer Oliver Ignatius and studio drummers Jordyn Blakely and Jeremy Kolker. The Era of Buckets pulls no punches melodically and takes in influences from psychedelia, shoegaze, and slowcore.
“Don’t” is a brilliant opener, with guitar strums across a light layer of xylophone and Goodman’s emotive dual-tracked vocals. The next track is the super-catchy anthem “Watch Your Mouth” with its passive-aggressive chorus. “Wildcat” is a droning shoegaze melody about obsession, and “Wasting Away” adds a snappy synth beat to this minimal dance jam. Although the tone is melancholy on most tunes, like “She Finds Me Out,” or “Somethings Happening” it still retains a very compelling melody line. “Shallow(Completely Shallow)” reminds me of Brendan Benson, and its a great break-up tune. “Headrush Baby” is another winner, a richly layered composition with great minor chord shifts. The expansive “Life Begins!” bathes itself in a psyche-pop glow as it describes the (lack of) meaning in life. This is Goodman’s best album and it’s highly recommended. Plus it makes my top 25 nominee list for 2019.
The Gershwin Brothers “God Is A Bully”
The duo of Dave Foster and Lane Steinberg (aka Sol and Al Gershwin) are joined by a local NYC musical crew (Mike Fornatale, Charles Roth, Tom Shad, Tom DeVito, Mary Spencer Knapp, Erica Smith) for this stylistically diverse band debut. I’m a big Steinberg fan and his contributions to the album are clear to those familiar with his work. All songs are written by Foster and Steinberg, and we start with “Deleting You,” a witty song about culling your “friends” from social media, and then we get the Beatlesque opus “Unbroken.” The song is an impressive ballad that recalls McCartney’s “Maybe I’m Amazed” in the chorus, beautifully done – it’s the albums high point.
From there we go to “Antelope Canyon” starring Erica Smith’s delicate vocals sounding like a hybrid of Laura Nyro and Basia. Another strong composition with some jazzy overtones, that get a little psychedelic on “Heaven In My Head” with lots of drama and synth organ. Lane sings the title track, a smart and catchy mid-tempo ballad. The album sometimes ventures into weirdness; like “Notre Amour Fantastique,” sung by Mary Spencer Knapp; an operatic show tune sung like Édith Piaf! The rare “Mama’s Love” has all three leads sing together.
Despite the incohesive nature of the album, there are a lot of good songs here; “Sugar-Free,” and “Endless of Summer of Love” are great tunes with neat harmonies.”He’s The New You” is a lovely folk anthem of empowerment after divorce. Definitely something for everyone here, so check it out on Bandcamp.
