The Nines and FaB

The Nines

The Nines “Reflections”

Steve Eggers (aka The Nines) returns with his most wistful and solemn album to date. The Nines balladry has often compared to Jeff Lynne, David Gates, or Paul McCartney. Sung and played in his home studio with guitar and piano this album starts with a gem, “Don’t Believe in Destiny” a slow simple expression of sadness that swells to orchestral levels. Dealing with loneliness is the theme here and “Breathe in, Breathe out” contemplates the moment after trauma. Like a diary, the “Song For Red” asks for a fresh start, and the acoustic “Angeline” is a heartfelt folk song with a compelling dual vocal track.

Most of the songs after this are short sketches in under two minutes; the jealous lament at the bar in “I Almost Lost You” or the harpsichord “She Is Waiting” with some sweet harmonies. It would’ve been nice to flesh out some of these a bit more, but the melodic sketches do go in interesting directions like “Linda,” where it starts pretty standard and takes a wonderful detour into Harry Nilsson land. Worthy of repeat plays and highly recommended.

Apple Music


FaB

FaB “This Wicked Pantomime”

This is an interesting offering from Kool Kat Musik. UK bandmates Neil Fitzsimon and Bee Brogan from Pretty Blue Gun are joined by drummer Woody Woodmansey (David Bowie) and Pete Thomas (Elvis Costello) to create “FaB.” The style is hard to pin down, but the group has a wide range of influences from The Beatles, Elvis Costello, Jimmy Webb, Jacques Brel, The Smiths, and David Bowie.  

It takes a few spins to stick with you. Bee Brogan has a very distinct voice and on several tracks, it’s suits the material perfectly, like “Lost Love of the Pixie Girl” with a wonderfully catchy chorus. The bending bass line on “Desolate Angel” builds a sublime new wave ballad and the twisted adult nursery rhyme of “Elsie’s Last Stand” is another standout. The oft-kilter chords on “Seven Seconds of Summer” and the title track recall Martin Newell at his wistful best.

In several cases, the material is a little too ambitious for Bee’s vocal (“A Bullet for Cinderella,” “The Tears of Scarlet Murder”) but the songs are still fascinating. Overall, this is definitely a unique offering that deserves your attention. Check it out.

Kool Kat Musik