Lannie Flowers “Flavor Of The Month”
During the recording of Lannie’s masterful Home album, he would drop a free single each month through the Sypderpop website through 2019. These finely produced demos were designed to lead us straight to Home and were much more power pop in style. Lannie had the entire COVID year to remix these songs to perfection. The hooks here are massive and make it the “missing” piece between Circles and Home.
Every song hits its mark, and the quality of songwriting isn’t a surprise either.”Don’t Make Me Wait” is a great opener, Lannie’s emotional ache comes through in the verses, and the harmony drenched chorus. The brazen psychedelic Beatle-isms are all over the Peppery “Lost In A Daydream” and “Good.” Next, “Summer Blue” has a smooth tempo suitable for the beach, and it’s an easy radio-friendly single. “Where Did All The Fun Go” is a sweet tune about getting back to living for today, and the title track is just as infectious. Another standout is “Anything But Love,” which channels Lannie’s soulful vocal. Since each song was carefully curated as a single, there is no filler here. A quick and easy pick for 2022’s top ten. Very highly recommended.
Cheap Star “Wish I Could See”
Power pop band Cheap Star boldly ups its game with its latest release. Lead singer Remi Vaissiere and drummer Brian Young (The Posies/Fountains Of Wayne) are joined by Jon Auer (The Posies) and a collection of superstar guests; Brendan Benson (The Raconteurs), Gary Louris (The Jayhawks), Matthew Caws (Nada Surf), Roger Joseph Manning Jr. (Jellyfish) and Mitch Easter. The sound overall is very much in the vein of The Posies, with potency and crisp production style.
The production starts with the understated “Lifetime,” but quickly impresses with its dynamic indie-pop style on “Flower Girl.” Next, a transcendent “You Don’t Want To Change” is a nod to Louris and his style, while “Wish I Could See” is a catchy as hell rocker with fabulous harmonies thanks to Benson. Other highlights include “Holding On,” “Under The Synapse,” and the cool sadness of “What It’s Like.” Vaissiere and Auer’s vocals match well, and the collective musicianship is worth multiple listens. Highly Recommended.
