
The Honeydogs “Algebra for Broken Hearts”
Reunion albums are typically a mixed bag. However, this album marks the Honeydogs’ first recording session with their original lineup of Adam Levy, Noah Levy, Trent Norton, and Tommy Borscheid in 28 years. It’s a blend of the band’s early scrappy energy and more refined songwriting, with a variety of styles and moods. And, like 20/20’s ‘Back to California’, a complete success. The Honeydogs occupy the rare gap between alt. country and indie rock, creating a distinct sound with a multitude of influences.
The album’s opening track, “Attic Brain,” features a powerful Led Zeppelin-esque riff, and the title is a play on “addict brain” and reflects on personal issues. It changes tone to the bluesy acoustic strums of “I Don’t Wanna Fight,” and snaps back with the catchiest rocker here “Kill Switch,” it’s a terrific single that really sticks. The melodic title track has a dreamlike contemplation of the ebb and flow of time and the intricacies of existence. Other highlights include the glam-rock meets country “Captain”and “Irish Goodbye,” which delves into issues of drug-fueled dysfunctional relationships; it sounds like a cross between Cheap Trick and Motown. With no fluff whatsoever, this is a fantastic album that, with any luck, will signal the beginning of new recordings. Highly Recommended.


Fuzziliers “Most Fun”
Founded in Russia, and then moved to Istanbul, Turkey the Fuzziliers combine psychedelic rock, acid rock and Brit pop influences. The opener “CTRL” opens with a simple synth beat, but builds on it with multiple instrumentation, harmonies and finally a kick-ass guitar. The lyrics of guitarist and singer Slava Lobanov are somehow current, approachable, and lighthearted. The psyche-rock of “Most Fun” and the positive melodic groove of “Porcelain” are highlights.
“Future Society” is another mix of the melodic with the acid fuzz wah-wah pedals, described as Iron Butterfly performing Kinks songs. The bouncy “In The Morning” contrasts with the sprawling prog rock narrative of “Fake Dancer.” Overall, it’s never predictable but can dwell on some songs too long. I would definitely consider this music that deserves to be heard. If you are into diverse soundscapes, check this out.
