Smash Palace and The Maureens

Smash Palace

Smash Palace “Some Kind of Magic” EP

Steven & Brian Butler (the main force behind Smash Palace) continue to put out some of the most pristine rock songs, and they are joined by Fran Smith Jr. (bass) and David Uosikkinen (drums) from The Hooters, plus Wally Smith (keyboards) and fan favorite Cliff Hillis (guitar). What seems new here is a conscious effort to avoid sounding too retro.

The opener “My Mistake” is a contemporary rock song with Smash Palaces’ signature jangle rhythm. “Haddontown” has a California feel; like Crosby, Stills & Nash mixed with Tom Petty and its the standout single here. “Part of The Plan” has a great driving guitar that leads the lyric and the solo at the break is pretty sweet too. This is a short, but sweet EP without a stray note — its highly recommended for fans. Newbies might want to start here.

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The Maureens

The Maureens “Bang The Drum”

The Maureens are a band from Utrecht, Netherlands and they make exciting and melodic alternative pop, but unlike last years debut the band takes a much softer approach on Bang The Drum. The band still has crisp clear harmonies and strong melodies when we start with “Heartbreak” and “Catch Me When I Fall” which recalls Teenage Fanclub or The Pearlfishers.

The slower “September” draws from early ’70s easy listening pop and the arena balladry of “Caroline” is similar to late-era Moody Blues. The softer songs on the albums latter half, while boasting solid musicianship didn’t hook me like the debut album did. But gems like “Bloom” will impress with the guitar and rich choral harmonies similar to Abba. Overall, this is a highly recommended listen and I hope to hear more from these talented artists.

 

 

 

The Deadbeat Poets “Hallelujah Anyway”

Larry O. Dean

The Deadbeat Poets “Hallelujah Anyway”

In what has to be one of the most enjoyable listens this year, The Deadbeat Poets return with a fresh guitar pop crunch on Hallelujah Anyway. Frank Secich and crew are in fine form with a visible enthusiasm that seemed to missing from some past efforts. They hit the ground running with the power pop of “In My Iron Lung,” a catchy fast tempo gem. The early Beatle influence is back with “Baby Doll,” a great little roots rocker with farfisa organ. The sixties psyche-pop mode goes into high gear with “The Psychedelic Gas Station,” as its got plenty of cowbell, effects and a tasty guitar solo.

The band also has a more diverse sound, as the modern mid-tempo “Getting Over You” written by lead guitarist Pete Drivere is a real treat with a nice vocal performance. Secich goes the full Cavern Club styled skiffle on the retro “Johnny Sincere” and the Kinks influenced “A Dark-Haired Girl in Piccadilly Circus” plays like a musical diary entry. Other recommended tracks include the Tom Pettyesque “There Ain’t No One But You” and the guitar frenzied “School For Dictators.” Overall a highly recommended return on Pop Detective Records!

Amazon | CD Baby

The Junior League and Seth Timbs

The Junior League

The Junior League “Also Rans”

Joe Adragna (aka The Junior League) continues to produce excellent music year after year and this new album is no exception. The Junior League has more of a retro-sound to start with Also Rans, as the title track is a shimmering janglefest that’s a little like a jam between The Zombies and REM. And although there is lots of great power pop, its got plenty of stylistic variety.

The sound of producer Scott McCaughey’s (Minus 5) influence is pronounced on the mid-tempo gem “The Stars In Our Eyes.” Then the catchy “Before You Go” has a great hook that doesn’t let go and it leads to the sweet “Please (I Need You To Go)” with its bouncy tempo. We then shift to a modern expansive sound on “On/Off” including a synth piano added by Sloan’s Jay Ferguson, and this approach follows through on the slower “Broken and Mine.” Joe goes light (“Disappearing Act”) and heavy (“If its You”) and you’ll find not a single note of filler. Highly Recommended. Also Rans comes with a 5 song bonus disc and is scheduled for CD release on October 2, exclusively at Kool Kat Musik.

Kool Kat Musik | Amazon


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Seth Timbs

Seth Timbs “New Personal Record”

Seth Timbs (Fluid Ounces) has been quietly releasing albums of melodic magic over the last several years, and his latest “New Personal Record” is a testament to his resiliency. “Give Up On Your Dreams” is a brilliant piano melody that stands alongside the great Harry Nilsson’s work. On the rollicking “Uneasy Street” he pounds away on the keys and the strutting melody of “Fill It Up” shows Timbs at his most energetic.

“Cliche” is a piano bar ballad about the worn-out musician who was once a “hot prospect,” but the slow building drama of “Far Away From Here” is a brilliant heartbreak song of a wanted man sending his love away to shield her from the law. The guitar solo here is very moving and makes this one of my favorite on the album.

Seth doesn’t stay in the dumps too long, as “Ugly” is an awkward come-on that turns into a joyful dance, and a statement of self confidence. We end with the Flamenco tempo of “The Thing About Time” and I’m glad to offer this album to you as highly recommended.
Bonus supplement:  I’ve contributed to the 50thirdand3rd blog with an overview of Seth Timbs and Fluid Ounces entire career.

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Kurt Baker and The Nines

Kurt Baker

Kurt Baker “Play It Cool”

Proving to be one of the most productive artists today Kurt Baker is like the Energizer bunny (going and going) quickly moving from his collaboration with The Connection on The New Trocaderos, and he’s back with his favorite producer Wyatt Funderburk on a new high energy album.

It all starts with “Sends Me To Mars” setting a manic pace; its written by Kip Brown (The Wild Hearts) and it fits the Kurt/Connection/Trocaderos style like a glove. “Enough’s Enough” is more straight Kurt Baker style, catchy as hell and deserves multiple repeat listens. The tempo is still speeding when we get to “I Got You” and “Just A Little Bit.” Kurt’s restlessness comes through on his party theme “Monday Night.” The NFL may want to buy this one (my tip, Kurt)!

“Can’t Say No” is like a marriage between Elvis Costello and Green Day, and finally we get a slower (mid-tempo) love song on “Talk Is Talk” with a wonderful Beatlesque chord progression. “Back For Good” has what I hear as a Funderburk-influenced love song with yearning lyrics and a magical middle eight. There are a few songs that tread the same ground, but overall this is another home run for Kurt. Makes my top ten list (was there any doubt?) for 2015.

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The Nines “Night Surfer and the Cassette Kids”

The Nines are back with a rougher, tougher sound and the keyboard is no longer up front. Steve Eggers is still at the core of this Toronto band with the help of Bill Majoros (the Foreign Films). “It’s All in the Head” opens with deep garage rock riffs, and siren effects creating a rough car chase theme. “Just Another Party” has echoes of early XTC, Adam Ant, B-52s and the ’80s dance rock movement, and its great fun. Steve’s melodic composition skill comes out on “Never Take You For Granted” with it’s killer hook in the chorus.

The best impression is with the driving riff attack on “Wasted,” my favorite here – and very much a power pop classic. The tone slows a bit on “Sweet Tangerine” but picks up with the infectious “She Knows It’s Free,” again with the guitar riff in charge here. “Cathy” is another gem that is the best XTC song you never heard. Attempts to go darker, like on “Jimmy’s Girl” set a mood with descending riffs or synths, but don’t compare as well to the earlier tracks. Fans of early ’80’s sound will love it and its definitely highly recommended.

CD Baby | Amazon

Nick Flora and Miracles of Modern Science

Nick Flora

Nick Flora “Futureboy” EP

Nick Flora is an unsung talent who has been releasing records for years and I’m shocked he fell under my radar. Vocally he sounds like the love child of Peter Gabriel and Beck singing catchy melodic songs with plenty of bite. Starting with a swaggering glam riff and beat Nick makes “The Business of Breaking Hearts” an unrepentant lothario’s theme music.

Next is “It’s All Coming Together,” a slow build to a harmonious chorus that sticks to your brain. “Take it From The Top” has a rock shuffle and guitar sounds mixed with sparse balladry in the lyrics. The plaintive ballad of the title track is akin to Elliot Smith’s double tracked vocals across acoustic guitar and the final track “For The Sake of Conversation” is another winner. I will begin to explore Nick’s back catalog of work, and I have a feeling I will really enjoy it.

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Miracles of Modern Science

Miracles of Modern Science “Mean Dreams”

If you are looking for eccentric chamber pop with brainy approach then MOMS may be for you. Formed at Princeton University, this guitar-less quintet stands out with doublebass, mandolin, violin, cello and drums. “Follow Your Heart (Or Something)” approaches the song as part dance track and part anthem for the insecure.

The violins lead “Don’t Feed The Party Animal” is like orchestral B-52s and the finger-plucking “Mothers in Jeans” builds to  a compelling chorus. This pop occupies the same space as Field Music, and fans of that band will enjoy this as well. While the stories are compelling, it strays from the melodic midway through, it remains interesting to listen to. If you’re in an experimental mood – this could float your boat.

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