Arthur Nasson and The Roaring Juniors

Arthur Nasson “The Emperor’s New Sound” EPs

Massachusetts musician-filmmaker Arthur Nasson is a force of nature on the amazing title track, mixing boogie-rock with catchy pop chorus and brilliant guitar break. A little like Todd Rundgren meets Ben Folds, Arthur follows the beat of his own drum here. “Purple Swan” is another gem that starts with an atonal verse that dovetails into a bright piano chorus. He’s also got his progeny in the act with one son Graham doing drums, and brother Colin on guitar. And they do a great job here too.

“Tiger By The Claws” is another winner, with a layered piano melody and bouncy chorus with nice backing harmonies. “Multiverse” is a trippy, but strong song with rich instrumentation that boasts a fantastic guitar solo. The instrumental “Graham’s Gentlemen’s Club” closes out one of the better EPs I’ve heard in a while. Highly Recommended.
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The Roaring Juniors “Perennials” and “Bomb Pop”

Michigan band The Roaring Juniors have been very busy this year. The band still has some rough edges but makes such fun catchy pop you’ll find it hard to nit-pick. “Sweet Marie” is a fast tempo gem about that first date, “The Lamp Burns Above Him” has plenty of jangle and “Short Sleepover” has twang and drum beats to spare, like The Beatles in the Cavern. When the band tries to shift the style, it labors to keep the listener (“Wicked  Scarecrow Blues”) but most of the tunes rock and stomp like “East Side Tilly.”

The band not only produced its sophomore LP, but put out Bomb Pop! – a FREE compilation featuring select tracks from all of The Roaring Juniors discography, including three previously unreleased songs from the 2015 Perennials sessions! So support these guys; you buy one album and get comp FREE. You can’t beat that for value!
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Dot Dash and The Doughboys

Dot Dash

Dot Dash “Earthquakes & Tidal Waves ”

We’ve followed Dot Dash for years now, and lead singer Terry Banks continues to perfect the melodic dense rock that combines Guided By Voices and The Clash in equal doses. With the legendary Mitch Easter producing you get short sweet power tracks like the anthems “The Winter of Discontent” and the catchy “Flowers” featuring new lead guitarist Steve Hansgen’s clean guitar riffs.

“Rainclouds” is one of the rare conventional rock tunes here, and “Satellite (Far Out)” boasts a dense atmospheric chorus and amazing guitar solo. The band then veers a little heavier with the “Walls Closing In”, but the melodic sense returns with “Transparent Disguise” “Thru the Dark” and “Semaphore.” It finally slows tempo a little for the ender “Sleep, Sleep.” Overall the band sounds great, a tight post-punk power pop that will appeal to indie rock enthusiasts of any age. Highly Recommended. If you order from Kool Kat Musik it includes a bonus CD of demos/live tracks.
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Doughboys

The Doughboys “Hot Beat Stew”

On the band’s fifth album, The Doughboys are still churning out that good ole R&B styled garage rock. And you can tell compared to earlier LPs that the rough barroom sound gets stripped down to it’s essence with minimal production, almost like listening to the band “live” in the studio. “Be My Baby” is a potential hit that sounds so effortless, because Mike Caruso, Gar Francis, Richie Heyman & Myke Scavone play so well together.

The band can still pump out those catchy anthems that sound like lost Rolling Stones classics, as “Shake It Loose” matches Mick and Kieth in their prime. Additional standouts include: “Don’t Come Crying To Me,” “Long Way Down,” “You Can’t Catch Me” and “For Your Love.” The band also explores an acoustic mid-tempo ballad with “Soho Girl” very much in the spirit of The Kinks. And the 3rd person story-song “Travelin’ Salesman” has a southern flavor with a distinctive Bo Diddley influence. You can’t go wrong with this tasty Stew.
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The Orange Peels “Begin the Begone”

The Orange Peels

The Orange Peels “Begin the Begone”

Its hard to mention this album without the circumstances behind it. The Orange Peels lead singer, guitarist and keyboardist Allen Clapp and his bassist wife Jill Pries were in a near fatal car accident while on the way to a concert. They escaped with only minor injuries, and made it to the stage that evening. But following that event, they rushed into the studio to start Begin The Begone. With lead guitarist John Moreman and drummer Gabriel Coan, the band set about doing things a little differently.

Most of the songs are related to the experience, “Head Cleaner” and “Fleeing the Scene” are aggressive, but detailed pop gems with bright chords, big drum beats and REM-like base lines. With “New Moon” the songs add layers of psychedelic textures and shimmering rhythms. All very much like classic Orange Peels, but just a little darker.

Then the album really takes off with “Embers” built on a great piano melody and angular guitar accompaniment, Clapp sounds great throughout here. Both “Tidepool” and “post and Beam” are compelling instrumentals here, one a casual dreamscape and the other a drum dream sequence that blew me away – definitely not filler. It leads up to Moreman’s guitar on “9” and the catchy verses about the highway driving that takes place after the accident, “when I think of what we’ve been through, it’s a wonder we’re alive…” Clapp intones. Then “Satellite Song” channels the West Coast brilliance of Curt Boechetter and the Millennium. It ends with the symphonic kaleidoscope that is “Wintergreen,” and after a few listens you realize this isn’t your average album, but a modern classic. Makes my top ten list easily and arguably the best Orange Peels album ever.
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Surf School Dropouts and Minky Starshine

Surf School Dropouts

Surf School Dropouts “Second Nature”

Unabashed Brian Wilson love is the whole reason Denmark’s Surf School Dropouts continue to churn out harmony-laden songs of sun, fun and summertime. They are also one of the few modern bands that can pull off the surf harmonies as good as this. All you need is a your woodie and a wave, for the opener “Destination Sunshine.” There are other influences too, as “Should Have Known Better” is a little closer to the sunshine of The Sundays or The Pearlfishers.

You have to give this Copenhagen quartet props as “Where Have You Gone” is lovingly composed and arranged. The soft ukulele ballad “Sarah” is dripping sweetness and “Wonderful Ride” has touch of Motown. The lead vocal changes from song to song, and some are better than others but you have to love the enthusiasm of bouncy tunes like “Coastline Crusin.” Some nice instrumental interludes preface a few songs, and the choral “Ebb & Flow” that ends the album is also very impressive. For Beach Boys fans this is manna from heaven.
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Minky Starshine

Minky Starshine “Pop Jewelry”

Rob Anastasi’s band Minky Starshine has always done quality power pop, boasting one of my all time favorite songs (“Cinematic Mojo”) on his last record. Rob just loaded this new release with an all-star supporting cast: Ducky Carlisle (Bleu), Ken Stringfellow (Posies), Roger Joseph Manning Jr. (Jellyfish), Brian King (Oranjuly) and Corin Ashley – just to name drop a few. So expectations are high here.

While the production sparkles with great sound and instrumentation, the opener “Lady London” is a pretty subdued mid-tempo song. The next song lives up to the promise, as “Girl” is a classic hook filled gem with a catchy repeatable chorus and “Easier For Everyone” keeps the chiming harmonies front and center. The sound veers to more mainstream pop with “Drive” and the ballad “Wave Her On” feature Phil Aiken’s dreamy synths. “Miss American Girl,” a country flavored duet with Amber Casares is another standout. But I was disappointed that the rest of the album seemed to stay in adult commercial pop realm, without a riff heavy rocker to juice things up. Despite that, Anastasi does a great job here, “Believe” is a richly layered song with an impressive chorus. Worth exploring and sharing with your friends who aren’t power pop fanatics.
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Fireking and Graham Czach

Fireking

Fireking “Double Trouble”

Boston based Fireking rocks it old school, opening with some Led Zeppelin chords and just burning the amp up on the instrumental opener “Futura 2000.” Then “Built to Last” buzzes along, part Southern Culture on The Skids and part Cult with a driving riff that carries the song along and the definition of a kick-ass guitar break. “Just Like Sunday” is another amazing hook filled song with pounding drums. And the hits just keep on coming here on “A Sentimental Education,” another brilliant rocker with a frantic drum and guitar attack. And through it all lead singer Anthony Kaczynski, Smitt E. Smitty (ex-Figures on a Beach) and bassist Drew Morrison makes it sound so easy.

With 22 tracks on this double album, I wasn’t sure how long they could keep the quality of songs going. Like The Satisfactors, these guys are veterans that keep the party going all album long. “Contagious” is a dense rocker with little nods to The Clash and INXS. Included is a cover of Elvis Costello’s “Tokyo Storm Warning” (it was on the tribute LP). Eventually the band branches out with the epic power ballad “Look To The Sun” and the alt. country flavored “So You Lost Your Baby,” fans of Dave Edmunds are sure to love this one. There’s even a nice biographical tune “Power Pop Chords,” with references to Cheap Trick. Overall, an amazing album that puts “Power” in power pop. Makes my top ten for 2015, you’ve been warned!
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Graham Czach

Graham Czach “Star By Star” EP

Chicago based multi-instrumentalist has both a solid voice and melodic gift. Like a modern Howard Jones meets David Bowie, the haunting “Faint of Heart” boasts a soaring lead and a feedback drenched riff along a catchy chorus. “Fake It” adds a little Eastern rhythm and nice multi-tracking; this single will definitely grow on you.

The guitar chaos opening “Full Moon” dissipates almost into a Duncan Sheik-like verse, then the contrasting chorus keeps you attached. Czach is a musical artist of the first order, blending modern and progressive styles with pop hooks on “Out of The Dark.”  If you are looking for something different and really good, I highly recommend giving Czach a spin in your music mix.
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