Brendan Benson and Glenn Robinson

Brendan Benson “You Were Right”
On the tail end of 2013 Raconteur and power pop stalwart Brendan Benson turned in his sixth album, an amalgam of singles and unreleased tracks. Benson turned a corner musically with What Kind Of World the year before and “matured” in a sense but You Were Right shows Benson can still knock out minor chord masterpieces will skill. “It’s Your Choice” and “As of Tonight” are terrific songs that match the best in his catalog. His country roots influences are still apparent on the snappy “Diamond” and “Long Term Goal” speaks to the motivation “Have you got a long term goal? Or is it only Rock and Roll you live for?”

This is a solid album without filler and with enough stylistic variety to merit multiple replays. A lot of fun to listen to in a “not-so-serious” way, including the Kinks-ian “Swallow You Whole” and fatalistic “She’s Trying to Poison Me.” My favorites here are “The Fritz” with its dream-like harmonies, Beatlesque guitar and the Stone-sy “Red White and Blues.” This definitely would’ve placed somewhere in my top ten last year.

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Glenn Robinson “Modern Mistakes”
Robinson is a one man wrecking crew from Rhode Island. Opening with a furious riff-tastic melody on “The Worst,” Robinson compares well with Green Day or The Figgs. Its an album meant to played loud, with just enough hooks to keep you humming along.

One of the best power pop songs here is “Wavelength,” its the classic melody/verse combo lead by Robinson’s rough vocal. Other highlights include the punk pop mastery of “Outta My Head” and “Tambourine” could’ve been a track on Kurt Baker’s last album. All the songs are short and sweet; you may get worn out by track ten, but its a sweet ride while it lasts. Fans of Hot Nun and Foo Fighters will also dig this one. Highly Recommended.

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Cheap Star and Dream Boys

Cheap Star “Rosetta Stone” EP
This musical link to both Big Star and The Posies is lead by French native Remi Vaissiere (vocals/guitars) and his super-star band: Brian Young (Fountains of Wayne) on drums, Jon Auer (Posies) on guitar, and Ken Stringfellow (Posies) on bass/keyboards/vocals.

This third EP is very much like the earlier efforts. The Gram Parsons cover “A Song For You” and country-styled “On The Other Side” are superb low key ballads that don’t draw too much attention, and the energy level pushes up with the catchy chorus of “Kelly Slayer.” The guitars start to crunch on “Live Without It” but are careful not to overwhelm the lead vocal. The instrumentation here is also excellent and nothing here feels like filler. While its very palatable and will please most fans, the music will not make you forget those early Posies hits either. The band dedicated this EP to the  memory of Scott Miller from the Loud Family and Game Theory. Amen.

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Dream Boys “Dream Boys”
Dream Boys is an L.A. band with the right combination of West Coast indie attitude and 80’s jangle pop. Lead by Glasgow born Wallace Meek, his jangle-tastic approach also recalls Paisley Underground greats like The La’s, Three O’Clock and Dream Syndicate. The swirling chords are positively hypnotic on the catchy “Born Yesterday” and “Through and Through.”

Most of the songs here follow that rhythmic pattern, but the vocal harmonies are a highlight on “Holding Pattern” that bring to mind The Ocean Blue. No throwaway tracks here, and the quality of musicianship is consistently excellent. Some may find the lack of stylistic variety a little dull, but the Dream Boys really do craft a psychedelic experience that few bands can match. Highly recommended.

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Free Music Monday: The Joe Giddings Theme Collection

Joe Giddings

I must give a big shout out to the talented Joe Giddings (JTG Implosion) for spending the past few years indulging us with his favorite covers. Some tunes are faithful like Badfinger’s “Come and Get It” or creative interpretations like Tears for Fear’s “Head Over Heels” (Volume 3). And Joe will occasionally whip out a cool little known gem, I mean who else has covered the theme to “Nanny and The Professor” (Volume 2)?  Some of my favorite oldies are also included, like The Nazz’s “Open My Eyes” (Volume 1). This is a real treasure trove… Enjoy!

Baby Scream “Greatest Failures”

If you never got into the music of Juan Pablo Mazzola, this your chance to hear one of the best power pop artists from Argentina. A compilation of tracks from 2002 up until 2013 pulls out great music from Baby Scream’s entire career. Starting with the blunt lyrics of “Slut,” then we go to “Mars,” which is like a Juan Pablo version of “Space Oddity.” I’ve frequently compared his vocal style to John Lennon, and this is demonstrated on “Away,”  “The Riots” and “Ojos Orientales.”

My favorite rock track in this collection is “Every Day (I Die a Little Bit)” with a snappy guitar rhythm and furious bass line, and then “Exile” is another excellent riff-led melody with nice overdubbed harmonies. Overall, an impressive collection that belongs in your playlist.

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Sidney York and The Sharp Things

Sidney York

Sidney York “<3” EP
Canadian band Sidney York is the musical collaboration between opera singer Brandi Sidoryk and bassoonist Krista Wodelet. Combine the quirkiness of a Zooey Deschanel with the power of a PJ Harvey or Katy Perry and you get the idea. The opening single “Dick and Jane” is super catchy and “Hearts” is another great tune that lingers in your head. The combo of synths and layered instrumentation along with the Brandi’s pitch perfect vocals make this duo a band to keep your eye on.

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Sidney York

The Sharp Things “The Truth Is Like The Sun
Brooklyn-based chamber pop band the Sharp Things already made a statement with Green is Good early last year. The first half of this album is a grand choral starting with “Can’t Get Started”  and the folk sing along ballad “Lulubelle” set the mood. It gets soulful on “Flesh and Bone,” with the rich instrumentation and multi-part harmonies. The earnest songwriting draws from influences like Pet Sounds, Elton John and Carole King.

Lead vocalist Perry Serpa is now surrounded by an ensemble that makes these songs work. “The Last Hymn” has a wonderful prayer-like quality similar to The Association. Other than the obligatory rocker “Playing The Benelux,” the band is happy to radiate the feel good romantic vibe (“Light in My Harbor.”)  Even the finale “All My Love To You” has a late Beatles “Let It Be” styled piano intro. Feel the love and listen in.